This book, a collection of previously published articles, focuses on the role of the Singaporean State in social cultural engineering. It deals with the relationship between the Singaporean state and local agencies and how the latter negotiated with the state to establish an acceptable framework for social cultural engineering to proceed. The book also highlights the tensions and conflicts that occurred during this process. The various chapters examine how the Singaporean state used polices and regulatory control to conserve and maintain ethno-cultural and ethno-religious landscapes, develop a moral education system and how the treatment of women and its morality came into alignment with the values that the state espoused upon from the 1980s through the 1990s.
What does it mean to become religiously queer or queerly religious in one's everyday life? What narratives of becoming 'person' emerge from these lived realities? Sharon A. Bong addresses these questions by exploring the personal journeys of several GLBTIQ (Gay, Lesbian, Bisexual, Transgender, Intersex and Queer) persons negotiating the tensions between living out their sexuality and religiosity in the context of Malaysia and Singapore. By sharing their stories, Bong presents a broad spectrum of queer strategies emerging from participants' narratives of 'becoming', which encompass becoming Asian, becoming postcolonial, becoming sexually religious and religiously sexual, and becoming 'persons'. These strategies are used in the book as counterpoints to nationhood narratives of becoming Asian or postcolonial, which are still mired in religious-sponsored and colonial-inherited sexual regulations. Finally, Bong shows how the insistence of identifying as both queer and religious is critical in challenging the conservative social-political milieu surrounding issues of gender diversity and inclusion within these south-east Asian states.
This book explores the role of education in the formation of the Singapore developmental state. The book provides a historical study of citizenship education in Singapore, whereby a comparative study of history, civics and social studies curricula, and the politics and policies that underpin them are examined.
Taking ideas and frameworks from philosophy, psychology, political science, cultural studies and anthropology, this book tells the larger ‘truth’ about the Singapore state. This book argues that this strong hegemonic state achieves effective rule not just from repressive policies but also through a combination of efficient government, good standard of living, tough official measures and popular compliance. Souchou Yao looks at the reasons behind the hegemonic ruling, examining key events such as the caning of American teenager Michael Fay, the judicial ruling on fellatio and unnatural sex, and Singapore’s ‘war on terror’ to show the ways in which the State manages these events to ensure the continuance of its power and ideological ethos. Lively, and well-written, this book discusses key subject areas such as: leftist radicalism and communist insurgency nation-building as trauma Western ‘yellow culture’ and Asian Values judicial caning and the meaning of pain the law and oral sex food and the art of lying cinema as catharsis Singapore after September 11.
AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation, and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time.
This book explores this inherent contradiction present in most facets of Singaporean media, cultural and political discourses, and identifies the key regulatory strategies and technologies that the ruling People Action Party (PAP) employs to regulate Singapore media and culture, and thus govern the thoughts and conduct of Singaporeans. It establishes the conceptual links between government and the practice of cultural policy, arguing that contemporary cultural policy in Singapore has been designed to shape citizens into accepting and participating in the rationales of government. Outlining the historical development of cultural policy, including the recent expansion of cultural regulatory and administrative practices into the ‘creative industries’, Terence Lee analyzes the attempts by the Singaporean authorities to engage with civil society, the ways in which the media is used to market the PAP’s policies and leadership and the implications of the internet for the practice of governmental control. Overall, The Media, Cultural Control and Government in Singapore offers an original approach towards the rethinking of the relationship between media, culture and politics in Singapore, demonstrating that the many contradictory discourses around Singapore only make sense once the politics and government of the media and culture are understood.
This volume discusses the urban history and cultural landscape of Singapore in relation to theories of textual dialogics, multiculturalism and the cultural and political unconscious. Multidisciplinary in approach, it takes as its data not only government policy and official discourses, and the more quantitative elements of population census information on religion, income, race and nationality, but also a wide range of related cultural discourses in film, literature, media texts, social behaviour and other interventions and interpretations of the city. The main parameters of Singapore’s socio-national construction—public housing, social elitism, racial and linguistic plurality and their management, colonial remnants and their transformation—are explained and analysed in terms of Singapore’s colonial past, its rapid modernization, and its current push to compete as a global city and tourist destination. This multidisciplinary book should be of interest to a correspondingly wide readership, including architects and urban planners, political scientists, cultural analysts and theorists, colonial discourse scholars, urban geographers and sociologists, Asian studies specialists, graduate and undergraduate students in the above areas, and a general readership interested in cities and cultures. “This is a remarkable book. By taking a series of readings of Singapore’s urban culture, it chronicles the emergence of a new city form which, through the coming together of quite particular narratives of modernity, nationhood and identity may well be providing a much more general spatial model for Asian cities. Simultaneously, it provides a gripping account of how to read the possibilities and tensions that this model throws up.” —Nigel J. Thrift, Oxford University “Goh’s theoretically sophisticated and creative analysis of Singapore’s society, space and culture and his brilliant critique of the city’s official policies of self-representation is a marvellous tour de force. An astute urban semiotician and interpreter of cultural signs, Goh draws on films, figures and fiction to provide a fascinating reading of a city preparing for global competition. Questions of ethnicity, class, sexuality, national identity, architecture and space are brought together in an imaginative—as well as provocative—exercise of symbolic explication and analysis. Essential for studies of Asian urbanism and a model for students of the (so-called) ‘global city’.” —Anthony King, State University of New York at Binghamton “In Contours of Culture Robbie Goh has achieved what many specialists in cultural studies have attempted only metaphorically, by successfully fusing the materiality of spatiality with the symbolic realm of cultural processes. The result is an absorbing and nuanced interpretation of the meaning of the landscapes of Singapore, where space serves as a text that reflects and reproduces the political cultures of a global city in a state of constant re-invention.” —David Ley, University of British Columbia, Canada
Using the case study of Singapore, this book examines the production of a set of institutionalized relationships and ethical meanings that link citizens to each other and the state. It looks at how questions of culture and morality are resolved, and how state-society relations are established that render paradoxes and inequalities acceptable, and form the basis of a national political culture. The Singapore government has put in place a number of policies to encourage marriage and boost fertility that has attracted much attention, and are often taken as evidence that the Singapore state is a social engineer. The book argues that these policies have largely failed to reverse demographic trends, and reveals that the effects of the policies are far more interesting and significant. As Singaporeans negotiate various rules and regulations, they form a set of ties to each other and to the state. These institutionalized relationships and shared meanings, referred to as neoliberal morality, render particular ideals about family natural. Based on extensive field work, the book is a useful contribution to studies on Asian Culture and Society, Globalisation, as well as Development Studies.
This volume approaches China’s Belt and Road Initiative as a process of culturalization, one that started with the Silk Road and continued over the millennium. In mainstream literature, the Belt and Road Initiative (BRI) has been portrayed as the geo-economic vision and geo-political ambition of China’s current leaders, intended to shape the future of the world. However, this volume argues that although geo-politics and geo-economy may play their part, the BRI more importantly creates a venue for the meeting of cultures by promoting people-to-people interaction and exchange. This volume explores the journey from the Silk-Road to Belt-Road by analyzing topics ranging from history to religion, from language to culture, and from environment to health. As such, scholars, academics, researchers, undergraduate and graduate students from the Humanities, Social Sciences, and Business will find an alternative approach to the Belt and Road Initiative.
