The Haunted World of Mario Bava has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava's remarkable legacy as a director and "cinema magician."
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today
When Eve Springer arrives to join the Songbirds it’s the fulfillment of her lifelong dream. But that dream is soon to become a nightmare. Somebody is murdering the Songbirds, using their own instruments as weapons. Will Eve be next? “Passionate, overwhelming, a classic thriller with a rock rhythm.” — Ernesto Gastaldi, screenwriter of So Sweet… So Perverse "I read this story with ever-increasing interest. The dynamics and tension felt reminiscent of my thriller films from the 70s and 80s, which have been appreciated by many American directors such as Quentin Tarantino. It would make a great film for lovers of the genre. Ottimo intrigo!" — Sergio Martino, director of All the Colors of the Dark and Torso "Intricately plotted in the classic giallo style, with plot twists and murders galore. John Everson has written a thriller that is sure to appeal to devotees of lurid Italian mystery thrillers." — Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films Somebody is murdering the Songbirds… A modern Giallo, Everson's homage to the stylish Italian mystery thrillers. When Eve Springer arrives in Belgium to study with the world-famous Prof. Ernest Von Klein at The Eyrie, an exclusive music conservatory, it’s the fulfillment of a lifelong dream. But that dream is soon to become a nightmare. When the star of the school’s piano program is strangled with a piano wire, the only clue to the killer is a grainy picture of the victim during her final moments, mouth wide and screaming, posted on the girl’s own Facebook account, alongside a classic music video. What does it mean? Eve soon finds herself taking the girl’s place as the enclave’s star pupil, in line for a coveted scholarship and a new member of the famed jazz combo, the Songbirds. When Eve is drugged and another Songbird murdered at a campus party, she suddenly finds herself on the list of suspects. Another picture is posted online of the victim in her final moments, and this time, Eve is sure the hands around the girl’s throat… are hers! Could she have killed the girl while under the influence of whatever someone had slipped in her drink? The police and others at the Eyrie are suspicious; the murders began when she arrived. Her new boyfriend Richard insists that she could not be the killer. But who would want the Songbirds dead? One of the other Songbirds, like Gianna, the snarky sax player who seems to hate everyone? Or Philip, the creepy building caretaker and occasional night watchman? Or could it be Prof. Von Klein himself, who seems very handy with a camera and has a secret locked room behind his office where the light always seems to be on after dark? Whoever it is, Eve knows she needs to figure it out. Because when a dead canary is left as a bloody message on the keys of her piano, she knows her own life may be in deadly danger. FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices.
Even the most avid true crime fans will be shocked by the story of Marcus Wesson of Fresno, California, the worst mass-murderer in the city’s history. But the horrors he inflicted upon his family are nothing compared to the strength of the survivors, and one brave reporter who risked everything to help them. Originally published as Where Hope Begins. For decades, the family of Marcus Wesson—his wife, Elizabeth, and seventeen children—lived sequestered in a social and emotional prison, enduring his tyrannical reign of physical, sexual, and mental abuse. Then came the terrible day when a family confrontation erupted into a harrowing standoff: with police and SWAT teams descending on a small blue house in central Fresno, Marcus Wesson murdered nine of his children. Television reporter Alysia Sofios got the first tip about Wesson’s arrest and was witness to every twist and turn of the horrific case through to Wesson’s trial. Risking her job and her life to offer friendship and support to the traumatized family members—scarred by memories and guilt, reviled for having the Wesson name—Sofios chronicles the case that shocked the nation, and gives voice to their astounding stories of survival. This is a stunning account of healing from one man’s unimaginable acts, and how each, in time, learned to break free from a deadly devotion.
"Katz focuses on four fundamental features of our legal system, all of which seem to not make sense on some level and to demand explanation. First, legal decisions are essentially made in an either/or fashion... Second, the law is full of loopholes... Third, legal systems are loath to punish certain kinds of highly immoral conduct while prosecuting other far less pernicious behaviors... Finally, why does the law often prohibit what are sometimes called win-win transactions, such as organ sales or surrogacy contracts?" - from the University of Chicago Press press release
For many horror film fans, the name Lucio Fulci conjures images of gore and depravity. Derided by critics as a hack and an imitator and lionized by others as the "Godfather of Gore," Fulci remains a polarizing and controversial figure. However, many fans are unaware of the scope and breadth of his filmography. From his early days writing material for popular comics like Totò and Franco and Ciccio to directing films in such genres as the musical and the Spaghetti Western, Lucio Fulci was a filmmaker of great diversity. When he attained international notoriety with the release of his gory epic ZOMBIE, Fulci already had years of experience in the film industry; that film's success established him as one of Italy's premier masters of the macabre and he would continue to shock and delight fans until shrinking budgets and failing health began to compromise some of his later work. When he died in 1996, he was on the cusp of a major comeback, but in the years following his death the cult surrounding his legacy has continued to grow. Unfortunately, most studies of Fulci and his work have elected to focus only on a small part of his career. SPLINTERED VISIONS changes all of that by providing an in-depth exploration of Fulci's filmography, beginning with his work as a screenwriter and extending through all of his films as a director. The popular horror films and thrillers are given ample coverage, but the lesser-known works are finally put into their proper context. Author Howarth provides a detailed portrait of a complex man using newly conducted interviews with actors such as Richard Johnson and Franco Nero, which allows the reader a sense of who the director was and how he worked. The end result is the most comprehensive overview of Fulci, the man and Fulci, the filmmaker that has been published in English--making SPLINTERED VISIONS a cause for celebration among serious Fulci fans. The book is also lavishly illustrated with a number of rare stills, posters and advertising materials.
Collects Marvels: Eye of the Camera #1-6. News photographer Phil Sheldon's back, with the man-on-the-street's perspective on the big events of the Marvel Universe, from the Avengers, the all-new X-Men and the Secret Wars to Dracula and the Werewolf By Night. But this time, Phil's world is going to be rocked not just by superheroes and super-villains -- but by something far more personal, as well.
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
The exploitation film industry of Italy, Spain and France during the height of its popularity from 1960 to 1980 is the focus of this entertaining history. With subject matter running the gamut from Italian zombies to Spanish werewolves to French lesbian vampires, the shocking and profoundly entertaining motion pictures of the "Eurocult" genre are discussed from the standpoint of the films and the filmmakers, including such internationally celebrated auteurs as Mario Bava, Jess Franco, Jean Rollin and Paul Naschy. The Eurocult phenomenon is also examined in relation to the influences that European culture and environment have had on the world of exploitation cinema. The author's insight and expertise contribute to a greater understanding of what made these films special--and why they have remained so popular to later generations.