Created by acclaimed filmmaker Shekhar Kapur, (Elizabeth; Golden Age; Four Feathers). Jessica Peterson is hounded by 68 individuals, all reincarnations of the 18th Century British soldiers that killed her serpentine brethren. In this stand-alone one-shot (and perfect jumping on point!) we see the saga of the Snake Woman through one of their eyes. Mr. Robinson is trapped in the domestic cage he's created for himself. But when strange dreams of the Indian jungle begin to manifest themselves as dark impulses in his daily life, Mr. Robinson discovers his dark past, and embraces his murderous future!
Created by acclaimed filmmaker Shekhar Kapur, (Elizabeth; Golden Age; Four Feathers). Born, 1981. First kiss, 1996. Graduated with honors, 2002. Moved to Los Angeles, 2006. Within three years, she will have killed 68 men. Jessica Peterson is learning first-hand that the cycle of revenge cannot be broken. Without understanding why, she finds herself turning into a creature - a vicious Snakewoman. Her mission - to avenge a centuries old wrong that was conceived half a world away, deep in the jungles of India. Terrified by her true nature and hunted by a mysterious organization known only as "The 68," Jessica must confront the monster that lurks inside her before it is too late.
This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel-related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.
Created by acclaimed filmmaker Shekhar Kapur, (Elizabeth; Golden Age; Four Feathers). Born, 1981. First kiss, 1996. Graduated with honors, 2002. Moved to Los Angeles, 2006. Within three years, she will have killed 68 men. Jessica Peterson is learning first-hand that the cycle of revenge cannot be broken. Without understanding why, she finds herself turning into a creature - a vicious Snakewoman. Her mission - to avenge a centuries old wrong that was conceived half a world away, deep in the jungles of India. Terrified by her true nature and hunted by a mysterious organization known only as "The 68," Jessica must confront the monster that lurks inside her before it is too late.
Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang Monsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center—the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody’s edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women’s real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.
The first graphic novel from filmmaker John Woo. Six hundred years ago, mighty Chinese treasure fleets set sail to reach every continent. These voyages left behind an evil plot by a powerful Chinese sorcerer to dominate the world. Now in modern-day Los Angeles. an ancient Chinese prophecy must be fulfilled. Older teens.
This book provides an exploration of the historical conditions that gradually defined subordinating symbols and conflictual values in social relations between the sexes. It reveals how snakes and the gelid eyes of Medusa—the archetypical snake-woman—have reverberated across the visual arts and written sources throughout the ages in association with negative emotions: fear, anger, scorn and shame. The outcomes and implications of the disturbing correlation between the dangerous female gaze, the malignitas of the snake and the lethal power of menstruation that have been woven through the fabric of the Western imaginary are analysed here. This analysis reveals an intriguing history of female reptilian hybrids—from the pleasing Minoan snake goddesses to the depressing Gorgon, Echidna, Amazons, Eve, Melusine, Basilisk, Poison-Damsel, Catoblepas and Sadako/Samara—and gives the reader an opportunity to explore things that never happened but have always been.
Jessica Petersen has grown accustomed to her "snake-ish" ways ... that is, turning into a half-woman, half-snake. As the reincarnated Snake Goddess, Jess has wreaked a path of vengeance against the 68 - those who had ruthlessly desecrated the sacred temple of the Snake God in the 18th century. Harker, head of the 68, is pleased with the arrangement he's made with Jess, and is determined to end the cycle of reincarnation he faces by helping her kill those he is meant to lead - even if that means destroying The Faithful, the secret society within the 68 created to protect its members from any harm. As the blood count gets thicker, Jess finds herself amidst a labyrinth of duplicity. Between the Faithful, Harker, and those closest to Jess, who can she trust, and who will pay the price of the Snake Woman's blood bath?
When red tape, bureaucracy, and a corrupt corporation block Dr. Curtis Connors' bid to help cure his cancer-stricken wife, he unleashes his deadly alter ego, the Lizard, on humankind and Spider-Man.
Jackson Jones is trying to decide whether to remain an anthropology professor in his small Midwestern town, or to return to doing fieldwork among the Mbuti people, in their African Garden of Eden. His ruminations are interrupted by the arrival of a late friend's niece, who has just been sprung from jail. Sunny admits that she shot her husband, an evangelical pastor from the Little Egypt region of Illinois, but he had it coming after forcing her to take on a rattle snake. As an anthropologist, Jackson is curious about Sunny's experiences with The Church of the Burning Bush; as a man, he is not immune to her backwoods sassiness. Although Sunny is pleased to be with a kind partner at last, she is also serious about her belated education--funded by her late uncle--at Jackson's university. French and herpetology compete for her attention, and Jackson's plan to take her to Paris to propose marriage are waylaid when she decides to travel to an academic conference with her biology professor instead. Jackson is crushed and heads for Little Egypt in Sunny's absence, to get to know her ex-husband and to study the snake-handling ceremonies at his evangelical church. Complications ensue, including Jackson's near-death experience and Sunny's murder of her ex, but fate is a positive force for all in the end. Packed with both information and emotion, Snakewoman of Little Egypt delivers Robert Hellenga at the top of his form.
