Expanded Cinema

Expanded Cinema

Author: Gene Youngblood

Publisher: Fordham University Press

Published: 2020-03-03

Total Pages: 485

ISBN-13: 0823287432

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Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.


Bentham and the Arts

Bentham and the Arts

Author: Anthony Julius

Publisher: UCL Press

Published: 2020-05-11

Total Pages: 313

ISBN-13: 1787357368

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Bentham and the Arts considers the sceptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham’s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally.


Sinai Tapestry

Sinai Tapestry

Author: Edward Whittemore

Publisher: Open Road Media

Published: 2013-07-23

Total Pages: 504

ISBN-13: 1480433896

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DIVDIVSinai Tapestry, the brilliant first novel of the Jerusalem Quartet,is an epic alternate history of the Middle East in which the discovery of the original Bible links a disparate group of remarkable people across time and space/divDIV In 1840, Plantagenet Strongbow, the twenty-ninth Duke of Dorset, seven-feet-seven-inches tall and the greatest swordsman and botanist of Victorian England, walks away from the family estate and disappears into the Sinai Desert carrying only a large magnifying glass and a portable sundial. He emerges forty years later as an Arab holy man and anthropologist, now the author of a massive study of Levantine sex—and the secret owner of the Ottoman Empire./divDIV Meanwhile, Skanderbeg Wallenstein has discovered the original Bible, lost on a dusty bookshelf in the monastery library. To his amazement, it defies every truth held by the three major religions. Nearly a century later, Haj Harun, an antiquities dealer who has acted as guardian of the Holy City for three thousand years, uncovers the hidden Bible./divDIV Sinai Tapestry is the first volume of the Jerusalem Quartet, which continues with Jerusalem Poker, Nile Shadows,and Jericho Mosaic./divDIV/div/div


A History of Experimental Film and Video

A History of Experimental Film and Video

Author: A.L. Rees

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 210

ISBN-13: 1838714197

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Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.


Surrealist Women

Surrealist Women

Author: Penelope Rosemont

Publisher: A&C Black

Published: 1998-01-01

Total Pages: 582

ISBN-13: 9780485300888

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Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the origins of the movement.The texts are organised into historical periods ranging from the 1920s to the present, with introductions describing trends in the movement for each period; and each surrealist's work is prefaced by a brief biographical statement. Authors include El Allailly, Bruna, Cunard, Carrington, Cesaire, Gauthier, Giovanna, van Hirtum, Kahlo, Levy, Mansour, Mitrani, Pailthorpe, Joyce Peters, Rahon, Svankmajerova, Taub, Zangana>


Birth of a Reformation

Birth of a Reformation

Author: Andrew Byers

Publisher: FAITH PUBLISHING HOUSE

Published: 2015-03-19

Total Pages: 301

ISBN-13:

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The life and labors of D. S. Warner are so closely associated with a religious movement that any attempt at his biography becomes in part necessarily a history of that movement. I have therefore chosen the term, Birth of a Reformation, as a part of the title of this book. Brother Warner (to use an appellation in keeping with the idea of universal Christian brotherhood) was doubtless chosen of God as an instrument for accomplishing a particular work. What that work was, why it may be called a reformation, and why, in particular, it may be considered the last reformation, a few words of explanation by way of introduction are offered the inquiring reader. It will be necessary to take a brief glance over the Christian era and review some of the important events and conditions. We note the characteristics of the church in the days of the apostles, which, by reason of its recent founding and organization by the Holy Spirit, is naturally regarded as exemplary and ideal. It had no creed but the Scriptures and no government but that administered by the Holy Spirit, who 'set the members in the body as it pleased him'—apostles, prophets, teachers, evangelists, pastors, etc. Thus subject to the Spirit, the early church was flexible, capable of expansion and of walking in all the truth and of adjusting itself to all conditions. It was in very essence the church, the whole, and not a section or part. The apostles and early believers did not restrict themselves and become a Jewish Christian sect or any other kind of sect. Peter's way of thinking would have thus limited him, for as a Jew he declined any particular interest in Gentile converts; but the Lord through a vision changed his mind and advanced his understanding to include the universality of the Christian kingdom. The Holy Spirit in the heart was necessary, of course, to the successful government of the church by the Spirit, otherwise he could not have been understood. There were no dividing lines, for it was the will of the Lord particularly that there be "one fold and one shepherd." Jesus had prayed in behalf of the disciples "that they all may be one; as thou, Father, art in me, and I in thee, that they also may be one in us: that the world may believe that thou hast sent me". These conditions of being subject to the word and Spirit, of leaving an open door through which greater light and truth might enter as was necessary, and of possessing the love and unity of spirit that cemented the believers together and carried them through all their persecution, constituted the ideal and normal status of God's church on earth as he gave it beginning, of which it was ordained that there should be but one, only one, as long as the world should endure. "There is one body, and one Spirit, even as ye are called in one hope of your calling".


Sound and Image

Sound and Image

Author: Andrew Knight-Hill

Publisher: CRC Press

Published: 2020-06-22

Total Pages: 396

ISBN-13: 100006994X

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Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.