Founded in 1985 in Sarpsborg, Norway,Slayer Magazine quickly rose to prominence by championing countless unsigned death metal pioneers. The pages of the magazine became a written gospel for the fledgling extreme metal underground, combining eye-ripping graphics, brutally honest writing, and a relentless and sick sense of humor. As black metal rose to prominence in Norway in the 1990s,Slayer Magazine remained the final word on the moods and motivations of those dark times. This book is densely illustrated with early candid photos of classic heavy metal bands including Kreator, Mayhem, Emperor, Darkthrone, Napalm Death, and Morbid Angel. In addition to rare archival material unseen in decades, the book includes unreleased and exclusive interviews and artwork, including historical photographs, and never-before-seen portrait photography by editor Jon "Metalion" Kristiansen.
The material anthologised in Metalion: The Slayer Mag Diaries is presented here in its complete, original form. Jon 'Metalion' Kristiansen, deemed to be 'the godfather of Norwegian black metal' by Enslaved, created this deep and passionate record of the intertwined sensational actions, rivalries, violence and totally new and unique underground black metal music.
First, Asterix and Obelix and their tone-deaf bard Cacofonix attempt to bring rain to a far-off Eastern Kingdom in “Asterix and the Magic Carpet.” Asterix and Julius Caesar race head-to-head to implement their “Secret Weapon” to their forces and advance into a new age. Their futures are female. And finally, Obelix gets his hands on the magic potion and flees the village. Can the King of Atlantis help? Find out in “Asterix and Obelix All at Sea.” Plus: a new Asterix Afterword by Alexander Simmons, providing historical and cultural context, both in 50 B.C. and in the time the classic comics were created.
“* * * * * *! The most incredible story in the history of music … a heavyweight book.”—Kerrang! “An unusual combination of true crime journalism, rock and roll reporting and underground obsessiveness, Lords of Chaos turns into one of the more fascinating reads in a long time.”—Denver Post A narrative feature film based on this award-winning book has just gone into production.
If Nene and Kou want to return to their own world, they have to kill "Amane Yugi" and "Sousuke Mitsuba"-or rather, the versions of them living within the canvas of Number Four's boundary. Faced with that cruel choice, Nene instead proposes a way to escape from this fake world to the boy she can't help but call "Hanako-kun." At the same time, Kou tries to win over Mitsuba as well-but just who exactly is this "Mitsuba"?!
Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motifs, this time postulating that left-wing Satanists are secretly manipulating politics and doing nefarious deeds in the shadows. This book, however, is only indirectly concerned with the purely fictional Satanism of such paranoid fantasies. It does not deal directly with the literary tradition of Satanism either, where Satanists can appear as antagonists (or, more rarely, protagonists) in the plot of a story, or authors express Satanic sympathies in a poem or two. Rather, our selection of source texts focuses on actual, existing Satanic groups, and thinkers of importance to the emergence of a Satanic milieu that forms part of a broader landscape of alternative religion. Some of the texts do in a sense belong to the above-mentioned categories, e.g., Léo Taxil's spoof on conspiracy theories, or the quite literary pseudo-histories of Satanism - in fact Satanic tracts in disguise of Jules Michelet and Stanislaw Przybyszewski, but we have aimed to concentrate on 1. self-designated Satanic groups and ideologists, 2. groups and ideologists who prominently revere a figure they identify with Satan, even though they may not self-designate as Satanists, and 3. groups and ideologists mostly excluding, however, literary texts and conspiracy theories whose re-interpretations of Satan were crucial to the growth of such ideas--
Of all the Old West figures whose images eventually found their way into our popular culture, none was better known than Wild Bill Hickok. This book, a companion volume to Joseph Rosa’s exhaustive biography, They Called Him Wild Bill, reproduces in one volume nearly all the known portraits of Wild Bill, together with photographs of his family, his friends, his foes, and the places that knew him.
A high elf, a dwarf, and a lizardman walk into a bar...with a mission for Goblin Slayer! The revival of the dark gods has brought chaos to the lands, with an army of demons closing in on the horizon! However, Goblin Slayer's here for one job and one job only: slaying goblins. Can the new trio gain his trust and win him to their side before the end of the world as they know it...?
Combines hundreds of unseen early Hellhammer and Celtic Frost photos with a vast treasure trove of artwork and memorabilia. A substantial written component by Fischer details his upbringing on the outskirts of Zurich and the hardships and triumphs he faced bringing his groundbreaking death metal bands Hellhammer and Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone and a foreword by noted British author Joel McIver.
