A cop is gunned down and unless Ricky Durrutti, a petty criminal with a short biography and a long rap sheet, can figure out who the real shooter is, he's a dead man. From Hunt's Donuts, opposite where the killing took place, to his room in the El Capitán Hotel, from the blue grass and steel Federal Building off Golden Gate Avenue to the Ritmo Latino record store, and from the Roxie Cinema on 16th Street to the Ramshackle Victorian homes of Treat Street where Lonely Boy lives--the chase is on. Salvadoreno gangs and Mexicans, cops and Jewish gangsters, drag queens and heroin addicts, speed freaks and low rent hookers, low-lives rising rising to the challenge of making sense of a murder. Out of the twentieth century of Nelson Algren and Charles Bukowski, here is the twenty-first century world of Peter Plate.
In this "raucous, moving, and necessary" story by a Pulitzer Prize finalist (San Francisco Chronicle), the De La Cruzes, a family on the Mexican-American border, celebrate two of their most beloved relatives during a joyous and bittersweet weekend. "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank. "Epic . . . Rambunctious . . . Highly entertaining." -- New York Times Book Review"Intimate and touching . . . the stuff of legend." -- San Francisco Chronicle"An immensely charming and moving tale." -- Boston GlobeNational Bestseller and National Book Critics Circle Award finalistA New York Times Notable BookOne of the Best Books of the Year from National Public Radio, American Library Association, San Francisco Chronicle, BookPage, Newsday, BuzzFeed, Kirkus, St. Louis Post-Dispatch, Literary Hub
DigiCat Publishing presents to you this meticulously edited collection of the complete novels by Ernest Haycox: A Rider of the High Mesa_x000D_ Free Grass_x000D_ The Octopus of Pilgrim Valley_x000D_ Chaffee of Roaring Hors_x000D_ Son of the West_x000D_ Whispering Range_x000D_ The Feudists_x000D_ The Kid From River Red_x000D_ The Roaring Hour _x000D_ Starlight Rider _x000D_ Riders West _x000D_ The Silver Desert_x000D_ Trail Smoke_x000D_ Trouble Shooter_x000D_ Sundown Jim _x000D_ Man in the Saddle _x000D_ The Border Trumpet _x000D_ Saddle and Ride _x000D_ Rim of the Desert _x000D_ Trail Town_x000D_ Alder Gulch _x000D_ Action by Night _x000D_ The Wild Bunch _x000D_ Bugles in the Afternoon_x000D_ Canyon Passage_x000D_ Long Storm_x000D_ Head of the Mountain_x000D_ The Earthbreakers_x000D_ The Adventurers
It's prom night in the Demented States of America. A place where schools are built with secret passageways, rebellious teens get zippers installed in their mouths and genitals, and once a year, on that special night, one couple is slaughtered and the bits of their bodies are kept as souvenirs. But something's gone terribly wrong at Corundum High, where the secret killer is claiming a far higher body count than usual . . . Slaughterhouse High is Robert Devereaux's slicing satire of sex, death, and public education.
Lord T’ien Huang controls the universe through poetry, telepathy and the violence of his insane Angels. His subjects consider him to be God. Emperor of a universe ruled by the Ch’ang, immortal but not invulnerable, his interest is aroused by Sebastian, a novice monk on the remote and wasted planet of Lu, who can see and speak to God. Should he destroy the boy or toy with him? Sebastian is rescued from the Lord T’ien Huang’s avenging Angels by Mapmaker, an ancient Old Before the Fall with a forgotten history of betrayal, and they journey to the snowbound north. They are accompanied by Velikka Magdasdottir, a girl belonging to the Hengstmijster tribe of warrior herdswomen who maintain a veiled harem of husbands. In the frozen wastes they encounter the remains of the Ingitkuk who rebelled against the Ch’ang in antiquity and lost their witch princess, She Whom the Reindeer Love. Mapmaker knew her when she died half a millennium ago as Her Breath Is Of Jasmine. Will Mapmaker lead Sebastian, the Hengstmijster and the Ingitkuk to their doom against the Ch’ang? Can Sebastian master his own powers? How will they survive against the Angel Michael, thawed and frozen more times than he can recall, with his power to destroy humanity by the billion?
Are angels and demons real? What makes the New Age the New Age? Does consciousness survive death? Writing from the perspective of a practicing ceremonial magician, one of America's most knowledgeable and engaging authorities on Western Hermeticism answers these questions and many more with humor and personal anecdotes. Illustrated and with color fold-out.
For Elena del Río, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, “when truth and judgment crumble, there remain bodies, which are... nothing but forces.”
" When your spirit seeks the meaning of its existence, its loves and its work When you see behind the images and you hear beyond the words When you feel vulnerable and your feelings are beyond your power to control When your body hurts and you don‘t know why When you ask yourself, ‘Why live, if I have to die?’ When faced with the social inequalities and misery of this world, you wonder if God really exists You are ready for initiation You are ready to receive the Knowledge.“ Through The Traditional Study of Angels, rediscover and develop the Angelic States of Consciousness that represent the essence of the Divine qualities and virtues. By reactivating these powerful Angelic Energies in your thoughts, feelings and actions, you will awaken a new way of understanding dreams, signs and synchronicity. Reading the real-life experiences told in this book, discover that the greatest teaching is that which is received through personal experience. Become aware that every event, meeting and word contributes to our evolution. In simple language, Kaya and Christiane Muller share with us the wealth of this teaching and its application to daily life. They share their own experience and that of individuals who practice this ancient path of Knowledge. To meditate with the Angels is to experience spiritual autonomy.