"Bill Gulick's writing career, spanning more than six decades, is truly remarkable. He has written twenty-seven novels, eight nonfiction books and several plays. He was a regular contributor to The Saturday Evening Post and other national magazines. His stories have become major motion pictures starring screen legends like Burt Lancaster, and Jimmy Stewart. A list of his literary friends reads like a whose who of western wrtiting. Gulick is considered one of the foremost authorities on Pacific Northwest history. In Sixty-four Years as a Writer, he details the journey from his Depression era Oklahoma roots to his position as one of the nation's premier western authors."--Publisher's description
Named one of the best books of 2017 by The New York Times Book Review, The Washington Post, San Francisco Chronicle, and Literary Hub. Winner of the Best Japanese Crime Fiction of the Year Award. One of Vulture's 10 Best Thriller Books of 2017. “Already a bestseller in Japan and the U.K., this cinematic crime novel suffused with fascinating cultural details follows a police department reinvestigating a chilling kidnapping that stumped them 14 years earlier.” —Entertainment Weekly, The Must List THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days, the parents of a seven-year-old Japanese schoolgirl sat and listened to the demands of their daughter’s kidnapper. They would never learn his identity. And they would never see their daughter alive again. Fourteen years later, the mystery remains unsolved. The police department’s press officer—Yoshinobu Mikami, a former detective who was involved in the original case and who is now himself the father of a missing daughter—is forced to revisit the botched investigation. The stigma of the case known as “Six Four” has never faded; the police’s failure remains a profound source of shame and an unending collective responsibility. Mikami does not aspire to solve the crime. He has worked in the department for his entire career, and while he has his own ambitions and loyalties, he is hoping simply to reach out to the victim’s family and to help finally put the notorious case to rest. But when he spots an anomaly in the files, he uncovers secrets he never could have imagined. He would never have even looked if he’d known what he would find. An award-winning phenomenon in its native Japan—more than a million copies sold, and the winner of the Best Japanese Crime Fiction of the Year award—and already a critically celebrated top-ten bestseller in the U.K., Hideo Yokoyama’s Six Four is an unforgettable novel by a literary master at the top of his form. It is a dark and riveting plunge into a crime, an investigation, and a culture like no other.
The Chinese I Ching, or Book of Changes, is one of the oldest and strangest of all books, a masterpiece of world literature, a divination manual, and a magnet for the deranged and the obsessive. In Sixty-Four Chance Pieces, novelist and philosopher Will Buckingham puts the I Ching to work, using it to weave together 64 stories of chance and change, each flowing from one of the I Ching's 64 hexagrams. Moving between myth, fable, and travel writing, the collection offers an attempt to make sense of the maddening, changeable book that is the I Ching, with tales of inventors and fox-spirits, ancient poets and nonexistent rulers, kleptomaniac pensioners and infernal bureaucrats. Like the I Ching itself, this new Book of Changes is a puzzle, a conundrum, and a journey of many transformations, where nothing is quite what it seems.
Update Culture and the Afterlife of Digital Writing explores “neglected circulatory writing processes” to better understand why and how digital writers compose, revise, and deliver arguments that undergo sometimes constant revision. John R. Gallagher also looks at how digital writers respond to comments, develop a brand, and evolve their arguments—all post-publication. With the advent of easy-to-use websites, ordinary people have become internet writers, disseminating their texts to large audiences. Social media sites enable writers’ audiences to communicate back to the them, instantly and often. Even professional writers work within interfaces that place comments adjacent to their text, privileging the audience’s voice. Thus, writers face the prospect of attending to their writing after they deliver their initial arguments. Update Culture and the Afterlife of Digital Writing describes the conditions that encourage “published” texts to be revisited. It demonstrates—through forty case studies of Amazon reviewers, redditors, and established journalists—how writers consider the timing, attention, and management of their writing under these ever-evolving conditions. Online culture, from social media to blog posts, requires a responsiveness to readers that is rarely duplicated in print and requires writers to consistently reread, edit, and update texts, a process often invisible to readers. This book takes questions of circulation online and shows, via interviews with both writers and participatory audience members, that writing studies must contend with writing’s afterlife. It will be of interest to researchers, scholars, and students of writing studies and the fields of rhetoric, communication, education, technical communication, digital writing, and social media, as well as all content creators interested in learning how to create more effective posts, comments, replies, and reviews.
