Made restless by the tightening restrictions of CIA bureaucracy, agent Alan Taylor oversteps moral and legal bounds in a top-secret mission to destabilize the Soviet Union. His new recruit - the beautiful Anna Barnes, who struggles with complex feelings for Taylor - receives a deeper education than she signed up for in David Ignatius’s trademark world of shifting international and domestic pressures, hidden loyalties, and secret agendas.
A "superlative spy novel" (New York Times) by the author of the bestselling espionage thrillers Body of Lies and The Director. Agents of Innocence is the book that established David Ignatius's reputation as a master of the novel of contemporary espionage. Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Posted in Beirut to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.
The New York Times bestseller: “A remarkably timely and pulse-quickening tale of deception, divided loyalty, and moral haziness.”—Raleigh News & Observer Harry Pappas, chief of the CIA’s Persia House, receives an encrypted message from a scientist in Tehran. But soon the source of secrets from the Iranian bomb program dries up: the scientist panics; he’s being followed, but he doesn’t know who’s on to him, and neither does Harry. To get his agent out, Harry turns to a secret British spy team known as “The Increment,” whose operatives carry the modern version of the double-O “license to kill.” But the real story is infinitely more complicated than Harry understands, and to get to the bottom of it he must betray his own country.
“A riveting imagined world, so real in fact that one always wonders if it is imagined at all.” —Scott Turow Made restless by the tightening restrictions of CIA bureaucracy, agent Alan Taylor oversteps moral and legal bounds in a top-secret mission to destabilize the Soviet Union. His new recruit—the beautiful Anna Barnes, who struggles with complex feelings for Taylor—receives a deeper education than she signed up for in David Ignatius’s trademark world of shifting international and domestic pressures, hidden loyalties, and secret agendas.
A New York Times Bestseller. “If you think cybercrime and potential worldwide banking meltdown is a fiction, read this sensational thriller.”—Bob Woodward, Politico Graham Weber has been the director of the CIA for less than a week when a Swiss kid in a dirty T-shirt walks into the American consulate in Hamburg and says the agency has been hacked, and he has a list of agents' names to prove it. This is the moment a CIA director most dreads. Like the new world of cyber-espionage from which it's drawn, The Director is a maze of double dealing, about a world where everything is written in zeroes and ones—and nothing can be trusted.
A journalist becomes a Privvy to sensitive information leaked by a maverick CIA agent, but as his ties to the CIA deepen, he begins to wonder if he has made his paper an unwitting player in a private international trade war.
Debt is the hidden engine driving undocumented migration to the United States. So argues David Stoll in this powerful chronicle of migrants, moneylenders, and swindlers in the Guatemalan highlands, one of the locales that, collectively, are sending millions of Latin Americans north in search of higher wages. As an anthropologist, Stoll has witnessed the Ixil Mayas of Nebaj grow in numbers, run out of land, and struggle to find employment. Aid agencies have provided microcredits to turn the Nebajenses into entrepreneurs, but credit alone cannot boost productivity in crowded mountain valleys, which is why many recipients have invested the loans in smuggling themselves to the United States. Back home, their remittances have inflated the price of land so high that only migrants can afford to buy it. Thus, more Nebajenses have felt obliged to borrow the large sums needed to go north. So many have done so that, even before the Great Recession hit the U.S. in 2008, many were unable to find enough work to pay back their loans, triggering a financial crash back home. Now migrants and their families are losing the land and homes they have pledged as collateral. Chain migration, moneylending, and large families, Stoll proposes, have turned into pyramid schemes in which the poor transfer risk and loss to their near and dear.
"You emerge from its pages as if from a top-level security briefing—confident that you have been let in on the deepest secrets." —Washington Post Someone in Pakistan is killing the members of a new CIA unit trying to buy peace with America’s enemies. It falls to Sophie Marx, a young officer with a big chip on her shoulder, to figure out who’s doing the killing and why. Unfortunately for Sophie, nothing is quite what it seems. This is a theater of violence and revenge, in which the last act is one that Sophie could not have imagined.
“One of those life-changing reads that makes you see—or, in this case, hear—the whole world differently.” —Megan Angelo, author of Followers “At times chilling, often funny, and always perceptive and cogent, Cultish is a bracing reminder that the scariest thing about cults is that you don't realize you're in one till it's too late.”—Refinery29.com The New York Times bestselling author of The Age of Magical Overthinking and Wordslut analyzes the social science of cult influence: how “cultish” groups, from Jonestown and Scientologists to SoulCycle and social media gurus, use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.
It is New Year's Eve, 1982, and the whole gang is at Victor and Nandini's house. The Godfather is on repeat upstairs. Baila music is blaring from the record player in the lounge. Poppadoms are frying in the kitchen. And Preethi, tipsy on youth and friendship and covert cigarettes out the window, just wants to belong. But what does that mean, to belong? Is it: paying over the odds for a bottle of whisky? Getting lost with your impassive grandmother on the way home from school? Mourning for Elvis? Adopting a child whose skin is darker than yours? Marrying an English boy? Learning how to speak in a voice that doesn't remind you of your father? Feeling awkward at an office barn dance? Losing your lover, twice? Vowing to destroy the world and then changing your mind? Is it something else, just out of reach? From that New Year's party to a family funeral, via ghetto blasters and growing pains, through 7/7 and the world according to Charlie Chaplin, life in all of its complexity happens to Preethi, Nil, Lolly, Rohan, and their tightly knotted Sri Lankan families in south London. Tracing the fine lines of politics, tradition and community, Roshi Fernando's stunning collection of linked stories pulls us back, back, to the knowledge of home.
