Based on extensive research with original sources, Brian's narrative covers every period of the prison's checkered history, from the awful conditions of the 19th century to the relative improvements of the 20th century to today.
This “gripping social history” (Publishers Weekly), with all the passion and pathos of a classic opera, chronicles the riveting first campaign against the death penalty waged in 1895 by American pioneer activist, Cora Slocomb, Countess of Brazzà, to save the life of a twenty-year-old illiterate Italian immigrant, Maria Barbella, who killed the man who had abused her. Previously published as The Trials of Maria Barbella. In 1895, a twenty-two-year-old Italian seamstress named Maria Barbella was accused of murdering her lover, Domenico Cataldo, after he seduced her and broke his promise to marry her. Following a sensational trial filled with inept lawyers, dishonest reporters and editors, and a crooked judge repaying political favors, the illiterate immigrant became the first woman sentenced to the newly invented electric chair at Sing Sing, where she is also the first female prisoner. Behind the scenes, a corporate war raged for the monopoly of electricity pitting two giants, Edison and Westinghouse with Nikola Tesla at his side, against each other. Enter Cora Slocomb, an American-born Italian aristocrat and activist, who launched the first campaign against the death penalty to save Maria. Rallying the New York press, Cora reached out across the social divide—from the mansions of Fifth Avenue to the tenements of Little Italy. Maria’s “crime of honor” quickly becomes a cause celebre, seizing the nation’s attention. Idanna Pucci, Cora’s great-granddaughter, masterfully recounts this astonishing story by drawing on original research and documents from the US and Italy. This dramatic page-turner, interwoven with twists and unexpected turns, grapples with the tragedy of immigration, capital punishment, ethnic prejudice, criminal justice, corporate greed, violence against women, and a woman’s right to reject the role of victim. Over a century later, this story is as urgent as ever.
A popular backdrop for numerous movies, Sing Sing, or "the Big House," has been a site of both controversy and reform. The history of Sing Sing dates back to 1825, when warden Elam Lynds brought one hundred inmates to begin construction of the prison "up the river" on the banks of the Hudson. The marble quarry that supplied the building material for the prison was located in an area that was once home to the Sint Sink, a Native American tribe whose name means "stone upon stone." Prison life was dominated by hard labor during the early years. Convicts in striped suits and shackles built the prison with their own hands. With the arrival of warden Lewis Lawes in 1920, Sing Sing became the most progressive prison of its kind. During this time, the New York Yankees traveled up to Sing Sing to play the prison's home baseball team; the prison grounds were landscaped with shrubbery and flower gardens; and the compound grew to include a chapel, mess hall, barbershop, library, and gymnasium. The electric chair was first introduced at Sing Sing in 1891. Julius and Ethel Rosenberg, the first civilians to be found guilty of espionage, were put to death there in 1953. Sing Sing Prison contains rare photographs from the prison archives, the Ossining Historical Society, and a private collection.
Indigenous minority languages have played crucial roles in many areas of linguistics - phonetics, phonology, morphology, syntax, typology, and the ethnography of communication. Such languages have, however, received comparatively little attention from quantitative or variationist sociolinguistics. Without the diverse perspectives that underrepresented language communities can provide, our understanding of language variation and change will be incomplete. To help fill this gap and develop broader viewpoints, this anthology presents 21 original, fieldwork-based studies of a wide range of indigenous languages in the framework of quantitative sociolinguistics. The studies illustrate how such understudied communities can provide new insights into language variation and change with respect to socioeconomic status, gender, age, clan, lack of a standard, exogamy, contact with dominant majority languages, internal linguistic factors, and many other topics.
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
This biography of the early 20th-century newspaper giant who became news after killing his wife “has the pace and detail of an engrossing historical novel” (Boston Herald). As city editor of Joseph Pulitzer’s New York Evening World, Charles E. Chapin was the quintessential newsroom tyrant: he drove reporters relentlessly, setting the pace for evening press journalism with blockbuster stories from the Harry K. Thaw trial to the sinking of the Titanic. At the pinnacle of his fame in 1918, Chapin was deeply depressed and facing financial ruin. He decided to kill himself and his wife Nellie. But after shooting Nellie in her sleep, he failed to take his own life. The trial made one hell of a story for the Evening World’s competitors, and Chapin was sentenced to life in Ossining, New York’s, infamous Sing Sing Prison. In The Rose Man of Sing Sing, James McGrath Morris tracks Chapin’s journey from Chicago street reporter to celebrity New York powerbroker to infamous murderer. But Chapin’s story is not without redemption: in prison, he started a newspaper fighting for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and transformed barren prison plots into world-famous rose gardens. The first biography of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.
Sing Sing 614 represents the # of inmates executed at this historical prison. Joe Wood (cover) was the first black man executed in 1891. Learn why his electrode was switched from his right leg to his left. Meet Gordon Hamby, deemed the handsomest man on death row. Eight-hundred women wrote not to execute him. On the day of his execution Hamby told Warden Lewis E. Lawes "don't worry warden, in 24 hours I'll be back!" The trouble is, not only did Hamby come back, but he also brought everyone else from Sing Sing's death house with him, including Joe Wood. This book will entertain you.
A fascinating personal account of life at this infamous prison during a bygone era. Written more than eighty years ago, Fifty Years in Sing Sing is the personal account of Alfred Conyes (18521931), who worked as a prison guard and then keeper at Sing Sing Prison in Ossining, New York, from 1879 to 1929. This unpublished memoir, dated 1930, was found among his granddaughters estate by his great-granddaughter Penelope Kay Jarrett. Near the end of his life, Conyes told his story to family member Alfred Van Buren Jr., relating, in detail, harrowing and humorous accounts of what prison life was like from his perspective and how prison conditions changed over the course of a half century. The book covers prison hardship, cruel punishments deemed appropriate at the time, daring and clever escapes, the advent of death by electricity, Prohibition, doughboys, and prison reform. Incredible and compelling! Penelope Kay Jarrett opens the door to a Sing Sing of one hundred years ago. Through the eyes and words of her great-grandfather, we are taken back to a time of pain, sorrow, and compassion inside the walls of this world-famous prison. Guy Cheli, author of Sing Sing Prison Throughout it all, the character of the keeper/narrator emerges as a straightforward, stand-up person who still cared, despiteor perhaps precisely because ofall that he experienced (and explained in his memoir). Read it and then reflect on how youd emerge after such a half century. Thomas C. McCarthy, New York Correction historian
From the riotous days of Prohibition and the Jazz Age to the brutal awakening of Pearl Harbor, one man ruled the fate of America's most dangerous criminals. He was Lewis E. Lawes, warden of Sing Sing prison, the Big House up the river, who believed that no man was beyond redemption. Warden Lawes couldn't banish the electric chair (though he tried) but he knew that humanitarian care and good morale provided better security than the stoutest walls. Lawes befriended the Hollywood greats, Charlie Chaplin and Humphrey Bogart and Spencer Tracy and Harry Warner, opening Sing Sing to the movies and exposing prisoners to the glamour of the silver screen. He brought Babe Ruth to Sing Sing, fielded a winning football team called The Black Sheep that brought gridiron glory to the circuit known as the Big Pen, and ran training shops, school classes and culture programs. Truly, Warden Lawes made Sing Sing sing. But Lawes was no pushover. He brought law to Sing Sing, a tale that comes alive in the hands of prize-winning New York Times reporter Ralph Blumenthal. He killed on orders from the state, consigning 303 condemned men and women to the electric chair. But he crusaded fiercely against the death penalty as useless and preached that every man deserved a second chance, even if, in the end, he faced a terrible betrayal. Lawes taught the nation that a jail was a lockup but a prison was a community. With his perfect name and flawless eye for fashion, Lawes took over as the ninth warden in eight years -- at 39, the youngest man to lead the century-old institution, then overflowing with more than a thousand hardened criminals and luckless youths. Vice was rife -- bribery, alcohol, drugs and sex. The political bosses held sway, swinging deals for favored inmates. Enemies accused him of coddling prisoners but he ridiculed the charge. No one was coddled on a food budget of 18 cents a day. Lawes lived with his wife and daughters in a Victorian mansion abutting the cellblock, where he was shaved each morning by a prison barber convicted of slashing a man's throat, the household cook was a murderer, and his youngest daughter's favorite babysitter was serving twenty-five years for kidnapping. Lawes tamed the tyrannical Charles E. Chapin who had terrorized generations of reporters as the editor of Joseph Pulitzer's Evening World before murdering his wife and winding up as Lawes's favorite horticulturist, the Rose Man of Sing Sing. Lawes championed the advent of radio and used it to inspire his prisoners and educate the public on penal reform. He wrote film scripts and radio plays and dramas and best-selling books. But in the end, his finest tribute came not from the mighty but a lowly prisoner in the yard who muttered, to no one in particular, "There was a right guy."