Veintitrés aportaciones de otros tantos especialistas en Joyce al Thirteenth annual meetings organizado por la Spanish James Joyce Society en Huelva en abril de 2002. Se abordan temas tan diversos como la recepción de Joyce y su obra en la prensa española, datos biográficos del escritor o posibles paralelismos entre Joyce y escritores autóctonos como Blasco Ibáñez, Juan Ramón o Torrente Ballester.
In recent years, research in cognitive linguistics has expanded its interests to cover a variety of texts – spoken, written, or multimodal. Analytical tools such as conceptual metaphor, frame semantics, mental spaces and grammatical constructions have been productively applied in various discourse contexts. In this volume, originally published as a special issue of English Text Construction 3:2 (2010), the contributors, a mix of established and emerging authors in the field, analyse broadcast and print journalism, argumentative scientific discourse, radio lectures on music, and the main literary genres (the poetry of Szymborska and bpNichol, the drama of Shakespeare, the modernist prose of Virginia Woolf and recent fiction by John Banville). Collectively the findings suggest a need to broaden and refine the cognitive linguistic repertoire, while also uncovering new ways to interpret textual data. The book will appeal to researchers and graduate students with interests in cognitive poetics and linguistics, stylistics, pragmatics and construction grammar.
Since the publication of Richard Ellmann's James Joyce in 1959, Joyce has received remarkably little biographical attention. Scholars have chipped away at various aspects of Ellmann's impressive edifice but have failed to construct anything that might stand alongside it. The Years of Bloom is arguably the most important work of Joyce biography since Ellmann. Based on extensive scrutiny of previously unused Italian sources and informed by the author's intimate knowledge of the culture and dialect of Trieste, The Years of Bloom documents a fertile period in Joyce's life. While living in Trieste, Joyce wrote most of the stories in Dubliners, turned Stephen Hero into A Portrait of the Artist as a Young Man, and began Ulysses. Echoes and influences of Trieste are rife throughout Ulysses and Finnegans Wake. Though Trieste had become a sleepy backwater by the time Ellmann visited there in the 1950s, McCourt shows that the city was a teeming imperial port, intensely cosmopolitan and polyglot, during the approximately twelve years Joyce lived there in the waning years of the Habsburg Empire. It was there that Joyce experienced the various cultures of central Europe and the eastern Mediterranean. He met many Jews, who collectively provided much of the material for the character of Leopold Bloom. He encountered continental socialism, Italian Irredentism, Futurism, and various other political and artistic forces whose subtle influences McCourt traces with literary grace and scholarly rigour. The Years of Bloom, a rare landmark in the crowded terrain of Joyce studies, will instantly take its place as a standard work.
TransLatin Joyce explores the circulation of James Joyce's work in the Ibero-American literary system. The essays address Joycean literary engagements in Spain, Portugal, Argentina, Mexico, and Cuba, using concepts from postcolonial translation studies, antimodernism, game theory, sound studies, deconstruction, and post-Euclidean physics.
Welcome to the Masters of Prose book series, a selection of the best works by noteworthy authors. Literary critic August Nemo selects the most important writings of each author. A selection based on the author's novels, short stories, letters, essays and biographical texts. Thus providing the reader with an overview of the author's life and work. This edition is dedicated to the Irish writer James Joyce. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best known for Ulysses, a landmark work in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, most famously stream of consciousness. This book contains the following writings: Novels: Ulysses; A Portrait of the Artist as a Young Man. Short Story Collection: Dubliners. If you appreciate good literature, be sure to check out the other Tacet Books titles!
The book consists of 18 chapters, each covering roughly one hour of the day, beginning around 8 a.m. and ending sometime after 2 a.m. the following morning. Each chapter employs its own literary style, and parodies a specific episode in Homer's Odyssey. Furthermore, each chapter is associated with a specific colour, art or science, and bodily organ. This combination of kaleidoscopic writing with an extreme formal schematic structure renders the book a major contribution to the development of 20th-century modernist literature. The use of classical mythology as an organising framework, the near-obsessive focus on external detail, and the occurrence of significant action within the minds of characters have also contributed to the development of literary modernism. Nevertheless, Joyce complained that, "I may have oversystematised Ulysses," and played down the mythic correspondences by eliminating the chapter titles that had been taken from Homer. As he was completing work on Dubliners in 1906, Joyce considered adding another story featuring a Jewish advertising canvasser called Leopold Bloom under the title Ulysses. Although he did not pursue the idea further at the time, he eventually commenced work on a novel using both the title and basic premise in 1914. The writing was completed in October 1921. Three more months were devoted to working on the proofs of the book before Joyce halted work shortly before his self-imposed deadline, his 40th birthday (2 February 1922). This publication encountered censorship problems in the United States; serialisation was halted in 1920 when the editors were convicted of publishing obscenity. Although the conviction was based on the "Nausicaä" episode of Ulysses, The Little Review had fuelled the fires of controversy with dada poet Elsa von Freytag-Loringhoven's defence of Ulysses in an essay "The Modest Woman." Joyce's novel was not published in the United States until 1933. With the appearance of both Ulysses and T. S. Eliot's poem, The Waste Land, 1922 was a key year in the history of English-language literary modernism. In Ulysses, Joyce employs stream of consciousness, parody, jokes, and virtually every other established literary technique to present his characters. The action of the novel, which takes place in a single day, 16 June 1904, sets the characters and incidents of the Odyssey of Homer in modern Dublin and represents Odysseus (Ulysses), Penelope and Telemachus in the characters of Leopold Bloom, his wife Molly Bloom and Stephen Dedalus, parodically contrasted with their lofty models. The book explores various areas of Dublin life, dwelling on its squalor and monotony. Nevertheless, the book is also an affectionately detailed study of the city, and Joyce claimed that if Dublin were to be destroyed in some catastrophe it could be rebuilt, brick by brick, using his work as a model. To achieve this level of accuracy, Joyce used the 1904 edition of Thom's Directory—a work that listed the owners and/or tenants of every residential and commercial property in the city. He also bombarded friends still living there with requests for information and clarification.
How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.
Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:Literary modernism - Metamorphosis by Franz Kafka - The Great Gatsby by F. Scott Fitzgerald - Ulysses by James JoyceThe Metamorphosis (German: Die Verwandlung) is a novella written by Franz Kafka which was first published in 1915. One of Kafka's best-known works, The Metamorphosis tells the story of salesman Gregor Samsa who wakes one morning to find himself inexplicably transformed into a huge insect and subsequently struggling to adjust to this new condition. The novella has been widely discussed among literary critics, with differing interpretations being offered. The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional towns of West Egg and East Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession with the beautiful former debutante Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Roaring Twenties that has been described as a cautionary tale regarding the American Dream. Ulysses is a modernist novel by Irish writer James Joyce. It was first serialised in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered to be one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement." According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking". This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics
Ulysses Dubliners A Portrait of the Artist as a Young Man Exiles Chamber Music "There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: "I am not long for this world," and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work."
50 Masterpieces you have to read before you die is the book that everyone should read to understand themselves and each other. The authors and works for this book were selected, as a result of numerous studies, analysis of the texts over the past 100 years and the demand for readers. It must be read in order to understand the world around us, its history, to recognize the heroes, to understand the winged expressions and jokes that come from these literary works. Reading these books will mean the discovery of a world of self-development and self-expression for each person. These books have been around for decades, and sometimes centuries, for the time they recreate, the values they teach, the point of view, or simply the beauty of words. This volume includes famous works: Frances Hodgson Burnett - The Secret Garden Homer - The Iliad Homer - The Odyssey Charles Dickens - A Christmas Carol Charles Dickens - Great Expectations Charles Dickens - Bleak House Charles Dickens - Oliver Twist Lyman Frank Baum - The Wonderful Wizard Of Oz Nathaniel Hawthorne - The Scarlet Letter Nathaniel Hawthorne - The House Of The Seven Gables Thomas Hardy - Jude The Obscure Robert Louis Stevenson -The Strange Case Of Dr. Jekyll And Mr. Hyde Robert Louis Stevenson - Treasure Island Henry Haggard - King Solomon's Mines Wilkie Collins - The Woman In White H. G. Wells - The Island Of Doctor Moreau Sir Walter Scott - Ivanhoe Wilkie Collins - The Moonstone A Romance Lucy Maud Montgomery - Anne Of Green Gables Louisa May Alcott - Little Women Henry Fielding - Amelia Mary Shelley - Frankenstein, Or The Modern Prometheus Arthur Conan Doyle - The Lost World Leo Tolstoy - Anna Karenina Euripides - Medea Fyodor Dostoevsky - The Idiot Fyodor Dostoevsky - Crime And Punishment Alexander Pushkin - Eugene Onegin A Romance Of Russian Life In Verse James Fenimore Cooper - The Last Of The Mohicans Daniel Defoe - Robinson Crusoe Joseph Conrad - Heart Of Darkness Jonathan Swift - Gulliver’s Travels William Shakespeare - Romeo And Juliet William Shakespeare - Hamlet, Prince Of Denmark William Shakespeare - Othello Oscar Wilde - The Picture Of Dorian Gray John Bunyan - The Pilgrim's Progress From This World To That Which Is To Come Charles Darwin - The Origin Of Species Or The Preservation Of Favoured Races In The Struggle For Life Alfred Tennyson - Idylls Of The King Bram Stoker - Dracula James Joyce - Ulysses Dante Alighieri - The Divine Comedy Howard Pyle - Robin Hood Jane Austen - Emma Emily Bronte - Wuthering Heights Thomas Hardy - Tess Of The D'urbervilles A Pure Woman Faithfully Presented Giovanni Boccaccio - The Decameron Rudyard Kipling - The Jungle Book
