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Waste Siege offers an analysis unusual in the study of Palestine: it depicts the environmental, infrastructural, and aesthetic context in which Palestinians are obliged to forge their lives. To speak of waste siege is to describe a series of conditions, from smelling wastes to negotiating military infrastructures, from biopolitical forms of colonial rule to experiences of governmental abandonment, from obvious targets of resistance to confusion over responsibility for the burdensome objects of daily life. Within this rubble, debris, and infrastructural fallout, West Bank Palestinians create a life under settler colonial rule. Sophia Stamatopoulou-Robbins focuses on waste as an experience of everyday life that is continuous with, but not a result only of, occupation. Tracing Palestinians' own experiences of wastes over the past decade, she considers how multiple authorities governing the West Bank—including municipalities, the Palestinian Authority, international aid organizations, NGOs, and Israel—rule by waste siege, whether intentionally or not. Her work challenges both common formulations of waste as "matter out of place" and as the ontological opposite of the environment, by suggesting instead that waste siege be understood as an ecology of "matter with no place to go." Waste siege thus not only describes a stateless Palestine, but also becomes a metaphor for our besieged planet.
This is a carefully researched and illuminating study of siege warfare in the twelfth century. The siege was an integral part of medieval military experience, and was particularly significant in the Mediterranean region. Dr Rogers explores siege warfare and the role it played in the First Crusade and the establishment of the Crusader States, in Italy, Spain, and Portugal, and in the seaborne expeditions of the Italian maritime states. Dr Rogers sets out to discover how it was that crusading forces handicapped by rudimentary organisation and logistical support were able to conduct some of the most dramatic siege operations of the pre-gunpowder period. He traces the development and diffusion of techniques; and analyses the experience of siege warfare in every aspect, from the question of supplies of component parts for siege engines to the often complex political situations of besieger and besieged. This is a book which contributes not only to the military history of the twelfth century but also to its political and cultural history. `excellent work, written by a scholar who has a thorough grasp of the subject and who presents it in a lucid manner.' Speculum `an excellent work ... a fine study, full of intriguing ideas for readers interested in crusading, municipalities, and the role of warfare.' The Historian `Rogers's book is an excellent look at the medieval world's most bellicose century.' American Historical Review
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Called "elegantly, starkly beautiful" by "The New York Times Book Review, The Siege" is Dunmore's masterpiece. Her canvas is monumental--the Nazi's 1941 winter siege on Leningrad that killed 600,000--but her focus is heartrendingly intimate.
Under Siege is Rashid Khalidi's firsthand account of the 1982 Lebanon War and the complex negotiations for the evacuation of the P.L.O. from Beirut. Utilizing unconventional sources and interviews with key officials and diplomats, Khalidi paints a detailed portrait of the siege and ensuing massacres, providing insight into the military pressure experienced by the P.L.O., the war's impact on Palestinian and Lebanese civilians, and diplomatic efforts by the United States. A new preface by Khalidi considers developments across the Middle East in the thirty years since the conflict. The preface also cites recently declassified Israeli documents to offer surprising new revelations about the roles and responsibilities of both Israeli leaders and American diplomats in the tragic coda to the war, the Sabra and Shatila massacres.
WINNER OF THE CRIME WRITERS’ ASSOCIATION’S INTERNATIONAL DAGGER For fans of Alan Furst and Carlos Ruiz Zafón comes a haunting and layered thriller filled with history, adventure, suspense, and an unforgettable love story—by the internationally bestselling author Arturo Pérez-Reverte. Cádiz, 1811: The Spanish port city has been surrounded by Napoleon’s army for a year. Their backs to the sea, its residents endure routine bombardments and live in constant fear of a French invasion. And now the bodies of random women have begun to turn up throughout the city—victims of a shadowy killer. Police Comisario Rogelio Tizón has been assigned the case. Known for his razor-sharp investigation skills—as well as his brutal interrogation methods—Tizón has seen everything. Or so he thought. His inquiry into the murders reveals a surprising pattern: Each victim has been found where a French bomb exploded. Logic tells him to pass it off as coincidence; his instinct tells him otherwise, and he begins to view Cádiz as a living chessboard, with himself and the killer the main players. In a city pushed to the brink, violence and desperation weave together the lives of a group of unlikely people: the Spanish taxidermist who doubles as a French spy; the young woman who uses her father’s mercantile business to run the enemy blockade; the rough-edged corsair who tries to resist her charms; and the brilliant academic furiously trying to perfect the French army’s artillery and bring Cádiz to its knees once and for all. And as Napoleon presses closer, Tizón must make his next move on the bomb-scarred chessboard before the killer claims another pawn. Combining fast-paced narrative with scrupulous historical accuracy, this smart, suspenseful tale of human resilience is Arturo Pérez-Reverte at the height of his talents. Praise for The Siege “A genre-bending literary thriller . . . Pirates; serial killings; steamy, unrequited love: Pérez-Reverte imbues the sensational with significance. . . . His descriptions of the town and people of Cádiz capture colors, smells and personalities, making the page come to life, and he balances these sensory passages with dense observations about history, metaphysics, science, and human nature.”—Kirkus Reviews “Bold . . . [Pérez-Reverte’s] best yet . . . an ambitious intellectual thriller peopled with colorful rogues and antiheroes, meticulous in its historical detail, with a plot that rattles along to its unexpected finale. It’s hard to think of a contemporary author who so effortlessly marries popular and literary fiction as enjoyably as this.”—The Observer “Pérez-Reverte has long been Spain’s most popular, inventive writer of historical fiction. . . . This is a big and bold novel, rich in character and incident.”—The Sunday Times Acclaim for Arturo Pérez-Reverte “John le Carré meets Gabriel García Márquez . . . Pérez-Reverte has a huge following . . . and it’s spreading.”—The Wall Street Journal “The Da Vinci Code and The Rule of Four . . . pale in comparison with Pérez-Reverte’s novels.”—Time Out New York “It’s a rare novelist who can create a literary page-turner. Arturo Pérez-Reverte . . . is one of those rarities.”—The Denver Post
This major study is a comprehensive scholarly work on a key moment in the history of Europe, the fall of Constantinople to the Ottoman Turks in 1453. The result of years of research, it presents all available sources along with critical evaluations of these narratives. The authors have consulted texts in all relevant languages, both those that remain only in manuscript and others that have been printed, often in careless and inferior editions. Attention is also given to 'folk history' as it evolved over centuries, producing prominent myths and folktales in Greek, medieval Russian, Italian, and Turkish folklore. Part I, The Pen, addresses the complex questions introduced by this myriad of original literature and secondary sources.
