‘Shop-window, flagship, common ground’ views the rich ministry and innovative mission of cathedrals through the novel lens of metaphor; and it offers comparative insights on cathedrals and cathedral-like churches.
"A brilliant breakthrough in pilgrimage studies. An exemplary study that shows how to bring together different academic and institutional interests in a common cause – understanding the relationship between pilgrimage and English cathedrals over time. A publication that will, hopefully, inspire similar collaborative studies around the globe." - John Eade, Professor of Sociology and Anthropology, University of Roehampton, UK "People who oversee, minister, lead worship, guide, welcome, manage, market, promote and maintain cathedrals will find this book an indispensable treasure. It is aware of the awesome complexity inherent in cathedral life but it doesn’t duck the issues: its clear-eyed focus is on the way people experience cathedrals and how these extraordinary holy places can speak and connect with all the diversity represented by the people who come to them. In a spiritually-hungry age, this book shows us how to recognise and meet that hunger. This book will be required reading for all us “insiders” trying to invite and signpost access to holy ground." - The Very Reverend Adrian Dorber, Dean of Lichfield, Chair of the Association of English Cathedrals This book looks at England's cathedrals and their relationship with pilgrimage throughout history and in the present day. The volume brings together historians, social scientists, and cathedral practitioners to provide groundbreaking work, comprising a historical overview of the topic, thematic studies, and individual views from prominent clergy discussing how they see pilgrimage as part of the contemporary cathedral experience.
Strategic thinking about ministry and mission has tended to focus on the challenges of communication and presentation. Less attention has been paid to the effects that this thinking has on ministry. There is an unacknowledged dilemma for churches insofar as they are caught between the challenge to re-shape ministry in response to cultural change and the belief that there are certain God-given, immutable foundations for ministerial order that must be retained. Arguing that what is needed is a provisional approach to ministry which recognises that all forms of ministry are, and always have been a response to social and cultural context, this book brings theological and practical insight to bear on the question of ministry’s provisionality. In the end, it asks, is the only way through this dilemma a kind of Ecclesianarchy?
How are cathedrals and churches understood? Are they shop windows, through which to gaze at the riches on offer within the Christian life? Are they flagships of the Spirit? Are they both sacred spaces and community utilities? ‘Shop-window, flagship, common ground’ views the rich ministry and innovative mission of cathedrals through the novel lens of metaphor; and it offers comparative insights on cathedrals and cathedral-like churches. Located in the emerging international field of cathedral studies, the book explores the usage and inferences of a range of metaphors, including ‘shop-windows of the Church of England’, ‘flagships of the Spirit’, ‘beacons of the Christian faith’, ‘magnets’, and ‘sacred space, common ground’. This volume also shows how such metaphors can stimulate different types of research about the function of cathedral and church buildings. With a Foreword by Professor Grace Davie, the book suggests that cathedrals and cathedral-like churches may play a role within 'vicarious religion' theory. It will provide a thought-provoking critique for practitioners and a valuable contribution for scholars of cathedral studies, congregational studies and ecclesiology.
he doctrine of the Trinity developed in response to a range of theological interests—among them the project of reconciling claims about the divinity of Christ with monotheism and massaging Christian doctrine into the ambient (largely Platonic) philosophical framework of the period. More recently the Trinity doctrine has been deployed to promote normative claims concerning human nature, human relationships and social justice. During the past two decades analytic philosophers of religion have increasingly engaged with the doctrine. There are, however, a number of foundational questions that have not been addressed in the philosophical literature. The Trinity: A Philosophical Investigation considers the competing accounts of the Trinity doctrine, whether orthodox or heterodox, and aims to respond to objections and explicate their motivations and entailments.
A collection of international contributions from renowned academics and practitioners from the US, UK, China, the second edition of Fashion Marketing has been completely updated, revised and expanded to reflect the major changes in the fashion industry since 2001 and covers all of the key themes and issues of the area. Key themes and areas covered include globalization, fast fashion, luxury fashion, offshoring, business-to-business, forecasting, sourcing, supply chain management, new product development, design management, logistics, range planning, color prediction, market testing, e-commerce, and strategy.
The Body of Christ is a traumatised body because it is constituted of traumatised bodies. This monograph explores the nature of that trauma and examines the implications of identifying the trauma of this body. Constructing new ways of thinking about the narratives at the heart of the Christian faith, 'Broken Bodies' offers a fresh perspective on Christian theology, in particular the Eucharist, and presents a call to love the body in all its guises. It offers new pathways for considering what it means to ‘be Christian’ and explores the impact that the experience of trauma has on Christian doctrine.
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Amy Poeppel brings her signature “big-hearted, charming” (The Washington Post) style to this wise and joyful novel that celebrates love, hate, and all of the glorious absurdity in between. In the heart of Greenwich Village, three women form an accidental sorority when a baby—belonging to exactly none of them—lands on their collective doorstep. Lauren and her family—lucky bastards—have been granted the use of a spectacular brownstone, teeming with history and dizzyingly unattractive 70s wallpaper. Adding to the home’s bohemian, grungy splendor is the bar occupying the basement, a (mostly) beloved dive called The Sweet Spot. Within days of moving in, Lauren discovers that she has already made an enemy in the neighborhood by inadvertently sparking the divorce of a couple she has never actually met. Melinda’s husband of thirty years has dumped her for a young celebrity entrepreneur named Felicity, and, to Melinda’s horror, the lovebirds are soon to become parents. In her incandescent rage, Melinda wreaks havoc wherever she can, including in Felicity’s Soho boutique, where she has a fit of epic proportions, which happens to be caught on film. Olivia—the industrious twenty-something behind the counter, who has big dreams and bigger debt—gets caught in the crossfire. In an effort to diffuse Melinda’s temper, Olivia has a tantrum of her own and gets unceremoniously canned, thanks to TikTok. When Melinda’s ex follows his lover across the country, leaving their squalling baby behind, the three women rise to the occasion in order to forgive, to forget, to Ferberize, and to track down the wayward parents. But can their little village find a way toward the happily ever afters they all desire? Welcome to The Sweet Spot.
John Pawson is the foremost proponent of minimalism in architecture and design. Already known to designers for his austere yet luxurious interiors, he has attained public acclaim for his high-profile retail projects such as the Calvin Klein flagship store in New York, his celebrity clients like Martha Stewart and his book Minimum. John Pawson Works features ten of Pawson's projects, each one treated as a case study of the design process as experienced by architect, client and critic. This book tracks the course of the relationship between an architect and his clients, between an architect and the design briefs set for him, and between the architect and his own intellectual approach to design and its impact on his work. The author seeks to make the emotional and artistic content of John Pawson's work explicit through a close examination of a range of different projects. Sudjic's incisive text, aided by specially commissioned pictures, traces the design process, the architect's working methods and his philosophical approach. Sudjic considers the interaction between architect and client, the way in which design is influenced by the processes of construction and making, and explores th