SHIPWRECK OF HOPES sweeps the reader from a desolate island beach in America, across the Atlantic to war-torn Italy to tell a story of shipwreck, deception, thievery, and murder on treacherous seas, in bloody revolution, and on an isolated shore. Place, time, memory and dream are woven together to tell the stories of two women who risk everything in their quests to control their own destinies. Drawing inventively on the lives that converged with the fate of the ship Elizabeth in 1850, the novel reveals the harrowing journeys of those involved on that desperate day
Molly and her dad rescue three people in trouble from a small boat off the coast. Though they speak different languages, the new arrivals quickly make friends with the islanders, who offer them somewhere to stay and some clothes and food. Just a few weeks later, a new challenge threatens this relationship, but will Molly and the islanders be able to help their new friends?
A moving firsthand account of migrant landings on the island of Lampedusa that gives voice to refugees, locals, and volunteers while also exploring a deeply personal father-son relationship. On the island of Lampedusa, the southernmost part of Italy, between Africa and Europe, Davide Enia looks in the faces of those who arrive and those who wait, and tells the story of an individual and collective shipwreck. On one side, a multitude in motion, crossing entire nations and then the Mediterranean Sea under conditions beyond any imagination. On the other, a handful of men and women on the border of an era and a continent, trying to welcome the newcomers. In the middle is the author himself, telling of what actually happens at sea and on land, and the failure of words in the attempt to understand the present paradoxes. Enia reveals the emotional consequences of this touching and disconcerting reality, especially in his relationship with his father, a recently retired doctor who agrees to travel with him to Lampedusa. Witnessing together the public pain of those who land and those who save them from death, alongside the private pain of his uncle's illness, pushes them to reinvent their relationship, to forge a new and unprecedented dialogue that replaces the silences of the past.
Sarah Robinson is deeply troubled in the wake of her dad's second marriage. She now has to deal with a new stepmom and two stepbrothers, Marco, who is her age, and Nacho, who's younger. Even though they've all moved from Texas to California to start life as a new, blended family, none of the kids seem remotely happy about it. Sarah's dad and stepmom then decide to take the whole family on a special vacation in order to break the ice and have everyone get to know one another. They'll fly to Tahiti, charter a boat, and go sailing for a few days. It'll be an adventure, right? Wrong. Dead wrong. Shipwreck Island is the first installment in a series from S.A. Bodeen.
Based on the exceptional and fascinating eyewitness account of a 17th century Spanish padre, Dave Horner's Shipwreck is the absorbing and true story of two immense galleons that were lost (along with hundreds of passengers and millions of pesos in treasure) to disasters at sea. Shipwreck is an extraordinary literary adventure which interweaves accounts of the many attempts throughout the past three centuries to recover the sunken treasure, including the recent discovery and salvage of one of the galleons by Dave Horner himself. Shipwreck is an outstanding history of true adventure on the high seas, past and present, which is wonderfully enhanced for the reader with 50 photographic illustrations, six maps, four line drawings, seven appendices, as well as bibliographies of archival sources, institutions, original documents or primary works, and a general listing of thematically appropriate titles for further suggested readings.
An action-packed survival suspense from bestselling and award-winning author Gordon Korman. Six kids. One shipwreck. One desert island.They didn't want to be on the boat in the first place. They were sent there as punishment, or as a character-building experience. Now the adults are gone, and the quest for survival has begun.
AS SEEN ON DR. OZ "Moving and complex, this is an exquisitely written tale of perseverance and unconditional love. A worthwhile addition to any collection."—Library Journal, STARRED Review A mother's murder. Her daughter's redemption. And the complicated past that belongs to them both. Kelly always knew her family was different. She knew that most children didn't live with their grandparents and that their grandparents didn't own porn stores. Her classmates didn't sleep on a boat in the L.A. harbor, and she knew their next-door neighbors probably weren't drug addicts and johns. She knew that most of her classmates knew more about their moms than their cause of death. What Kelly didn't know was if she would become part of the dysfunction that surrounded her. Would she end up selling adult videos and sinking into the depths of harbor life, or would she escape to live her own story somewhere else? As an adult, Kelly decides to discover how the place where she came from defined the person she ultimately became. To do this, she goes back to the beginning—to a mother she never knew, a thirty-year-old cold case, and two of Los Angeles's most notorious murderers. We Are All Shipwrecks is Kelly's story of redemption from tragedy, told with a tenderness toward her family that makes it as much about preserving the strings that anchor her as it is about breaking free.
This impeccably researched and “adventure-packed” (The Washington Post) account of the obsessive quest by Christopher Columbus’s son to create the greatest library in the world is “the stuff of Hollywood blockbusters” (NPR) and offers a vivid picture of Europe on the verge of becoming modern. At the peak of the Age of Exploration, Hernando Colón sailed with his father Christopher Columbus on his final voyage to the New World, a journey that ended in disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library that would collect everything ever printed: a vast holding organized by summaries and catalogues; really, the first ever database for the exploding diversity of written matter as the printing press proliferated across Europe. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed: ballads, erotica, news pamphlets, almanacs, popular images, romances, fables. The loss of part of his collection to another maritime disaster in 1522, set off the final scramble to complete this sublime project, a race against time to realize a vision of near-impossible perfection. “Magnificent…a thrill on almost every page” (The New York Times Book Review), The Catalogue of Shipwrecked Books is a window into sixteenth-century Europe’s information revolution, and a reflection of the passion and intrigues that lie beneath our own insatiable desires to bring order to the world today.
