Known for her observant and beautifully illustrated books on the rivers, deserts, and mountains of the West, Zwinger focuses on her guiding principles as a naturalist as she "looks" with notebook and pencil, believing that "to know the world intimately is the beginning of caring". Illustrations.
Modern American Environmentalists profiles the lives and contributions of nearly 140 major figures during the twentieth-century environmental movement. Included are iconic environmentalists such as Rachel Carson, E. O. Wilson, Gifford Pinchot, and Al Gore, and important but less expected names, including John Steinbeck and Allen Ginsberg. The entries recount how each individual became active in environmental conservation, detail his or her significant contributions, trace the influence of each on future efforts, and discuss the person's legacy. The individuals selected for the book displayed either an unparalleled commitment to the conservation, preservation, restoration, and enhancement of the natural environment or made a major contribution to the growth of environmentalism during its first century. With a foreword by environmental historian Everett I. Mendolsohn, a time line of key environmental events, a bibliography of groundbreaking works, and an index organized by specialization, this biographical encyclopedia is a handy and complete guide to the major people involved in the modern American environmental movement. -- Mark Harvey
The Colorado Rockies are Ann Zwinger's subject in prose and drawing. There, 8,300 feet above sea level, summer is short and winter long and often harsh; it is a place where much of life exists on the margin. In good years the grasses are lush; in bad years, even the mice starve. But it is a land the Zwingers have lovingly explored and recorded, careful not to disrupt the balance of the land, the relationship of plant to animal and of each to its environment.These forty acres, called Constant Friendship after the Maryland land her ancestor settled in the early 1730s, are a place of all seasons, for even in winter there is a promise of spring, and in spring the foretaste of summer. The white of snow becomes the white of summer clouds, the resonant green of spruce becomes the green head of drake mallard ... here part of each season is contained in every other.In beautiful and simple language and with 80 illustrations, Beyond the Aspen Grove tells of meadow, lake, marsh and forest, of algae and dragonflies, of deer and jays that live in the thin clear air of the mountain world.
A follow-up to the American Book Award-winning "Ecology of a Cracker Childhood, Wild Card Quilt" finds a journey to a childhood home becoming a powerful meditation on bridging the cultural divide.
A slow change in outlook dominates the book, as attitudes shift from viewing the desert as a place of sanctity, then a land to be despised or exploited, and back to an appreciation of it as a special place, an arena of highly complex natural communities, and a wild refuge for the human body and soul.
"McMurdo Station, Antarctica, is home to eighty-mile-per-hour winds, minus seventy degree temperatures, and months of near-total darkness. Sent to Antarctica as an observer, Gretchen Legler tells the story of her season spent at McMurdo Station. Populated by people from all walks of life - bankers, MBAs, therapists, carpenters, scientists, laborers, and military brass - the individuals that Legler meets have gone to Antarctica to escape everything from parking tickets to angry spouses. Hoping to get away from the complexities of her own life, Legler arrives at McMurdo Station with the intention of researching the landscape; what she finds, instead, is a zany population of people." "Part sociological study, part historiography, and part love story, On the Ice is an exploration of one of the most unexplored places on earth and the people who are drawn to it."--BOOK JACKET.
This collection of biographies describes twelve women conservationists who helped change the ways Americans interact with the natural environment. Their writings led Americans to think differently about their land--deserts are not wastelands, swamps have value, and harmful insects don't have to be controlled chemically. These women not only wrote on behalf of conservation of the American landscape but also described strategies for living exemplary, environmentally sound lives during the past century. From a bird lover to a "back to the land" activist, these women gave early warning of the detrimental effects of neglecting conservation. The main part of this work covers six historical figures who pioneered in their thinking and writing about the environment: Mary Austin, Florence Merriam Bailey, Rosalie Edge, Marjory Stoneman Douglas, Helen Nearing, and Rachel Carson. A later chapter gives portraits of six post-World War II conservationists: Faith McNulty, Ann Zwinger, Sue Hubbell, Anne LaBastille, Mollie Beattie, and Terry Tempest Williams. The work covers a broad range of conservationist concerns, including preservation of deserts and old growth forests, wildlife protection, wetlands maintenance, self-sufficient sustainable ways of producing food, and pollution control. A conclusion examines where conservationists have picked up after Rachel Carson's Silent Spring (1962) and gives conservation ideas for our time. An appendix lists the published writings of the twelve conservationists.
Framing her recollections with the passage of cranes over her South Dakota ranch, Daum writes about the difficulties of living in a remote place--a fickle river, rattlesnakes, hospitals too far away to be much use, social isolation--but also what keeps her there--the cranes, the rhythms of the land & seasons, her horses, the bonds of family. Unflinching and understated, Daum breaks the silence that for too long has marked (and marred) the lives of western women. Her essays start in the present (she raises sport horses on a piece of what was a 13,000 acre spread) and cycle back through her childhood, with stories about her father, blizzards, a coyote, the White River that whipsaws their land, the differences between people, and the artifacts left by others who have tried to scrape a living out of the land. With humor and insight, her essays touch on different aspects of rural life and convey her vision for a good life in the west.
A pioneering ethnobotanist, Gary Paul Nabhan credits the arts with sparking unlikely scientific breakthroughs and believes that such "cross-pollination" engenders new forms of expression that are essential to discovery. In this highly readable book, he tells four stories to illustrate this idea. In the first, coping with color blindness in art class leads to his career as a scientist; in the second, ancient American Indian songs, when translated, reveal an understanding of plants and animals that rivals modern research; in the third, a poem inspires an approach to diabetes using desert plants; and in the fourth, a coalition of scientists and artists creates the Ironwood Forest National Monument in the Sonoran Desert.
Can the love reserved for family and friends be extended to a place? “Luminous essays” on nature and environmental stewardship (Booklist). Named one of the Top Ten Northwest Books of the Year by the Oregonian In this book, acclaimed author Kathleen Dean Moore, a winner of the Sigurd Olson Nature Writing Award for Holdfast, reflects on how deeply the environment is entrenched in the human spirit, despite the notion that nature and humans are somehow separate. Moore’s essays, deeply felt and often funny, make connections in what can appear to be a disconnected world. Written in parable form, her stories of family and friends—of wilderness excursions with her husband and children, camping trips with students, blowing up a dam, her daughter’s arrest for protesting the war in Iraq—affirm an impulse of caring that belies the abstract division of humans from nature, of the sacred from the mundane. Underlying these wonderfully engaging stories is the author’s belief in a new ecological ethic of care, one that expands the idea of community to include the environment, and embraces the land as family. “Stands with the best tradition of nature writing.” —The Oregonian