Shakuntala Recognized is a translation of the Sanskrit play, Abhijyanashakuntalam, by the great poet and playwright Kalidasa. As a poet of mellifluous charm and as a master of Simile, he indulged in Sringara Rasa (Eros)—the sensuous aspects of human condition. This play is perhaps his most powerful expression of that sensuality. Extolled by Goethe, and German Romanticists and others, the play uniquely weaves a magical fabric of life with the threads of human frailties and tragedies. The plot for this play is based on a tale in the Indian epic Mahaabhaarata. The tale depicts how India came to be called Bharatavarsha or Bharat, a name that is still official in the Indian languages.
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
"Belisarius, the finest general of his or any age, must save the world if he can. Guided by visions from a future that may never be, he and a band of comrades penetrate the Malwa heartland, seeking the core of the enemy's power. Against them are numbers, savagery, and an icy, inhuman intelligence that is without weekness or mercy."--Cover.
She chose the life of a warrior, leading from the front, protecting her ancestral kingdom. She waded through treacherous destiny. Her uncompromising love restored her husband back to glory. She lived in a hermitage, chose a king as husband, and challenged his dharma in open sabha- a mother who shaped an emperor who reshaped the civilization. She watched the play of beauty and destruction from afar. When she took centre stage, she nurtured the future to find its feet. She was regal and virtuous. She embarked on a divine mission, and chose an incredible destiny and groom for herself. She, a fisherwoman, rose to rule an empire, navigating challenges and making tough decisions with her steely resolve. She led her life on her own terms, choosing to stay on the sidelines but shaping life at the centre. She courageously pursued truth, unafraid to challenge the greatest scholars on metaphysics. An inspiration to seekers of all times. She was the wind beneath her husband’s wings. When he pursued the ultimate truth, she too walked the unyielding path. She sought an improbable marriage. Her penance and devotion won her heaven, and for her husband too. She has many faces, different roles in different times, embodying the essence of a great tradition. She carved a niche, charted her own path but upheld Dharma at all times. She is Aryaa - the glorious woman of Bharatavarsha - manifestation of the eternally present Shakti.
In this book, Steven F. Walker considers the midlife transition from a Jungian and Eriksonian perspective, by providing vivid and powerful literary and cinematic examples that illustrate the psychological theories in a clear and entertaining way. For C.G. Jung, midlife is a time for personal transformation, when the values of youth are replaced by a different set of values, and when the need to succeed in the world gives place to the desire to participate more in the culture of one’s age and to further its development in all kinds of different ways. Erik Erikson saw "generativity," an expanded concern for others beyond one's immediate circle of family and friends, as the hallmark of this stage of life. Both psychologists saw it as a time for growth and renewal. Literary texts such Virginia Woolf's Mrs Dalloway, Shakespeare's Antony and Cleopatra, or Sophocles' Oedipus the King, and films such as Fellini's 8 1⁄2 and Campion's The Piano, have the capacity to represent, sometimes more vividly and with greater dramatic concentration than actual life histories or case studies, the archetypal nature of the drama and in-depth transformation associated with the midlife transition. Midlife Transformation in Literature and Film focuses on the specific male and female archetypal paradigms and presents them within the general context of midlife transformation. For men, the theme of death of the young hero presides over the crisis and the transformative ordeal, whereas for women the theme of tragic abandonment acts as the prelude to further growth and independence. This book is essential reading for anyone studying Jung, Erikson, or the midlife transition. It will interest those who have already been through a midlife transition, those who are in the midst of one, as well as those who are yet to experience this challenging period.
This book helps the undergraduate students of English hons in India to modify their insight and increase their intellectuality; only then my labour will prove fruitful.
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Two complete novels in one volume¾ the beginning of the Belisarius saga. An Oblique Approach: In northern India the Malwa have created an empire of unexampled evil. Guided or possessed by an intelligence from beyond time, with new weapons, old treachery, and an implacable will to power, the Malwa will sweep over the whole Earth. Only three things stand between the Malwa and their plan of eternal domination: the empire of Rome in the East, Byzantium; a crystal with vision; and a man named Belisarius, the greatest commander Earth has ever known. In the Heart of Darkness: Having conquered sixth century India, the Malwa Empire is forging the subcontinent's vast population into an invincible weapon of tyranny. Belisarius, the finest general of his age, must save the world. Guided by visions from a future that may never be, he and a band of comrades penetrate the Malwa heartland, seeking the core of the enemy's power. And when Belisarius leads the forces of good, only a fool would side with evil. At the publisher's request, this title is sold without DRM (Digital Rights Management).
