Shakespeare Suppressed

Shakespeare Suppressed

Author: Katherine Chiljan

Publisher:

Published: 2016-10-01

Total Pages:

ISBN-13: 9780982940556

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Non-fiction research book about Shakespeare, the man and his works, based on contemporary evidence. This evidence conflicts with the orthodox view; for example, contemporary evidence shows that ?William Shakespeare? was a pen name, and that his plays were written far earlier than believed. The book also deconstructs the case of the Stratford Man as Shakespeare, and presents a theory how and why the two different identities were later confused. 2nd edition, 448 pages, footnotes, plates.


William Shakespeare

William Shakespeare

Author: Ari Berk

Publisher: Candlewick Press

Published: 2010

Total Pages: 17

ISBN-13: 0763647942

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Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.


Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Author: Stephen Greenblatt

Publisher: W. W. Norton & Company

Published: 2010-05-03

Total Pages: 441

ISBN-13: 0393079848

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Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.


Shakespeare the Player

Shakespeare the Player

Author: John Southworth

Publisher: The History Press

Published: 2011-10-21

Total Pages: 220

ISBN-13: 0752472445

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Shakespeare the Player overturns traditional images of the Bard, arguing that Shakespeare cannot be separated from his profession as actor any more than he can be separated from his works.


To Play the Fool

To Play the Fool

Author: Laurie R. King

Publisher: Macmillan

Published: 2014-01-07

Total Pages: 273

ISBN-13: 1250046580

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The first cremation the homeless people held in Golden Gate Park was for a dog; their second pyre held a much larger body. To find the one responsible for these deaths, Kate Martinelli sets out on a quest for Brother Erasmus -- an enigmatic creature who has befriended the homeless and speaks only in quotations.


Contested Will

Contested Will

Author: James Shapiro

Publisher: Simon and Schuster

Published: 2011-04-19

Total Pages: 356

ISBN-13: 1416541632

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Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.


The Book of Will

The Book of Will

Author: Lauren Gunderson

Publisher: Dramatists Play Service, Inc.

Published: 2018-06-18

Total Pages: 95

ISBN-13: 0822237725

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Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.


Rescripting Shakespeare

Rescripting Shakespeare

Author: Alan C. Dessen

Publisher: Cambridge University Press

Published: 2002-06-20

Total Pages: 284

ISBN-13: 9780521007986

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Building on almost 300 productions from the last 25 years, this 2002 book focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Alan Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students.