The adventure continues in the second installment of the Shades of Memnon series, where it is 1200 B.C. and a young Kushite must fight for his family's survival.
The battle of iSandlwana was the single most destructive incident in the 150-year history of the British colonization of South Africa. This title shows that the brutality of the battle was the result of an inevitable clash between two aggressive warrior traditions.
All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country's colonial government in the years leading up to Apartheid. In six parts--each of which is illustrated by a different South African artist--All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories--true stories of grit, compassion, and hope, now being told for the first time in print.
In 1879, armed only with their spears, their rawhide shields, and their incredible courage, the Zulus challenged the might of Victorian England and, initially, inflicted on the British the worst defeat a modern army has ever suffered at the hands of men without guns. This is the definitive account of the rise of the Zulu nation under the great ruler Shaka and its fall under Cetshwayo. The story is studded with tales of drama and heroism: the Battle of Isandhlwana, where the Zulu army wiped out the major British column; and Rorke's Drift, where a handful of British troops beat off thousands of Zulu warriors and won eleven Victoria Crosses. Acclaimed for its scholarship, its monumental range, and its spellbinding readability, The Washing of the Spears is a gripping portrait of not just the Zulu War of 1879, but also of Britain’s colonial policy at this moment.
By tracing the long and turbulent history of the Zulus from their arrival in South Africa and the establishment of Zululand, The Zulus at War is an important and readable addition to this popular subject area. It describes the violent rise of King Shaka and his colorful successors under whose leadership the warrior nation built a fearsome fighting reputation without equal among the native tribes of South Africa. It also examines the tactics and weapons employed during the numerous intertribal battles over this period. They then became victims of their own success in that their defeat of the Boers in 1877 and 1878 in the Sekunini War prompted the well-documented British intervention. Initially the might of the British empire was humbled as never before by the shock Zulu victory at Isandlwana but the 1879 war ended with the brutal crushing of the Zulu Nation. But, as Adrian Greaves reveals, this was by no means the end of the story. The little known consequences of the division of Zululand, the Boer War, and the 1906 Zulu Rebellion are analyzed in fascinating detail. An added attraction for readers is that this long-awaited history is written not just by a leading authority but, thanks to the coauthor’s contribution, from the Zulu perspective using much completely fresh material. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
The historians of the late 1960s have emphasised the work of a small group of white college activists and the Black Panthers, activists who courageously took to the streets to protest the war in Vietnam and continuing racial inequality. Poor and working-class whites have tended to be painted as spectators, reactionaries and even racists. Tracy and Amy Sonnie have been interviewing activists from the 1960s for nearly 10 years and here reject this narrative, showing how working-class whites, inspired by the Civil Rights Movement, fought inequality in the 1960s.
Beginning with the claim that the popularization of Buddhism in the medieval period was a phenomenon of visual culture, Explaining Pictures reexamines the history (and historiography) of medieval Japanese Buddhism. With theoretical sophistication and a full appreciation of the power of imagery to convey and control religious meaning, it investigates a range of aspects of etoki, including the particularly active role of itinerant nuns, whose performances were especially edifying to female audiences, as well as the visual hagiography of the reputed founder of Japanese Buddhism, the pictorial projections of Buddhist paradise and hell, and the explanation, through visual imagery, of sacred mountains. Explaining Pictures is the first book-length study in English devoted to the phenomenon of Buddhist art as religious propaganda and pictorial storytelling as a form of popular culture in medieval Japan. A truly interdisciplinary study, it suggests fruitful avenues of discussion between art historians and historians of Japanese Buddhism. Scholars and students with an interest in Japanese Buddhism, art, and social and cultural history will find its examination of significant issues fresh and stimulating. It will also find an appreciative audience among those concerned with the relationship between art and religion, the mechanics of proselytization, and Asian visual culture.