This outstanding volume features a rich selection of the composer's greatest overtures: Idomeneo (K.366); The Abduction from the Seraglio (K.384); The Marriage of Figaro (K.492); Don Giovanni (K.527); Così Fan Tutte (K.588); The Magic Flute (K.620); and La Clemenza di Tito (K.621). All reproduced in full score from authoritative early editions.
This compilation features five works by a prolific 19th-century composer of theatrical music whose oeuvre ranged from incidental music to full operas. Reproduced from authoritative sources, the contents include Light Cavalry, Noon and Night in Vienna, Beautiful Galatea, Vienna Jubilee Overture, and the title piece.
This superb collection of the composer's finest overtures encompasses the overture to "The Devil in Hydraulicus" D4 (1811); Overture in D, D26 (1812); Overture in B-flat, D470 (1816); Overture in D, D566 (1817); Overture in C in the Italian Style, D591 (1817); Overture in D in the Italian Style, D592 (1817); and Overture in E minor, D648 (Op. 170) (1819).
Featuring strikingly original harmonies and an extended structure and tonal range, this staple of the orchestral repertoire is a landmark of the Austro-Germanic symphonic tradition. Authoritative Breitkopf & Härtel edition.
Scriabin's last two orchestral works were the products of a virtual delirium of composing. Poem of Ecstasy and Prometheus: Poem of Fire demonstrate his original musical spirit and dazzling gifts as an orchestration, employing immense orchestral forces.
Inexpensive compilation includes great title piece ? one of the most frequently performed and recorded works in the modern orchestral repertoire ? along with "Norfolk" Rhapsody No. 1, Overture to "The Wasps," and the Fantasia on Christmas Carols. Reproduced from authoritative early editions.
Dramatic work conveys message of the Reformation in symphonic terms, capturing the implicit joy and suffering, building to a powerful finale of variations on Luther's "Ein feste Burg ist unser Gott."
The dramatic overture had its beginnings in Renaissance court entertainments, which often began with a flourish of trumpets. It reached a high point of inspiration in the overtures that George Frideric Handel (1685 1759) composed for his operas and oratorios. This volume presents 60 Handel overtures and sinfonias, originally scored for orchestra, superbly arranged for solo keyboard. They have been reprinted from an extremely rare edition originally printed, probably in the 1750s, by Handel's London publisher, John Walsh. Happily, these brilliant works have lost nothing in translation of their Handelian vitality and interest. Many of them, such as the overtures to "Messiah, Acis and Galatea, Alexander s Feast, Julius Caesar, "the second overture in "Solomon" (known as the "Arrival of the Queen of Sheba"), and the so-called Water Musick, are very familiar to music lovers. Some will be fresh discoveries for keyboard players. Together they demonstrate Handel s exciting theatrical sense, his technical virtuosity in composition, and his dazzling mastery of musical forms, which he often combined into his own unique creations. This edition preserves the original keyboard notation, amazingly precise in its elegant execution and, of course, entirely legible to present-day performers."
