A straight stud is starting to break… Wade still struts around school in his varsity jacket like he’s the king of the world. Laughing it up with his jock buddies. Making out with his cheerleader girlfriend. Bullying the “queers”. But behind the eyes he’s starting to get desperate. Wade hasn’t had sex in a week. Any kind of sex. Not since I put his manhood under lock and key. I wonder how much longer he can take it. Another day? Two? Pretty soon the frustration will be too much, and he’ll do anything I want just to get some release. There’s only one problem: It turns out that I’m not the only one who has Wade in training. And somebody else wants to break him first. •First time gay BDSM high school jock slave teen chastity MM sex story erotica•
Obedience training for a bully… Wade Johnson is the golden boy jock at our school, the star quarterback-- and a total jerk. He started calling me a “queer” back in ninth grade, and he and his football goons have been hassling me every day since. But now I’ve got something to keep Wade in line-- a video that could destroy his social life and end his football playing days for good. You’d think Wade would keep that in mind, and try to stay on my good side. Play nice. Keep the other jocks from messing with me. But Wade’s not that smart. At school, he’s still the same homophobic bully he’s always been. So after school, he has to make it up to me. It’s almost like that guy wants to be punished. First time gay BDSM high school jock slave sex story MM erotica with spanking
Be it forced seduction/dubious consent, non-violent intimidation, or pre-negotiated fantasy, there is something wickedly taboo about non-consensual sex, where consent is muddled. While rape is a crime of power, focusing on exerting physical control over another person, non-con is all about the gray area where verbal consent is either never given (not a 'yes', but not a 'no' either) or doesn't match the arousal and passion both parties share during the act. In "Like It or Not," we push the boundaries of consent without fully breaking them. When Connor's rent money is due and not even hooking can make up the shortfall, he really is "Out of Options." So when playboy Jarrett makes him a very generous offer, he doesn't look too closely at the terms-and lives to regret it. Then, werewolf Trevor is subjected to "Obedience Classes" when his pack alpha becomes fed up with his rebellion. Dirk, the wolf charged with this task, though, seems more interested in claiming Trevor for himself, by any means necessary. Writer Ian Richards has to decide "What It's Worth" to get his story when his contact meets him in a private club. In fact, Vincenzo has no intention of letting his information go easily, if at all. In "Blindside," freshman Matt is tired of enduring the hazing by (admittedly gorgeous) upperclassman Dylan, when Dylan ups the ante significantly. And as much as Matt wants Dylan, he can't be sure the whole thing isn't one more bizarre prank. Confessor Isak must resort to "Unnatural Means" when he is charged with the task of forcing Sain to confess his sins of murder and witchcraft before inevitable execution. Torturing in the name of the Divine is difficult enough, but when Sain's seductive magic takes hold of him, he isn't sure it will be Sain who breaks under pressure to find release. Finally, "Salting the Earth" becomes Ronan's only choice when he suspects his sister has been taken by the fairies. However, this only draws the interest of ruthless King Finnbheara, who extracts a price for his cooperation that may be too high for Ronan to pay.
Collected interviews featuring the Nebula Award–winning author and his thoughts on topics like literary criticism, comic books, race, and sexuality. For nearly three decades, Samuel R. Delany’s science fiction has transported millions of readers to the fringes of time, technology, and outer space. Now Delany surveys the realms of his own experience as a writer, critic, theorist, and gay Black man in this collection of written interviews, a type of guided essay. Because the written interview avoids the “mutual presence positioned at the semantic core” of traditional interview, Delany explains, “a kind of cut remains between the participants—a fissure in which the truths there may be more malleable, less rigid.” Within that fissure Delany pursues the breadth and depth of his ideas on language and theory, the politics of literary composition, the experience of marginality, and the philosophical, commercial, and personal contexts of writing today. Gathered from sources as diverse as Diacritics and The Comics Journal, these interviews reveal the broad range of Delany’s thought and interests. “Delany has a unique place in late twentieth century letters. A lifelong inhabitant of the margins, both social and literary, he has used his marginalized status as a lens to focus his astute observations of American literature and society. From these interviews his voice emerges, provocative, precise, and engaging.” —Kathleen Spencer, University of Nebraska “Samuel R. Delany never shies away from contestable positions or provocative opinions. In his fiction, Delany can write like quicksilver, and in lectures or panel discussions, he is easily SF’s most articulate spokesperson in academia. . . . There is much here that is not covered in Delany’s critical or autobiographical writings, and much that anyone seriously interested in SF—or many of Delany’s other favorite topics—ought to consider.” —Locus “Delany is fascinating whether discussing SF, comics, or his experiences as a Black American, and this collection . . . is as entertaining as it is informative.” —Science Fiction Chronicle “Yevgeny Zamyatin? Stanislaw Lem? Forget it! Delany is both, with a lot of Borges and Bruno Schultz thrown in.” —Village Voice
The first book of a trilogy of novels known collectively as "The Rosy Crucifixion." It is autobiographical and tells the story of Miller's first tempestuous marriage and his relentless sexual exploits in New York. The other books are "Plexus" and "Nexus."
In essays covering everything from art and common sense to charisma and constructions of the self, the eminent cultural anthropologist and author of The Interpretation of Cultures deepens our understanding of human societies through the intimacies of "local knowledge." A companion volume to The Interpretation of Cultures, this book continues Geertz’s exploration of the meaning of culture and the importance of shared cultural symbolism. With a new introduction by the author.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Paul Klee was endowed with a rich and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate Diaries in which he faithfully recorded the events of his inner and outer life from his nineteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the reader will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
