From its panoramic perspective, Christ Church, Philadelphia unfolds events as both religious and local history. Established as the church of the English crown in a decidedly Quaker colony, Christ Church dealt from its inception with issues of religious freedom. Demonstrating as much political as religious daring, Philadelphia Anglicans emerged from the Revolution with positions of power and influence that earned them the leading role in forming the nation's Protestant Episcopal Church.
Scholarly interest in the early modern sermon has flourished in recent years, driven by belated recognition of the crucial importance of preaching to religious, cultural, and political life in early modern Britain. The Oxford Handbook of the Early Modern Sermon is the first book to survey this rich new field for both students and specialists. It is divided into sections devoted to sermon composition, delivery, and reception; sermons in Scotland, Ireland, and Wales; English Sermons, 1500-1660; and English Sermons, 1660-1720. The twenty-five original essays it contains represent emerging areas of interest, including research on sermons in performance, pulpit censorship, preaching and ecclesiology, women and sermons, the social, economic, and literary history of sermons in manuscript and print, and non-elite preaching. The Handbook also responds to the recently recognised need to extend thinking about the 'early modern' across the watershed of the civil wars and interregnum, on both sides of which sermons and preaching remained a potent instrument of religious politics and a literary form of central importance to British culture. Complete with appendices of original documents of sermon theory, reception, and regulation, and generously illustrated, this is a comprehensive guide to the rhetorical, ecclesiastical, and historical precepts essential to the study of the early modern sermon in Britain.
A sequel to The Death of Christian Culture, this spiritual treatise covers social, cultural, and political topics. It explores the importance of religious knowledge and faith to the health of a culture, provides a historical sketch of the change in cultural and educational standards over the last two centuries, and illustrates how literary and other visual arts either contribute to a culture or conspire to tear it down. Compared to a series of sermons, this analysis explains that there is a continuing extinction of the cultural patrimony of ancient Greece, Rome, medieval Europe, and the early modern period of Western civilization, owing to the pervasive bureaucratization, mechanization, and standardization of increasing materialism.
