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Author: Ian Sansom
Publisher: HarperCollins UK
Published: 2019-08-22
Total Pages: 352
ISBN-13: 0007557221
DOWNLOAD EBOOKThis is a book about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry.
Author: Susannah Young-ah Gottlieb
Publisher: Stanford University Press
Published: 2022-12-13
Total Pages: 367
ISBN-13: 1503633934
DOWNLOAD EBOOKConcentrating on W. H. Auden's work from the late 1930s, when he seeks to understand the poet's responsibility in the face of a triumphant fascism, to the late 1950s, when he discerns an irreconcilable "divorce" between poetry and history in light of industrialized murder, this startling new study reveals the intensity of the poet's struggles with the meanings of history. Through meticulous readings, significant archival findings, and critical reflection, Susannah Young-ah Gottlieb presents a new image and understanding of Auden's achievement and reveals how his version of modernism illuminates urgent contemporary issues and theoretical paradigms: from the meaning of marriage equality to the persistence of fascism; from critical theory to psychoanalysis; from precarity to postcolonial studies. "The muse does not like being forced to choose between Agit-prop and Mallarmé," Auden writes with characteristic lucidity, and this study elucidates the probity, humor, and technical skill with which his responses to historical reality in the mid-twentieth century illuminate our world today.
Author: Admir Skodo
Publisher: Springer
Published: 2016-06-01
Total Pages: 304
ISBN-13: 3319293850
DOWNLOAD EBOOKThis book examines the legacy of philosophical idealism in twentieth century British historical and political thought. It demonstrates that the absolute idealism of the nineteenth century was radically transformed by R.G. Collingwood, Michael Oakeshott, and Benedetto Croce. These new idealists developed a new philosophy of history with an emphasis on the study of human agency, and historicist humanism. This study unearths the impact of the new idealism on the thought of a group of prominent revisionist historians in the welfare state period, focusing on E.H. Carr, Isaiah Berlin, G.R. Elton, Peter Laslett, and George Kitson Clark. It shows that these historians used the new idealism to restate the nature of history and to revise modern English history against the backdrop of the intellectual, social and political problems of the welfare state period, thus making new idealist revisionism a key tradition in early postwar historiography.
Author: Nicholas Jenkins
Publisher: Harvard University Press
Published: 2024-06-11
Total Pages: 466
ISBN-13: 0674296818
DOWNLOAD EBOOKA groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals. The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one. Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.
Author: Ian Sansom
Publisher: HarperCollins
Published: 2019-09-24
Total Pages: 325
ISBN-13: 0062984616
DOWNLOAD EBOOKOne poet, his poem, New York City, and a world on the verge of change. W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality, became a scapegoat and a poet-expatriate largely excluded from British literary history because he left. And his poem, “September 1, 1939,” was his most famous and celebrated, yet one which he tried to rewrite and disown and which has enjoyed—or been condemned—to a tragic and unexpected afterlife. These are the contributing forces underlying Ian Sansom’s work excavating the man and his most celebrated piece of literature. But Sansom’s book is also about New York City: an island, an emblem of the Future, magnificent, provisional, seamy, and in 1939—about to emerge as the defining twentieth-century cosmopolis, the capital of the world. And so it is also about a world at a point of change—about 1939, and about our own Age of Anxiety, about the aftermath of September 11, when many American newspapers reprinted Auden’s poem in its entirety on their editorial pages. More than a work of literary criticism or literary biography, this is a record of why and how we create and respond to great poetry.
Author: Arthur Kirsch
Publisher: Yale University Press
Published: 2008-10-01
Total Pages: 229
ISBN-13: 0300128657
DOWNLOAD EBOOKOne of the twentieth century’s most important poets, W. H. Auden stands as an eloquent example of an individual within whom thought and faith not only coexist but indeed nourish each other. This book is the first to explore in detail how Auden’s religious faith helped him to come to terms with himself as an artist and as a man, despite his early disinterest in religion and his homosexuality. Auden and Christianity shows also how Auden’s Anglican faith informs, and is often the explicit subject of, his poetry and prose. Arthur Kirsch, a leading Auden scholar, discusses the poet’s boyhood religious experience and the works he wrote before emigrating to the United States as well as his formal return to the Anglican Communion at the beginning of World War II. Kirsch then focuses on Auden’s criticism and on neglected and underestimated works of the poet’s later years. Through insightful readings of Auden’s writings and biography, Kirsch documents that Auden’s faith and his religious doubt were the matrix of his work and life.
Author: Alexander Masters
Publisher: Delacorte Press
Published: 2012-02-28
Total Pages: 375
ISBN-13: 034553221X
DOWNLOAD EBOOKAlexander Masters tripped over his first book subject on a Cambridge sidewalk, and the result was the multi-award-winning bestseller Stuart: A Life Backwards. His second, he’s found under his floorboards. One of the greatest mathematical prodigies of the twentieth century, Simon Norton stomps around Alexander’s basement in semidarkness, dodging between stalagmites of bus timetables and engorged plastic bags, eating tinned kippers stirred into packets of Bombay mix. Simon is exploring a theoretical puzzle so complex and critical to our understanding of the universe that it is known as the Monster. It looks like a sudoku table—except a sudoku table has nine columns of numbers. The Monster has 808017424794512875886459904961710757005754368000000000 columns. But that’s not the whole story. What’s inside the decaying sports bag he never lets out of his clutches? Why does he hurtle out of the house in the middle of the night? And—good God!—what is that noxious smell that creeps up the stairwell? Grumpy, poignant, comical—more intimate than either the author or his quarry intended—Simon: The Genius in My Basement is the story of a friendship and a pursuit. Part biography, part memoir, and part popular science, it is a study of the frailty of brilliance, the measures of happiness, and Britain’s most uncooperative egghead eccentric.
Author: Mitch Albom
Publisher: Crown
Published: 2007-06-29
Total Pages: 226
ISBN-13: 0307414094
DOWNLOAD EBOOK#1 NEW YORK TIMES BESTSELLER • A special 25th anniversary edition of the beloved book that has changed millions of lives with the story of an unforgettable friendship, the timeless wisdom of older generations, and healing lessons on loss and grief—featuring a new afterword by the author “A wonderful book, a story of the heart told by a writer with soul.”—Los Angeles Times “The most important thing in life is to learn how to give out love, and to let it come in.” Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it. For Mitch Albom, that person was his college professor Morrie Schwartz. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final “class”: lessons in how to live. “The truth is, Mitch,” he said, “once you learn how to die, you learn how to live.” Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift with the world.
Author: Jon Stallworthy
Publisher: Cambridge University Press
Published: 2008-10-30
Total Pages: 256
ISBN-13: 1107377668
DOWNLOAD EBOOKFrom Homer to Heaney, the voices of men and women have seldom been more piercing, more poignant, than in time of conflict. For fifty years, Jon Stallworthy has been attuned to such voices. In Survivors' Songs he explores a series of poetic encounters with war, with essays on Rupert Brooke, Siegfried Sassoon, Wilfred Owen, and others. Beautifully written, this moving book sets the poetry and prose of the First World War and its aftermath in the wider context of writing about warfare from prehistoric Troy to Anglo-Saxon England; from Agincourt to Flanders; from El Alamein to Vietnam; from the wars of yesterday to the wars of tomorrow.
Author: W. H. Auden
Publisher: Princeton University Press
Published: 2005-10-02
Total Pages: 148
ISBN-13: 0691123845
DOWNLOAD EBOOKWritten in the midst of World War II after its author emigrated to America, "The Sea and the Mirror" is not merely a great poem but ranks as one of the most profound interpretations of Shakespeare's final play in the twentieth century. As W. H. Auden told friends, it is "really about the Christian conception of art" and it is "my Ars Poetica, in the same way I believe The Tempest to be Shakespeare's." This is the first critical edition. Arthur Kirsch's introduction and notes make the poem newly accessible to readers of Auden, readers of Shakespeare, and all those interested in the relation of life and literature--those two classic themes alluded to in its title. The poem begins in a theater after a performance of The Tempest has ended. It includes a moving speech in verse by Prospero bidding farewell to Ariel, a section in which the supporting characters speak in a dazzling variety of verse forms about their experiences on the island, and an extravagantly inventive section in prose that sees the uncivilized Caliban address the audience on art--an unalloyed example of what Auden's friend Oliver Sachs has called his "wild, extraordinary and demonic imagination." Besides annotating Auden's allusions and sources (in notes after the text), Kirsch provides extensive quotations from his manuscript drafts, permitting the reader to follow the poem's genesis in Auden's imagination. This book, which incorporates for the first time previously ignored corrections that Auden made on the galleys of the first edition, also provides an unusual opportunity to see the effect of one literary genius upon another.
