Former United States poet laureate Donald Hall reflects on his life, discussing his childhood in Connecticut, the works that influenced him, his education, his success and failures as a writer and father, his friendships, and other related topics.
This retrospective collection of verse from the former US poet laureate and National Medal of Arts winner spans six decades of celebrated work. Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall’s celebrated career, and includes poems published in The New Yorker, the American Poetry Review, and the New York Times. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.
An anthology of American poems, is arranged chronologically, from colonial alphabet rhymes to Native American cradle songs to contemporary poems. 50 illustrations, 20 in color.
To Read a Poem begins the study of poetry by examining whole poems, emphasizing the goal of reading is not the analysis of parts but the understanding of wholes. For a fuller definition of petry's elements, later chapters concentrate on parts. Selections are frequently modern or contemporary, supplementing them with biographical notes on all poets. To Read a Poem will help students read poetry with intelligence, gusto, and discrimination.
The revered American Poet Laureate reflects on the meaning of work, solitude, and love with “extraordinary nobility and wisdom” (The New York Times) When Donald Hall moved to his grandparents’ New Hampshire farm in 1975, his work as a writer and a life devoted to the literary arts must have seemed remote from the harsh physical labor of his ancestors. However, he reveals a similar kind of artistry in the lives of his grandparents, Kate and Wesley. From them, he learned that the devotion to craft—be it canning vegetables, writing poems, or carting manure—creates its own special discipline and an ‘absorbedness’ that no wage can compensate. In this “sustained meditation on work as the key to personal happiness” (Los Angeles Times), we see how the writer has modeled his own life on his family’s lives of work, solitude, and love. When Hall comes face to face with his own mortality halfway through writing this book, we understand both his obsession with work and its ultimate consolation.