In her preface to Robert Walser's Selected Stories, Susan Sontag describes Walser as "a good-humored, sweet Beckett." The more common comparison is to "a comic Kafka." Both formulations effectively describe the reading experience in these stories: the reader is obviously in the presence of a mind-bending genius, but one characterized by a wry, buoyant voice, as apparently cheerful as it is disturbing. Walser is one of the twentieth century's great modern masters—revered by everyone from Walter Benjamin to Hermann Hesse to W. G. Sebald—and Selected Stories gives the fullest display of his talent. "He is most at home in the mode of short fiction," according to J. M. Coetzee in The New York Review of Books. The stories "show him at his dazzling best."
An outstanding array—52 pieces in all—of selected fiction from the multiple-award-winning, #1 New York Times bestselling author Neil Gaiman, introduced with a foreword by Booker Prize-winning author Marlon James Spanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults —Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories. Impressive in its depth and range, The Neil Gaiman Reader: Selected Fiction is both an entryway to Gaiman’s oeuvre and a literary trove Gaiman readers old and new will return to many times over.
In this collection of twenty-seven short stories, a novelette and a novel, there are many delightful tales, characters and situations to encounter and relish. The stories range from the light-hearted to the sombre. Many are laced with Manoj Das' characteristic irony. Told with humour and compassion, wit and sensitivity, this collection brings together the best of the works of one of India's most mature and rewarding writers.
Enter the strange and haunting world of Anna Kavan, author of mind-bending stories that blend science fiction and the author's own harrowing experiences with drug addiction, in this new collection of her best short stories. Anna Kavan is one of the great originals of twentieth-century fiction, comparable to Leonora Carrington and Jean Rhys, a writer whose stories explored the inner world of her imagination and plumbed the depths of her long addiction to heroin. This new selection of Kavan’s stories gathers the best work from across the many decades of her career, including oblique and elegiac tales of breakdown and institutionalization from Asylum Piece (1940), moving evocations of wartime from I Am Lazarus (1945), fantastic and surrealist pieces from A Bright Green Field (1958), and stories of addiction from Julia and the Bazooka (1970). Kavan’s turn to science fiction in her final novel, Ice, is reflected in her late stories, while “Starting a Career,” about a mercenary dealer of state secrets, is published here for the first time. Kavan experimented throughout her writing career with results that are moving, funny, bizarre, poignant, often unsettling, always unique. Machines in the Head offers American readers the first full overview of the work of a fearless and dazzling literary explorer.
When Charles Marlow travels to Africa to serve as steamboat pilot for an ivory-trading company, he learns he is to rendezvous with Kurtz, a trading-post agent held in high regard. But the deeper Marlow penetrates into the jungle, the grimmer the assessments of Kurtz become. Described by Conrad himself as "something quite on another plane than an anecdote of a man who went mad in the Centre of Africa," Heart of Darkness has long been regarded as a powerful appraisal of the fragility of civilization and the consequences of imperialism. This collection includes another five of Conrad's incomparable tales of adventure, including "The Secret Sharer," "Youth," and "Typhoon."
In a series of essays on the complicated relations between reading, writing and remembering, gifted novelist and critic Byatt sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.
A magnificent collection from the Pulitzer Prize-winning author: stories from across three decades that showcase his indomitable imagination. Steven Millhauser's fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison's laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story-in which a man who is dead, but not quite gone, reaches out to two lonely women-Millhauser "makes our world turn amazing" (The New York Times Book Review). With this collection, Steven Millhauser carves out ever more deeply his wondrous place in the American literary canon. Praise for Steven Millhauser's Dangerous Laughter "There is a ferocious restlessness in [these] stories, a mingling of desire and dread...mesmerizing" - Cathleen Medwick, O, The Oprah Magazine "Tales fuelled by curiosity and wonder, from a master...dazzling" - Jeff Turrentine, Washington Post Book World "Beautiful and profound...Millhauser's work is among the most thought-provoking I've ever encountered" - David L. Ulin, Los Angeles Times Book Review "Millhauser is a marvel...Dangerous Laughter shimmers with eccentric research, sinuous explorations of the mysteries of artistic creation, and his preternatural sensitivity to the inner lives of children and adolescents...an experience that leaves [us] dazzles, enchanted" - Daniel Dyer, Cleveland Plain Dealer "Absorbing, impeccably imagined...the best [stories] linger strangely, like ghostly taps on your shoulder" - Gregory Kirschling, Entertainment Weekly "Prose wizardry...of such melodic wit and finesse that it's more akin to musicmaking than story telling" - Michael Upchurch, Seattle Times "Millhauser's lifelong loves-of cartoons, magic, board games, mechanical marvels of the 19th century and the quiet moments of daily life-shine through, and his taste for language and grasp of storytelling are flawless. Truly amazing stories." - Stewart O'Nan
This Combo Collection (Set of 4 Books) includes All-time Bestseller Books. This anthology contains : The Way We Live Now The Magician Waverley; Or, 'Tis Sixty Years Since Anthem
Along with a range of socio-cultural, political and economic concerns, the focus on ‘self’ has been an inevitable assertion of writers during the last quarter of the twentieth century. Individualistic in tone, the contemporary women novelists are trying to portray realistically the predicament of modern women torn between the forces of tradition and modernity, their sense of frustration and alienation, the emotional and psychological turmoil and complexities of man-women relationships and subtleties of feminine consciousness against the persistent patriarchal social set-up. Cognizant of the evils originating from patriarchy, a positive sense of feminine identity has been recognized by them and the result is the emergence of a new woman in Indian society and its concept in the Indian English novel which has assumed a strident posture in the contemporary writings by women. The shift from submission to assertion, acquiescence to resistance and obedience to rebellion, however, has not been abrupt and effortless. Women are still in the process of negotiation with different limiting factors and thresholds of patriarchy to claim their due space and affirm their identity. The present study is an attempt to critically investigate the negotiations with cultural norms by the women characters in the selected novels by the contemporary novelists, namely Manju Kapur and Anita Nair. Almost all the women characters, major and minor, from the selected novels have been considered and positioned as per their ideological leanings and convictions under two thematic chapters namely “Women in the Clutches of Traditional Norms,” and “Tradition to Modernity.” The major issues around which the novels move – education, marriage, gendered space and mother-daughter relationships – are taken up to put them within the contemporary social conditions in which women characters live. The present book is divided into five chapters to make a critical and analytical study of the select novels of these contemporary Indian women writers in English. The present work is focused on five selected novels: Manju Kapur’s “Difficult Daughters”, “Home” and “Custody” and Anita Nair’s “Ladies Coupé” and “Mistress”.
This edition provides representative texts from Eliza Haywood's career, which overlaps that of Daniel Defoe, Samuel Richardson, and Henry Fielding. The six fictions and two plays provided here illustrate the many kinds of writing she produced, and the ways she treated important themes and issues.
