Justly celebrated as one of our strongest poets, Stephen Dunn selects from his eight collections and presents sixteen new poems marked by the haunting "Snowmass Cycle."
Soto writes with a pure sweetness free of sentimentality that is almost extraordinary in modern American poetry. -- Andrew Hudgins. Soto insists on the possibility of a redemptive power, and he celebrates the heroic, quixotic capacity for survival in human beings and the natural world. -- Publishers Weekly. Soto has it all -- the learned craft, the intrinsic abilities with language, a fascinating autobiography, and the storyteller's ability to manipulate memories into folklore. -- Library Journal.
“Tracy K. Smith’s poetry is an awakening itself.” —Vogue Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such Color: New and Selected Poems, her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther outward: when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even—and especially—in moments of inconceivable travesty and grief. Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.
One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.
“The quirky and macabre [ninth] book from Thomson is rich with breathtaking juxtaposition. ... These elegant poems are full of surprising and moving revelations.” —Publishers Weekly
"Children are poets before they grow up and they should live with poems. I hope this book will encourage them to do so."—Eleanor Roosevelt Beloved and treasured for over 60 years, here is the only poetry collection your family needs—brimming with favorite, classic poems carefully selected to inspire young readers. Over 700 classic and modern poems written by poets from William Shakespeare to J. R. R. Tolkien, Emily Dickinson to Langston Hughes, and covering a range of favorite topics—pets, playtime, family, nature, and nonsense—ensure that there’s a poem to please every child. A truly comprehensive collection that is the ideal way of introducing children to the joys of reading poetry. "If your children think they don't like poetry, expose them to this collection . . . and I defy them to resist its magic."—Kirkus "A fine book for parents to read aloud to their children."—Library Journal "This volume stands out for the comprehensiveness of its selection."—The Horn Book
“Now that my past is longer than my future, / I feel a diminishment inside my body. / Like in an overcoat, my arms are lost in the vastness of its sleeves.” In “Remembrance,” Frank Varela poignantly writes about the longing for loved ones—Aunt Consuelo, Doña Simona, Don Benacio—who are all spirits now. He hears them gossiping in the kitchen, sipping coffee and eating pastries. Their ghosts are a comfort, he writes, “So why then do their faces / blur in my memory?” In this collection of 55 poems, Varela writes about growing up Puerto Rican in Brooklyn, noting that there are two types of Puerto Ricans: “those born on the island, / others like me, / the children of exiles.” Pondering the universal sentiment of immigrant children, he notes that he was considered a spic in the United States and a gringo in the land of his parent’s birth. “All I wanted was the impossible: / To be the who I am in a land / unafraid of the me I have become.” Like his grandfather who cleared ten acres in Cibuco, Puerto Rico, “to wrench subsistence from red clay,” Varela loves the land and what it provides. “The land is rich with decay and past seasons. / On my best days, I can reach into the soil / and marry my soul with the green world— / tarragon, escarole, lemon balm, sage.” Expressing love and appreciation for his Puerto Rican family and culture, Varela’s poems reflect on the universal joys and pains of everyday life. This collection contains a mix of previously published and new poems that offers a survey of the poet’s work from 1988 to the present.
This is the definitive selection of work by one of the wittiest, most inventive poets currently writing. Ron Padgett, author of Great Balls of Fire, Triangles in the Afternoon, and other highly acclaimed books, stands alongside his fellow New York School associates John Ashbery, Frank O'Hara, Kenneth Koch, and James Schuyler as a major voice of American modernism. His work runs the gamut from popular humor to intellectual elegance to wild ricochets of the imagination. The heady circumvolutions of his poems are never less than surprising, and are frequently breathtaking in their ability to blend comedy and pathos in a graceful, mercurial lyricism.