The enigmatic sixteenth-century Swiss physician and natural philosopher Philippus Aureolus Theophrastus Bombastus von Hohenheim, called Paracelsus, is known for the almost superhuman energy with which he produced his innumerable writings, for his remarkable achievements in the development of science, and for his reputation as a visionary (not to mention sorcerer) and alchemist. Little is known of his biography beyond his legendary achievements, and the details of his life have been filled in over the centuries by his admirers. This richly illustrated anthology presents in modernized language a selection of the moral thought of a man who was not only a self-willed genius charged with the dynamism of an impetuous and turbulent age but also in many ways a humble seeker after truth, who deeply influenced C. G. Jung and his followers.
Developing Faithful Ministers aims to support the work of all those involved in supervision and training relationships within the Church. The Church recognising its call to serve God and the nation seeks to equip and develop its ministers to face the challenge of ministry in a society at the threshold of Christendom that is in a mission context. It is a context where both the general public and the institutional church have significant expectations of those in ministry. Indeed, there is now an expectation of ‘demonstrable capability’ prior to being licensed to any form of permanent tenure. The demand for more professional, demonstrably capable, mission able and collaborative licensed ministers places particular weight on the efficacy of the initial training relationship. "Developing Faithful Ministers" seeks to support those who find themselves in these relationships by offering both models of good practice and sustained theological reflection on what these drivers mean for developing ministry.
Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”
The legend of Lilith is undoubtedly the most fantastic of all ancient rabbinic myths. According to lore, God created her from dust alongside Adam. However, Lilith was a failed mate. She was not animated by the breath of God like Adam. Rather she was preemptively animated by a Satanic mist which erupted from the ground. Lilith rebelled against Adam and became the infamous Serpent who deceived Eve and caused Adam to fall. Therefore, God established eternal enmity between the Serpent Lilith and Eve and between their seed. Lilith's seed would bruise the heel of Eve's promised seed, Messiah, but Eve's seed would revive to crush Lilith's head. This book reveals 23 Biblical evidences that prompted ancient rabbis to conclude the various elements of Lilith's legend. It also explains how her legend is completely consistent with traditional Judaic / Christian teachings on the Bible's redemptive message. Her legend solves many ancient Biblical mysteries, such as why the Serpent bears seed like Eve.
