Full of the romantic glamour of 1940s Paris and Hollywood, this novel tells the heart-wrenching story of the secret affair between the iconic Casablanca star and the famous photographer. -- Cover.
Chris Greenhalgh, screenwriter of the 2009 film Coco Chanel & Igor Stravinsky, captures the love affair between two unforgettable people: Casablanca actress Ingrid Bergman and legendary photographer Robert Capa, in this heart-wrenching novel Seducing Ingrid Bergman. June, 1945. In newly liberated Paris, battle-ravaged photographer Robert Capa is drowning his sorrows. After ten years of recording horror and violence, he longs for for a diversion. Ingrid Bergman has been sent to entertain the troops and when she walks into the Ritz Hotel, Capa is enchanted. From the moment he slips a mischievous invitation to dinner under her door, the two find themselves helplessly attracted. Ingrid, tired of her passionless marriage, and her controlling film studio, is desperate for freedom and excitement. And Capa is willing to oblige. Dinners in cafés he can't afford. Night walks along the Seine. Dancing barefoot in nightclubs. Trysts in hotel rooms. He brings her back to life and she fills the hole inside him. With everything at stake, both Capa and Ingrid are presented with terrible choices. Full of the romantic glamour of 40s Paris and Hollywood, Seducing Ingrid Bergman tells the heart-wrenching story of the secret affair between the iconic Casablanca star and the famous photographer. 'Delightful and engrossing . . . a marvellous piece of writing . . . I read it with huge enjoyment' Barbara Erskine, author of Whispers in the Sand 'Greenhalgh's characters are sharply drawn, in particular the contrast between Bergman's inner turmoil and the slick celebrity seen by the public. Capas's self-image is equally conflicted, but together the two conjure a delicious tale of illicit freedom and, ultimately, thwarted love' Financial Times 'From a jubilant, irresistibly romantic Paris just after World War II, to Hollywood during its golden age, Chris Greenhaugh's Seducing Ingrid Bergman rapturously depicts the doomed love affair of two icons of the twentieth century. Like its protagonists Ingrid Bergman and Robert Capa, this is a book with both a sentimental heart and a soul of grit. I loved it.' Melanie Benjamin, New York Times Bestselling author of The Aviator's Wife. Chris Greenhalgh is the prize-winning author of three volumes of poetry, a novel, and wrote the screenplay for Coco Chanel & Igor Stravinsky, which occupied the prestigious closing slot at the 2009 Cannes Film Festival. He lives with his wife and two sons in Sevenoaks. www.chris-greenhalgh.com
The beautiful Casablanca star, the world's greatest war photographer, and the secret love affair that would change their lives forever . . . in Chris Greenhalgh's Seducing Ingrid Bergman June 1945. When Ingrid Bergman walks into the lobby of the Ritz hotel in Paris, war photographer Robert Capa is enchanted. From the moment he slips a mischievous invitation to dinner under her door, the two find themselves helplessly attracted. Played out against the cafés and nightclubs of post-war Paris and the parties and studios of Hollywood, they pursue an intense and increasingly reckless affair. But the light-hearted Capa, who likes nothing more than to spend his mornings reading in the tub and his afternoons at the racetrack, is not all that he seems. And Ingrid offers the promise of salvation to a man haunted by the horrors of war, his father's suicide, and the death of a former lover for which he blames himself. Addicted to risk, Capa must wrestle his devils, including gambling and drink, and resist an impulse to go off and photograph yet another war. Meanwhile, Ingrid, trapped in a passionless marriage and with a seven-year-old daughter to bring up, must court scandal and risk compromising her Hollywood career and saintly reputation if their love is to survive. With their happiness and identities at stake, both Capa and Ingrid are presented with terrible choices.
Grappling with hidden family secrets, forbidden passions, and a business in peril, the adopted daughter of a Louisiana mogul must confront the past to bring peace back to her hometown. The adopted daughter of the most powerful man in town, Schyler Crandall was a brokenhearted girl when she left Heaven, Louisiana. Now a crisis has brought her home to a family in conflict, a logging empire on the brink of disaster, and seething secrets that make Heaven hotter than hell. Everyone in Heaven has a secret: Schyler's beautiful younger sister, Tricia, with her cruel lies; Ken, Tricia's handsome husband, who married the wrong sister; Jigger, the pimp and ruffian with plans of his own; and Cash, a proud, mysterious, and complex bad boy with a wild reputation. It is dangerous for Schyler to even be near him, yet she must dare to confront the past -- if there is to be any peace in Heaven.
A weekend away deep in the English countryside takes a sinister turn in this suspenseful and compulsive debut psychological thriller. Sometimes the only thing to fear...is yourself. Leonora (Lee to some, Nora to others) is a reclusive writer, but when an old friend unexpectedly invites her to a weekend away in an eerie glass house, she reluctantly agrees to make the trip. But a haunting realization creeps in to the party: they are not alone in the woods. Forty-eight hours later, Nora wakes up in a hospital bed with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?” she tries to piece together the events of the past weekend. In order to uncover secrets and reveal motives, Nora must revisit parts of herself that she’d rather leave buried where they belong: in the past. In the vein of The Girl on the Train and Gone Girl, this gripping thriller will have readers on the edge of their seats until the very last page.
Carter Cox is a talented but dissipated freelance photojournalist living in New York City's East Village with his sad dog and bad habits. Though he travels to exotic places taking pictures of models and celebrities, he yearns to do more meaningful work and to mend his womanizing ways. He also wants to put into practice the lessons he learns from his Buddhist betters, but he continues to carry with him his “seduction kit”: a chessboard, cigarettes, and a Cormac McCarthy novel. At a Buddhist retreat, he meets Mia Malone, a beautiful, smart devout Catholic determined to remain a virgin until she is married. Carter falls hard, and Mia nervously agrees to join him on a photo shoot in Morocco. With both of their souls hanging in the balance, they quickly go from the ocean to hot water: crashing their car, getting arrested, running afoul of a sadistic gendarme, and trying to flee the country. Over the course of their adventure, they discover that karma and the human heart work in very mysterious ways.
From the New York Times bestselling author of Room, a young French burlesque dancer living in San Francisco is ready to risk anything in order to solve her friend’s murder—but only if the killer doesn’t get her first. Summer of 1876: San Francisco is in the fierce grip of a record-breaking heat wave and a smallpox epidemic. Through the window of a railroad saloon, a young woman named Jenny Bonnet is shot dead. The survivor, her friend Blanche Beunon, is a French burlesque dancer. Over the next three days, she will risk everything to bring Jenny's murderer to justice—if he doesn't track her down first. The story Blanche struggles to piece together is one of free-love bohemians, desperate paupers, and arrogant millionaires; of jealous men, icy women, and damaged children. It's the secret life of Jenny herself, a notorious character who breaks the law every morning by getting dressed: a charmer as slippery as the frogs she hunts. In thrilling, cinematic style, Frog Music digs up a long-forgotten, never-solved crime. Full of songs that migrated across the world, Emma Donoghue's lyrical tale of love and bloodshed among lowlifes captures the pulse of a boomtown like no other. "Her greatest achievement yet . . . Emma Donoghue shows more than range with Frog Music—she shows genius." —Darin Strauss, author of Half a Life.
A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.
2016 Reprint of 1960 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Mercedes de Acosta (1893 - 1968) was an American poet, playwright, and novelist. She was professionally unsuccessful but is known for her many lesbian affairs with famous Broadway and Hollywood personalities and numerous friendships with prominent artists of the period. De Acosta was involved in numerous lesbian relationships with Broadway's and Hollywood's elite and she did not attempt to hide her sexuality; her uncloseted existence was very rare and daring in her generation. In 1916 she began an affair with actress Alla Nazimova and later with dancer Isadora Duncan. Shortly after marrying Abram Poole in 1920, de Acosta became involved in a five-year relationship with actress Eva Le Gallienne. Over the next decade she was involved with several famous actresses and dancers including Greta Garbo, Marlene Dietrich, Ona Munson, and Russian ballerina Tamara Platonovna Karsavina. Additional unsubstantiated rumors include affairs with Pola Negri, Eleonora Duse, Katherine Cornell, and Alice B. Toklas. In 1960, when de Acosta was seriously ill with a brain tumor and in need of money, she published her memoir, "Here Lies the Heart." In it are recounted the off stage life and lifestyles of many of the iconic figures of Hollywood in from the 1920's to 1940's.
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.