This is a work written by a very young writer who displays infinite maturity in terms of her ability to delve into the deepest recesses of character and make it possible to understand, for example, a grasping social upstart and a wife abuser, yet, at the same time, alongside the wisdom and comprehension that would befit a psychologist, there shines a lively wit and, despite so many bleak realities, a youthful zest for life. It is a novel that touches raw nerves, that shocks, intrigues, cries out against injustice and engages the reader’s attention from the first page to the last.
Perfect for fans of the Bridgerton series by Julia Quinn. Gay is living a luxurious life in Istanbul but wants to escape what has become a caged life. She turns to Charles Villers, a fellow countryman she hardly knows, to help her leave. What follows is an adventure beyond her imagination set in romantic and exciting surroundings. The thrilling tale of love dates back to the 20th century and was written by Pamela Kent, a pseudonym of the beloved romance writer Ida Pollock. A must-read for fans of literary romance and surprising twists of fate. Pamela Kent is a pseudonym of Ida Pollock (1908 – 2013), a highly successful British writer of over 125 romance novels translated into numerous languages and published across the world. Ida Pollock has sold millions of copies over her 90-year career. Pollock began writing when she was 10 years old. Ida has travelled widely, living in several different countries. She continues to be popular amongst both her devoted fan base and new readers alike. Pollock has been referred to as the "world's oldest novelist" who was still active at 105 and continued writing until her death. On the occasion of her 105th birthday, Pollock was appointed honorary vice-president of the Romantic Novelists' Association, having been one of its founding members. Ida Pollock wrote in a wide variety of pseudonyms: Joan M. Allen, Susan Barrie, Pamela Kent, Averil Ives, Anita Charles, Barbara Rowan, Jane Beaufort, Rose Burghley, Mary Whistler and Marguerite Bell.
"An award-winning novel written in the genre of fantasy, science fiction, and mystery" A Writer shares the mysterious events that happen to him with his readers. The Writer happens to find an elderly woman lying unconscious on the sidewalk, takes her to the hospital, but later leaves her in the hospital room and returns to Bodrum unhappily. He doesn't receive the attention he expects from publishing houses. The doctor, nurses, and patients all love and take care of the old woman. Later, the government takes responsibility for her and places her in a nursing home, where she is also loved. However, the director of the nursing home becomes suspicious of the woman. Meanwhile, the Writer is unable to write the desired work. Moreover, he cannot be reunited with his beloved soulmate. The old woman holds the power to solve all his troubles, but the Writer is unaware of this. However, the Writer's destiny is about to change, and the old woman calls him towards herself. Initially, the Writer tries to resist but eventually gives in. He decides to embark on a journey towards Istanbul. During the journey, he sees suspenseful and mysterious events in his dreams, not realizing that they are actually happening in reality. The elderly woman he mysteriously encountered is not who he thought she was. She holds secrets. She is summoning the Writer for his true mission. In fact, the Writer is one of the missing members of a secret society.
ELIF SHAFAK'S NEW YORK TIMES ISTANBUL READING LIST RUNCIMAN AWARD SHORTLIST ERIC HOFFER AWARD FINALIST & HONORABLE MENTION DUBLIN LITERARY AWARD LONGLIST WNBA GREAT GROUP READ SELECTION At the neighborhood café where pastry chef Kosmas, charming widower Fanis, and other Rum—Greek Orthodox Christian—friends meet regularly for afternoon tea, American-born Daphne arrives with her elderly aunt. Daphne unsettles hearts, provokes jealousies, and stirs up memories of the 1955 Istanbul pogrom, forcing Kosmas and Fanis to confront their painful history in order to risk new beginnings. A shrewd and humorous tale, A Recipe for Daphne invites the reader into the kitchens, loves, and secret lives of Istanbul's most ancient community.
Embarking on a quest for identity and belonging, this narrative traverses the globe, from the shadowy echoes of the Beat generation in New York’s backstreets to the poetic haunts of Arthur Rimbaud in Charleville. It captures the essence of cultural icons and historical landmarks, weaving through the storied landscapes of London, the serene monasteries of Belgium, the artistic fervor of Amsterdam, and the peaceful protests of Saint Petersburg and Moscow. Along the Danube’s flow, into the cultural melting pot of Istanbul, the journey is a tapestry of introspection and discovery. It’s a homage to those who illuminate the path through life’s maze, transforming a potentially dark voyage into one of enlightenment and shared love.
I was motivated to write this memoir by my beloved mother. When I started to write my first book, Liliths Awakening, Mom came to me in a dream, telling me, Write about what you know and are good at. The next day, I told my husband, and he did agree with Mom. I decided to take their advice and put my first book on hold. My dear clients had a big part in the writing process when I told them about it. The concept of the book is how I wanted to introduce Turkish coffee images reading. It contains all my memories and life experiences since I became a coffee messengerabout thirty years of perceptive experiences with loved ones who have crossed.
Author of Balkan Ghosts, Robert D. Kaplan now travels from West Africa to Southeast Asia to report on a world of disintegrating nation-states, warring nationalities, metastasizing populations, and dwindling resources. He emerges with a gritty tour de force of travel writing and political journalism. Whether he is walking through a shantytown in the Ivory Coast or a death camp in Cambodia, talking with refugees, border guards, or Iranian revolutionaries, Kaplan travels under the most arduous conditions and purveys the most startling truths. Intimate and intrepid, erudite and visceral, The Ends of the Earth is an unflinching look at the places and peoples that will make tomorrow's headlines--and the history of the next millennium. "Kaplan is an American master of...travel writing from hell...Pertinent and compelling."--New York Times Book Review "An impressive work. Most travel books seem trivial beside it."--Washington Post Book World
Nancy Knudsen never meant to go to Istanbul. This insightful story tells the things she wished she'd known, and aren't in guide books, before she landed in an Istanbul apartment with not a word of Turkish. Both new and experienced visitors will find her observations invaluable and act as a small springboard for the reader's own impressions.
Istanbul has long been a place where stories and histories collide, where perception is as potent as fact. From the Koran to Shakespeare, this city with three names--Byzantium, Constantinople, Istanbul -- resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City," but, as Bettany Hughes reveals, Istanbul is not just a city, but a global story. In this epic new biography, Hughes takes us on a dazzling historical journey from the Neolithic to the present, through the many incarnations of one of the world's greatest cities--exploring the ways that Istanbul's influence has spun out to shape the wider world. Hughes investigates what it takes to make a city and tells the story not just of emperors, viziers, caliphs, and sultans, but of the poor and the voiceless, of the women and men whose aspirations and dreams have continuously reinvented Istanbul. Written with energy and animation, award-winning historian Bettany Hughes deftly guides readers through Istanbul's rich layers of history. Based on meticulous research and new archaeological evidence, this captivating portrait of the momentous life of Istanbul is visceral, immediate, and authoritative -- narrative history at its finest.
