Secrecy, Magic, & the One-act Plays of Harlem Renaissance Women Writers
Author: Taylor Hagood
Publisher:
Published: 2010
Total Pages: 195
ISBN-13: 9780814271247
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Secrecy, Magic, & the One-act Plays of Harlem Renaissance Women Writers
Author: Taylor Hagood
Publisher: Black Performance and Cultural
Published: 2010
Total Pages: 195
ISBN-13: 9780814211212
DOWNLOAD EBOOKZora Neale Hurston
Author: Cynthia Davis
Publisher: Scarecrow Press
Published: 2013-05-09
Total Pages: 294
ISBN-13: 0810891530
DOWNLOAD EBOOKZora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
Afro-Caribbean Women's Writing and Early American Literature
Author: LaToya Jefferson-James
Publisher: Rowman & Littlefield
Published: 2022-08-09
Total Pages: 237
ISBN-13: 1793606684
DOWNLOAD EBOOKAfro-Caribbean Women's Writing and Early American Literature is both pedagogical and critical. The text begins by re-evaluating the poetry of Wheatley for its political commentary, demonstrates how Hurston bridges several literary genres and geographies, and introduces Black women writers of the Caribbean to some American audiences. It sheds light on lesser-discussed Black women playwrights of the Harlem Renaissance and re-evaluates the turn-of-the century concept, Noble Womanhood in light of the Cult of Domesticity.
Some Unsung Black Revolutionary Voices and Visions from Pre-Colony to Post-Independence and Beyond
Author: F. Ndi
Publisher: African Books Collective
Published: 2021-05-14
Total Pages: 330
ISBN-13: 9956552240
DOWNLOAD EBOOKThis volume confronts black problems rooted in historical and material realities of oppression, colonialism, slavery, corruption, and subjugation in a world deaf to the cries, voices, and visions of heralds of an imminent black revolution. Some Unsung Black Revolutionary Voices and Visions gives readers new insights into the centrality of counter forces of the abovementioned material realities. The work is more of an ideal source for the editors sustained interest in these issues as well as any other historical shackle that chains and leaves the black man worldwide as a lesser man. This outstanding collection of essays explores the uniqueness and universality of Black Revolutionary Voices and Visions from the 19th Century to the 21st century. This engaging and incisive volume offering a high interest in historical and literary revolution of African and African Diasporic revolutionaries explores the voices and visions of Martin Delany, Sutton E. Griggs, Harriet Jacobs, Gebreyessus Hailu, Zora Neale Hurston, Okot pBtek, Fodba Keta, Walter Rodney, Fela Anikulapo Kuti, American Virgin Island Youths, Black Cultural Organizations, and Francis B. Nyamnjoh. The book is a gentle reminder of black pride that brings and connects in a coherent form the main struggles against which black creative thinkers, artists, activists, and historians fight to set the world free of pain, hurt, and corruption.
Undead Souths
Author: Eric Gary Anderson
Publisher: LSU Press
Published: 2015-10-19
Total Pages: 321
ISBN-13: 080716108X
DOWNLOAD EBOOKExamines physical, symbolic, psychological, and cultural forms of undeadness in a variety of media and historical periods.
Walking the Line
Author: Thomas Alan Holmes
Publisher: Lexington Books
Published: 2013-10-09
Total Pages: 289
ISBN-13: 0739169688
DOWNLOAD EBOOKAn insightful and wide-ranging look at one of America’s most popular genres of music, Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation’s religion, literature, and politics. Country fans have long encountered the concept of walking the line, from Johnny Cash’s “I Walk the Line” to Waylon Jennings’s “Only Daddy That’ll Walk the Line.” Walking the line requires following strict codes, respecting territories, and, sometimes, recognizing that only the slightest boundary separates conflicting allegiances. However, even as the term acknowledges control, it suggests rebellion, the consideration of what lies on the other side of the line, and perhaps the desire to violate that code. For lyricists, the line presents a moment of expression, an opportunity to relate an idea, image, or emotion. These lines represent boundaries of their kind as well, but as the chapters in this volume indicate, some of the more successful country lyricists have tested and expanded the boundaries as they have challenged musical, social, and political conventions, often reevaluating what “country” means in country music. From Jimmie Rodgers’s redefinitions of democracy, to revisions of Southern Christianity by Hank Williams and Willie Nelson, to feminist retellings by Loretta Lynn and Dolly Parton to masculine reconstructions by Merle Haggard and Cindy Walker, to Steve Earle’s reworking of American ideologies, this collection examines how country lyricists walk the line. In weighing the influence of the lyricists’ accomplishments, the contributing authors walk the line in turn, exploring iconic country lyrics that have tested and expanded boundaries, challenged musical, social, and political conventions, and reevaluated what “country” means in country music.
American Imperialism's Undead
Author: Raphael Dalleo
Publisher: University of Virginia Press
Published: 2016-09-02
Total Pages: 319
ISBN-13: 0813938953
DOWNLOAD EBOOKAs modern Caribbean politics and literature emerged in the first half of the twentieth century, Haiti, as the region's first independent state, stood as a source of inspiration for imagining decolonization and rooting regional identity in Africanness. Yet at precisely the same moment that anticolonialism was spreading throughout the Caribbean, Haiti itself was occupied by U.S. marines, a fact that regional political and cultural histories too often overlook. In American Imperialism’s Undead, Raphael Dalleo examines how Caribbean literature and activism emerged in the shadow of the U.S. military occupation of Haiti (1915-34) and how that presence influenced the development of anticolonialism throughout the region. The occupation was a generative event for Caribbean activists such as C. L. R. James, George Padmore, and Marcus and Amy Jacques Garvey as well as for writers such as Claude McKay, Eric Walrond, and Alejo Carpentier. Dalleo provides new ways of understanding these luminaries, while also showing how other important figures such as Aimé Césaire, Arturo Schomburg, Claudia Jones, Frantz Fanon, Amy Ashwood Garvey, H. G. De Lisser, Luis Palés Matos, George Lamming, and Jean Rhys can be contextualized in terms of the occupation. By examining Caribbean responses to Haiti’s occupation, Dalleo underscores U.S. imperialism as a crucial if unspoken influence on anticolonial discourses and decolonization in the region. Without acknowledging the significance of the occupation of Haiti, our understanding of Atlantic history cannot be complete.
Small-Screen Souths
Author: Lisa Hinrichsen
Publisher: LSU Press
Published: 2017-11-16
Total Pages: 345
ISBN-13: 0807167150
DOWNLOAD EBOOKIn sixteen essays that capitalize on recent innovations in cultural studies, media studies, and American studies, Small-Screen Souths: Region, Identity, and the Cultural Politics of Television assesses a diverse televisual archive to demonstrate how television studies can offer new critical possibilities for analyzing the complex histories of gender, sexuality, class, and race in the U.S. South. Small-Screen Souths analyzes historical and current depictions of the South and the way such depictions have influenced popular conceptions of the region.
Redrawing the Historical Past
Author: Martha J. Cutter
Publisher: University of Georgia Press
Published: 2018-04-01
Total Pages: 369
ISBN-13: 0820352020
DOWNLOAD EBOOKRedrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others. The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised. Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.
