Fine art, graphic design, underground comics... and zippos? The lines between art and commerce get fully rewired in this art opus documenting the history of FlameRite, the first commercial artists to recognise the potential of the Zippo lighter as canvas. Throw the cross-market appeal of Zippos in the blender with over thirty genre-destroying artists ranging in style from Robt. Williams to Daniel Clowes to Shag, and you have Scorched Art, more than just a collection, but a chronicle of a an art movement. In full-colour, the book features many out-of-print and never-before-seen models.
This generously illustrated volume features Mark Bradford's newest work which deals with the body and the performance of identity. Accompanying texts include Bradford's trenchant performance script and a scholarly text by Butler explores Bradford's critique of pervasive cultural racism and homophobia in society as a whole.
Selected as one of LitHub's 38 Favorite Books of 2022 Finalist for the 2022 Big Other Book Award for Nonfiction In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our 'digital age' is synonymous with the disastrous terminal stage of global capitalism and its financialization of social existence, mass impoverishment, ecocide, and military terror. Scorched Earth surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support. This polemic by the author of 24/7 dismantles the presumption that social media could be instruments of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.
This generously illustrated volume features Mark Bradford’s newest work which deals with the body and the performance of identity. Mark Bradford’s layered, multi-textured paintings have earned him wide critical acclaim. His latest body of work comprises a new group of paintings and a video, each of which cycles around the idea of the body in crisis. Bradford witnessed the LA riots (1992) from his studio and has translated the fury, fear, outrage, pandemonium, and lasting wounds into artworks. This volume reproduces in full new paintings in which Bradford carved into the layered surface of the work creating depressions and arteries that structure these otherwise abstract compositions. Bradford’s new video references the history of black standup comedy taking on Eddie Murphy’s controversial concert film "Delirious" (1983). In the video Bradford takes on Murphy’s searing comments on sexuality, reinterpreting this important cultural moment while considering the modalities of gender and its performance. Accompanying texts include Bradford's trenchant performance script and a scholarly text by Butler explores Bradford’s critique of pervasive cultural racism and homophobia in society as a whole.
A global history of environmental warfare and the case for why it should be a crime The environmental infrastructure that sustains human societies has been a target and instrument of war for centuries, resulting in famine and disease, displaced populations, and the devastation of people’s livelihoods and ways of life. Scorched Earth traces the history of scorched earth, military inundations, and armies living off the land from the sixteenth to the twentieth century, arguing that the resulting deliberate destruction of the environment—"environcide"—constitutes total war and is a crime against humanity and nature. In this sweeping global history, Emmanuel Kreike shows how religious war in Europe transformed Holland into a desolate swamp where hunger and the black death ruled. He describes how Spanish conquistadores exploited the irrigation works and expansive agricultural terraces of the Aztecs and Incas, triggering a humanitarian crisis of catastrophic proportions. Kreike demonstrates how environmental warfare has continued unabated into the modern era. His panoramic narrative takes readers from the Thirty Years' War to the wars of France's Sun King, and from the Dutch colonial wars in North America and Indonesia to the early twentieth century colonial conquest of southwestern Africa. Shedding light on the premodern origins and the lasting consequences of total war, Scorched Earth explains why ecocide and genocide are not separate phenomena, and why international law must recognize environmental warfare as a violation of human rights.
Sixteen-year-old grim reaper Lex Bartleby tries to redeem herself among her fellow Grims by finding renegade Zara, who is indiscriminately damning souls, and stopping her once and for all.
"Pulp Art Book--the multi-media collaboration between photographer Neil Krug and model Joni Harbeck--has become a virtual sensation online, and is now the subject of the artists' first monograph. Pulp Art Book: Volume One is an LP-sized hardcover book, split into several vignettes ranging from a spaghetti western theme to a Bonnie and Clyde revival and to the struggles of a 1950s housewife. These series tell the story of each character, and will be expanded in subsequent volumes. The inspiration for the pulp theme comes from the artists' collective appreciation of societal life and the artistic expressions of the 1960s and 70s. Old LP jackets, Giallo posters, vintage book covers, and B-movie cinema themes have defined their taste for this project. Initially they set out to capture something simple and sexy; as the shoots progressed, however, natural story lines emerged. The resulting work captures the smell of those decades and expresses them in a fresh way"--Publisher's Web site.
