When Scooby-Doo and his friends travel to Hawaii to take part in a charity bicycle race, their visit is interrupted by a traditional Hawaiian tiki figure threatening doom to all outsiders.
A collection of Scooby-Doo stories that can each be read aloud in 5 minutes! Boys and girls ages 3 to 7 who love Scooby-Doo will enjoy this hardcover 5-Minute Story Collection of tales. Featuring Scooby-Doo, Shaggy, Velma, and the rest of Mystery Inc. chasing monsters and solving mysteries, each exciting story can be read in five minutes or less, making it perfect for bedtime-or anytime!
The Secret Life of Pets meets Scooby Doo as furry friends hunt down a ghost in this hilarious sequel to The Great Pet Heist that is “silly business galore” (Kirkus Reviews)! Butterbean is bored. She and the other pets pulled off a heist once, but that was like a million years ago. Nothing exciting has happened since then. That is, until Mrs. Third Floor shows up at their apartment, convinced there’s a ghost in the building. Mrs. Third Floor’s rental unit is showing signs of paranormal activity—eerie noises, objects moving when no one is there, fish disappearing from the tank overnight. The pets decide to investigate. Soon they’re confronted with a bigger problem than just ghosts: professional ghost hunters who are offering to drive out the spirits for a hefty fee. It’s up to Butterbean and the rest of the gang to save Mrs. Third Floor from losing her life savings to scammers, all while dealing with some really annoying new animals. Can the furry friends uncover the truth in time?
Ocean’s Eleven meets The Secret Life of Pets in this hilarious and delightfully illustrated novel following a ragtag group of pets who will do whatever it takes to avoid being sent to the pound. Butterbean knew she wasn’t always a good dog. Still, she’d never considered herself a BAD dog—until the morning that her owner, Mrs. Food, fell in the hallway. Admittedly the tile was slipperier than usual, mostly because Butterbean had just thrown up on it. Now Butterbean and her fellow pets have to come up with a grand plan to support themselves in case Mrs. Food is unable to keep taking care of them. When they discover a mysterious man in their building who seems to have lots of loot, they plan a heist. Oscar the mynah bird is the brains of the operation. Walt the cat has the necessary slyness and slink. Marco and Polo are the reconnaissance rats. And Butterbean...well, no one would ever suspect a cute little wiener dog, right? Can these animal friends can pull off the heist of the century?
This Fall, The Walt Disney Animation Studios returns to its timeless art form of hand-drawn animation. From the creative minds of directors John Musker and Ron Clements (The Little Mermaid and Aladdin) comes an American fairy tale and musical set in the heart of New Orleans during the Jazz Age. This unforgettable tale of love, enchantment, and discovery features Tiana, a young girl with big dreams who is working hard to achieve them amid theelegance and grandeur of the fabled French Quarter. The Art of The Princess and the Frog showcases the lush concept art of this sure-to-be-classic movie, including sketches, character designs, lighting studies and storyboards, alongside inspiring quotes from the directors, producers, artists and designers, including veteran hand drawn animators that brought you many of Disney's most classic and unforgettable characters.
Scooby and the gang are enjoying a trip to Hawaii when a spooky witch doctor begins to make trouble. Can they solve the mystery of the haunted volcano?
'A masterly portrayal of an innocent.' Harold Pinter, from 'Directing Simon Gray's Plays', Simon Gray Plays 1 'Superficially, it is a light comedy about a group of educated, often eccentric English characters in an academic backwater in the early sixties. But though the jokes are excellent, the piece cuts deep. There are Strindberg-like glimpses of wretchedly unhappy marriages and, as in Ibsen, a sense of chickens coming home to roost. But the primary impression here is of an English Chekhov. As in the plays of the Russian master, the characters talk a lot, but they rarely listen, still less understand, so they are often at cross-purposes. And like The Seagull, the long time scheme in Quartermaine's Terms - it spans several years - creates a poignant sense of transience and mortality.' Daily Telegraph 'Gray's selection of details and exchanges is immaculate: he achieves drama and mystery in mundane lives; the comedy is beautifully stated and even personal tragedies are underlined with running gags that ring with truthfulness. No false hothouse effect is necessary to make bare the bewilderment of spirit of his central figure, the grinning, forgetful and deeply kind staff lecturer, St John Quartermaine, an inarticulate character of awesome loneliness who rivals the tragic force of Willy Loman.' The Times 'A play that is at once full of doom and gloom and bristling with wry, even uproarious comedy. The mixture is so artfully balanced that we really don't know where the laughter ends and the tears begin: the playwright is in full possession of the Chekhovian territory where the tragedies and absurdities of life become one and the same.' New York Times