Schwann Opus Vol. 10
Author: Becky Barnhart
Publisher:
Published: 1999-12
Total Pages: 970
ISBN-13: 9781575980515
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Author: Becky Barnhart
Publisher:
Published: 1999-12
Total Pages: 970
ISBN-13: 9781575980515
DOWNLOAD EBOOKAuthor: Becky Barnhart
Publisher:
Published: 1999-06
Total Pages: 0
ISBN-13: 9781575980508
DOWNLOAD EBOOKAuthor: Becky Barnhart
Publisher: Schwann Publications
Published: 1999-03
Total Pages: 1100
ISBN-13: 9781575980485
DOWNLOAD EBOOKAuthor: Schwann Publications
Publisher:
Published: 1997-09-01
Total Pages: 1191
ISBN-13: 9781575980423
DOWNLOAD EBOOKAuthor: Schwann Publications
Publisher:
Published: 1998-09
Total Pages: 0
ISBN-13: 9781575980461
DOWNLOAD EBOOKAuthor: Rose Arny
Publisher:
Published: 2000
Total Pages: 1546
ISBN-13:
DOWNLOAD EBOOKAuthor: F. M. Scherer
Publisher: Princeton University Press
Published: 2018-06-05
Total Pages: 277
ISBN-13: 0691188092
DOWNLOAD EBOOKIn 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.
Author:
Publisher:
Published: 1969
Total Pages: 898
ISBN-13:
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Publisher:
Published: 1962
Total Pages: 872
ISBN-13:
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