By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany's leading playwrights was all but secured. Consisting of Wallenstein's Camp, The Piccolomini and Wallenstein's Death, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller's collaborator and mentor, Johann Wolfgang von Goethe. Across the three plays, which are now commonly performed and printed together, Schiller charts the thwarted rebellion of General Albrecht von Wallenstein. Based loosely on the events of the Thirty Years' War, the trilogy provides a unique perspective on an army's loyalty to their commander and the machinations and intrigues of international diplomacy, giving insight into the military hero who is placed on the threshold between these forces as they are increasingly pitted against one another.The Wallenstein trilogy, formally innovative and modern beyond its time, is a brilliant study of power, ambition and betrayal. In this new translation-the latest in a long line of distinguished English translations starting with Coleridge's in Schiller's lifetime-Flora Kimmich succeeds in rendering what is often a difficult source text into language that is at once accessible and enjoyable. Coupled with a complete and careful commentary and a glossary, both of which are targeted to undergraduates, it is accompanied by an authoritative introductory essay by Roger Paulin. Kimmich's translation will be an invaluable resource for students of German, European literature and history, and military history, as well as to all readers approaching this important set of plays for the first time. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
"The Death of Wallenstein" by Friedrich Schiller is the final installment of the author's beloved Wallenstein trilogy. Having learned that the negotiators he has sent to bargain with the Swedes have been intercepted by imperial troops, Wallenstein supposes that the emperor now has damning evidence of his treason. After some hesitation and intense pressure exerted by Illo, Terzky, and especially the latter's spouse, Countess Terzky, Wallenstein decides to burn his bridges: he will enter into an official alliance with the Swedes.
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This is the second part of the Wallenstein trilogy by German playwright and mastermind Friedrich Schiller. The work as a whole produced a profound impression, and it is certainly Schillers masterpiece in dramatic literature. He brings out with extraordinary vividness the ascendency of Wallenstein over the wild troops whom he has gathered around him, and at the same time we are made to see how the mighty generals schemes must necessarily end in ruin, not merely because a plot against him is skilfully prepared by vigilant enemies, but because he himself is lulled into a sense of security by superstitious belief in his supposed destiny as revealed to him by the stars. Wallenstein is the most subtle and complex of Schillers dramatic conceptions, and it taxes the powers of the greatest actors to present an adequate rendering of the motives which explain his strange and dark career. The love-story of Max Piccolomini and Thekla is in its own way not less impressive than the story of Wallenstein with which it is interwoven.Includes a biography of the author.
This is the second part of the Wallenstein trilogy by German playwright and mastermind Friedrich Schiller. The work as a whole produced a profound impression, and it is certainly Schiller's masterpiece in dramatic literature. He brings out with extraordinary vividness the ascendency of Wallenstein over the wild troops whom he has gathered around him, and at the same time we are made to see how the mighty general's schemes must necessarily end in ruin, not merely because a plot against him is skilfully prepared by vigilant enemies, but because he himself is lulled into a sense of security by superstitious belief in his supposed destiny as revealed to him by the stars. Wallenstein is the most subtle and complex of Schiller's dramatic conceptions, and it taxes the powers of the greatest actors to present an adequate rendering of the motives which explain his strange and dark career. The love-story of Max Piccolomini and Thekla is in its own way not less impressive than the story of Wallenstein with which it is interwoven. This is the bilingual edition of this literary masterpiece including the English and German versions of the play.
Johann Christoph Friedrich von Schiller (1759-1805) was a German poet, dramatist, philosopher and historian. Schiller wrote philosophical papers on aesthetics and ethics. He developed the concept of Schone Seele which translates to beautiful soul. Schiller said that a human being whose emotions have been educated by his reason view beauty and inclination as no longer in conflict with each other. Beauty is not merely sensual but moral as well. The Death of Wallenstein is a play translated by Samuel Coleridge. The play opens with "A room fitted up for astrological labors, and provided with celestial charts, with globes, telescopes, quadrants, and other mathematical instruments. Seven colossal figures, representing the planets, each with a transparent star of different color on its head, stand in a semicircle in the background, so that Mars and Saturn are nearest the eye."
Excerpt from Wallensteins Lager Entered, according to Act of Congress, in the your 1888, by s. R. U n B 1 N o, In the Clerk's Omcc of the District Court of the District of Massachusetts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
