Schenker's Interpretive Practice

Schenker's Interpretive Practice

Author: Robert Snarrenberg

Publisher: Cambridge University Press

Published: 1997-05-28

Total Pages: 203

ISBN-13: 0521497264

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This is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker.


The Schenker Project

The Schenker Project

Author: Nicholas Cook

Publisher: Oxford University Press

Published: 2007-09-28

Total Pages: 368

ISBN-13: 0199883602

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Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-siècle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world.


A Topical Guide to Schenkerian Literature

A Topical Guide to Schenkerian Literature

Author: David Carson Berry

Publisher: Pendragon Press

Published: 2004

Total Pages: 610

ISBN-13: 9781576470954

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To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.


Explorations in Schenkerian Analysis

Explorations in Schenkerian Analysis

Author: David Beach

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 374

ISBN-13: 1580465595

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Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.


Heinrich Schenker

Heinrich Schenker

Author: Benjamin Ayotte

Publisher: Routledge

Published: 2020-08-11

Total Pages: 348

ISBN-13: 1000143562

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This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.


Schenkerian Analysis - Analyse nach Heinrich Schenker

Schenkerian Analysis - Analyse nach Heinrich Schenker

Author: Oliver Schwab-Felisch

Publisher: Georg Olms Verlag

Published: 2021

Total Pages: 495

ISBN-13: 3487424797

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Dass Heinrich Schenker zu einem der meistdiskutierten Musiktheoretiker des 20. Jahrhunderts wurde, hat im Wesentlichen zwei Gründe: Erstens ermöglicht seine Theorie ebenso vielschichtige wie konsistente Beschreibungen der Stimmführung, Harmonik und Syntax tonaler Werke. Und zweitens fand Schenkers ?Schichtenlehre? in den USA, wohin die meisten Schüler Schenkers nach 1933 emigriert waren, ideale Bedingungen vor - Bedingungen, die sie rasch zur führenden Theorie tonaler Musik aufsteigen ließen. In Österreich, Deutschland und der Schweiz nahm die Schenker-Rezeption vorerst einen anderen Weg: Bis zur Jahrtausendwende blieb Schenkers Theorie Sache weniger Spezialisten. Seither aber stößt sie auch im deutschsprachigen Raum auf wachsendes Interesse. Der vorliegende deutsch-englische Sammelband trägt zur Schenker-Forschung beider Sprachräume und Wissenschaftskulturen bei. Er untersucht theoriegeschichtliche Fragen, beleuchtet unerforschte Aspekte der Schenker-Theorie und erschließt zahlreiche ihrer wissenschaftstheoretischen, rezeptionshistorischen und musikästhetischen Implikationen. Häufig geht er dabei über Schenker hinaus - durch neue Vorstellungen von Rhythmik und Metrik, Bezüge zur Systemtheorie Niklas Luhmanns oder pluralistische Theoriekonzepte. Der separate Notenband enthält analytische Graphiken ebenso wie originale Notentexte. Online abrufbare Hörbeispiele verdeutlichen, wie sich unterschiedliche analytische Interpretationen auf musikalische Aufführungen auswirken können. Glossar und Register schließlich erleichtern vertiefte Lektüren entlang gezielter Fragestellungen. Ein grundlegendes Studienbuch, das Musiktheoretiker:innen wie Interpret:innen zahlreiche Möglichkeiten aufzeigt, sich von Schenkers Denken anregen zu lassen.


Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

Author: Nicholas Marston

Publisher: Routledge

Published: 2017-07-05

Total Pages: 187

ISBN-13: 1351563955

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In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erl erungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erl erungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.


Reading Renaissance Music Theory

Reading Renaissance Music Theory

Author: Cristle Collins Judd

Publisher: Cambridge University Press

Published: 2000-11-30

Total Pages: 370

ISBN-13: 9780521771443

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Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).


Performative Analysis

Performative Analysis

Author: Jeffrey Swinkin

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 273

ISBN-13: 1580465269

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This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.