Technically, scatology has been used for various purposes: to shock, to smash puritanical taboos, to exptess hate and disgust, to explain psychological motivation, to satirise, to preach acceptance of the body, to project moral indignation, to shake the fist at God, and to have pure Rabelaisian fun. Above all, modern playwrights have used scatology, verbal and visual, for one great thematic purpose -- as a metaphor for the human condition.
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
The subject of drink received a great deal of attention from early modern Europeans. Preachers, physicians, authorities, artists and travellers all addressed it from a range of different perspectives. At the same time, inns, taverns and alehouses served as multifunctional centres in towns and villages throughout Europe. This combination resulted in a wealth of sources, both institutional and cultural, which are only now beginning to be explored. This anthology features new research on public houses in England, Russia and the German lands. In a series of general, thematic and regional studies, contributors engage with broader debates in early modern history, shedding light on such key issues as consumption, travel and communication, state building, confessional identity, fiscal practice, gender and household relations, and the use of public spaces. The result is a volume that should appeal to anybody with an interest in early modern cultural history.
ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.
The Muse is one of the oldest archetypes in human civilization, and, in the past, was a representation of an idealized woman - blessed with beauty and creativity and exerting irresistible attraction for many a man. Nowadays, in the wake of feminism, the idea of the Muse seems a bit obsolete, quaint or downright sexist, and is said to enhance a vicious stereotype of the creative, productive and active man and the passive, submissive and docile woman. However, this book shows that this, in fa ...
A wide-ranging exploration of Buddhism and family in Asiafrom biological families to families created in monasteries. The Buddha left his home and family and enjoined his followers to go forth and become homeless. With a traditionally celibate clergy, Asian Buddhism is often regarded as a world-renouncing religion inimical to family life. This edited volume counters this view, showing how Asian Buddhists in a wide range of historical and geographical circumstances relate as kin to their biological families and to the religious families they join. Using contemporary and historical case studies as well as textual examples, contributors explore how Asian Buddhists invoke family ties in the intentional communities they create and use them to establish religious authority and guard religious privilege. The language of family and lineage emerges as central to a variety of South and East Asian Buddhist contexts. With an interdisciplinary, Pan-Asian approach, Family in Buddhism challenges received wisdom in religious studies and offers new ways to think about family and society.
Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
A masterful writing style that is not only unique in biology but without equal in the whole of Dutch literature. The Story of Shit shows Dekkers once again to be in possession of a golden pen.’ New Scientist We are very discreet. We disappear into a small room, perform the task, flush, wash and reappear as if nothing happened. Of course, hygiene is necessary—some faecal bacteria, if re-ingested, can cause very serious problems—and unpleasant aromas are best kept at bay. But in all this hygienic discretion have we lost touch with an integral part of ourselves—something as much a part of living as breathing, eating and sleeping? Something enriching, creative and even enjoyable. In The Story of Shit, Dutch biologist Midas Dekkers presents a personal, cultural, scientific, historical and environmental account of shit, from the digestive process and the fascinating workings of the gut, to the act of defecation and toilet etiquette. With irreverent humour and a compelling narrative style, Dekkers brings a refreshing, entertaining and illuminating perspective to a once-taboo subject. Midas Dekkers is a bestselling Dutch writer and biologist. His books include Physical Exercise, The Way of All Flesh, Dearest Pet and The Larva. Nancy Forest-Flier is a Dutch-to-English translator. She was educated in the USA and now lives in the Netherlands. ‘Dekkers is a reservoir of knowledge (and shit). Fans of his humorous, distinctly European and meandering style of prose will enjoy The Story of Shit, which includes a collection of delightful black-and-white illustrations.’ Australian ‘For those who aren’t aware: we are not our brain, we are our gut. There is always that unmistakable Midas touch: his brilliant, sharp style makes it hard to suppress a laugh or a smile.’ Medisch Contact ‘Dekkers doesn’t hold back in his brimming history...You learn a lot...So, do I recommend a book that tells how the CIA tried using transmitters disguised as tiger turds to eavesdrop on the Viet Cong? Oh...faeces, yes.’ New Zealand Listener ‘It is such a wondrous thing when a scientist can explain facts in a humorous, straightforward and thrilling fashion.’ Toowoomba Chronicle ‘[A] remarkable foray into every aspect of diet, digestion and defecation...This is a fascinating, milestone work that should run out of bookshops like shit off a hot shovel.’ GPSpeak ‘A funny but earnest investigation—part social history, biology lesson and cultural study—that takes Chaucerian delight in the subject.’ Sydney Morning Herald ‘The Story of Shit is entertaining, amusing, educational and revealing...Sitting on the toilet will never be the same’ ArtsHub ‘A fascinating, very funny look at something common to us all.’ Daily Telegraph ‘[An] utterly unique, bizarre and interesting take on this universal-yet-taboo topic...Dekkers is an enthusiastic proponent of crap.’ AU Review ‘Intestinal fortitude required. Prudes beware.’ North & South ‘Packed with humour..The Story of Shit is an enjoyable romp through culture, science, and history.’ Australian Book Review
