British Romanticism and Continental Influences

British Romanticism and Continental Influences

Author: P. Mortensen

Publisher: Springer

Published: 2004-02-03

Total Pages: 239

ISBN-13: 0230512208

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During the 1790s and 1800s, cultural critics became convinced that Britain was being 'inundated' by pernicious literary translations imported from the European Continent. British Romanticism and Continental Influences discusses Romantic writers' complex and ambivalent responses to this threatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsworth and Coleridge publicly distanced themselves from European sensationalism, even as they assimilated and revised its conventions in their own writing.


MLN.

MLN.

Author:

Publisher:

Published: 1906

Total Pages: 310

ISBN-13:

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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.


Nordic Terrors

Nordic Terrors

Author: Robert William Rix

Publisher: Anthem Press

Published: 2024-10-01

Total Pages: 119

ISBN-13: 1839990465

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In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain’s northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of ‘Otherness’. Nordic texts—chiefly based on the Edda and the supernatural Scandinavian ballad tradition—were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.


The Golden Horns

The Golden Horns

Author: John L. Greenway

Publisher: University of Georgia Press

Published: 2008-06-01

Total Pages: 238

ISBN-13: 0820332577

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As an introduction to modern myth, The Golden Horns masterfully encompasses a wide circle of historical and literary materials. John Greenway first establishes the theoretical base of his discussion by examining the nature of time in Norse mythic consciousness. After suggesting several ways in which the mythic apprehension of reality conditioned medieval Icelandic narrative, he then elaborates on the dialectical relationship between myth and reason. Maintaining that myth is neither true nor false but always either expressive or not, the author then traces the origin, rise, and fall of two great modern myths of northern birth: seventeenth century Swedish Gothicism and the Ossianic craze of the eighteenth century--both of which illustrate the singular tension in the modern mind between mythic imperatives and the impulse to de-mythologize. Finally, The Golden Horns traces the romantic belief in a "new mythology" which synthesizes myth and reason from its early acceptance through its eventual repudiation. In his conclusions about the state of myth in the modern world, Greenway postulates that we have inherited the romantic respect for myth as truth but lack the romantic faith in transcendence necessary to establish myth's reality. Consequently, we express our mythic consciousness of who we are in quasi-scientific language, consciously manipulating mythic symbols for social control.


The Romances of William Morris

The Romances of William Morris

Author: Amanda Hodgson

Publisher: Cambridge University Press

Published: 2011-04-14

Total Pages: 238

ISBN-13: 9780521154925

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This 1987 book investigates the dismissal of William Morris's romances as self-indulgent fantasy, looking at the ways in which our sense of the 'escapism' of Morris's fairy-tale writing can be modified or expanded when seen in relation to the development of his imagination in other spheres, both political and creative.


Modern Philology

Modern Philology

Author:

Publisher:

Published: 1920

Total Pages: 756

ISBN-13:

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Vols. 30-54 include 1932-56 of "Victorian bibliography," prepared by a committee of the Victorian Literature Group of the Modern Language Association of America.