A lyrical firecracker of a memoir that chronicles the extraordinary childhood of author Deborah Burns, who grew up in prim 1950s America in the shadow of a beautiful, unconventional, rule-breaking mother, as well as her quest in midlife to unravel her mother's secrets and reclaim her own identity.
An amazing trajectory: From child star to prize-winning writer to feminist icon Robin Morgan is famous as a bestselling author of nonfiction, a prize-winning poet, and a founder and leader of contemporary feminism. Before all of that, though, she was a working child actor. From the age of two, “Saturday’s child had to work for a living.” She had her own radio show on New York’s WOR, Little Robin Morgan, by the time she was four; starred during the Golden Age of television in TV’s Mama from ages seven to fourteen; and was named the Ideal American Girl when she was twelve. In Saturday’s Child, she writes for the first time about her working youth, her battles to break away from show business and from her mother, her search for her absent, abandoning father, her entrance into the literary world, and the development of her politics, relationships, and writing. Morgan describes her tumultuous but successful life with startling honesty: her flight from child stardom into literature, her twenty-year marriage to a bisexual man, her joyful motherhood, her lovers, both male and female, her actions as a “temporary terrorist” on the left during the 1970s, and her travels and experiences in the global women’s movement. She writes about compiling and editing the famous anthologies Sisterhood Is Powerful and Sisterhood Is Global and later cofounding with Simone de Beauvoir the Sisterhood Is Global Institute. Saturday’s Child follows this “Ideal American Girl” on her path to becoming the feminist icon she is today. Epic in scope, witty, and bravely insightful, this is the tale of half of humanity rising up and demanding its rights, told through the intensely personal story of one remarkable woman.
In this warm and tender story by the Caldecott Honor-winning creator of Thank You, Omu!, join a mother and daughter on an up-and-down journey that reminds them of what's best about Saturdays: precious time together. Today would be special. Today would be splendid. It was Saturday! But sometimes, the best plans don't work out exactly the way you expect.... In this heartfelt and universal story, a mother and daughter look forward to their special Saturday routine together every single week. But this Saturday, one thing after another goes wrong--ruining storytime, salon time, picnic time, and the puppet show they'd been looking forward to going to all week. Mom is nearing a meltdown...until her loving daughter reminds her that being together is the most important thing of all. Author-artist Oge Mora's highly anticipated follow up to Caldecott Honor Thank You, Omu! features the same magnificently radiant artwork and celebration of sharing so beloved in her debut picture book.
Meet the Melendys! The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-and-a-half-year-old Randy, who loves to dance and paint; and thoughtful Oliver, who is just six. Tired of wasting Saturdays doing nothing but wishing for larger allowances, the four Melendys jump at Randy's idea to start the Independent Saturday Afternoon Adventure Club (I.S.A.A.C.). If they pool their resources and take turns spending the whole amount, they can each have at least one memorable Saturday afternoon of their own. Before long, I.S.A.A.C. is in operation and every Saturday is definitely one to remember. Written more than half a century ago, The Saturdays unfolds with all the ripe details of a specific place and period but remains, just the same, a winning, timeless tale. The Saturdays is the first installment of Enright's Melendy Quartet, an engaging and warm series about the close-knit Melendy family and their surprising adventures.
A lyrical picture book memoir of one boy and his beloved grandmother, from award-winning author Lester L. Laminack. Every Saturday, a young boy rides his bicycle up and down country roads, past farms and a filling station, until he reaches his Mammaw's house. She is waiting for him. There, the young boy helps her. She picks tomatoes and he pushes the lawnmower through the dew-wet grass. But the best part of the day is helping his Mammaw make teacakes from scratch and eating the hot, sweet cakes fresh from the oven. Lester L. Laminack's richly detailed prose perfectly portrays the special relationship of a young boy and his grandmother. Award-winning illustrator Chris Soentpiet's remarkably detailed watercolor images beautifully capture the setting.
Saturday's child works hard for a living… The old saying certainly applies to Nurse Abigail Trent. Pleasant but plain and sorely in need of money, Abigail is preparing to devote herself to her career when Professor Dominic van Wijkelen strides into her life. But the professor apparently hates all women, and Abigail in particular. What can she do but hide her heartbreak and continue to do the work he finds for her, which somehow, mysteriously, contrives to keep her near him in Holland. Originally published in 1973.
George loves Saturdays. That’s because Saturdays mean time with Grandma Stella. The two of them love going on adventures downtown to visit the dinosaur museum and ride on the carousel! Even when they stay in, George and Stella have fun together, making cinnamon rolls without popping open a tube and sharing the biggest, best hugs. Then one day Stella is gone, and George is ready to cancel Saturdays. But when a new addition to the family arrives, George finds a way to celebrate the priceless memories he made with his grandma—while making new ones too.
"Saturday's Child" is a fictional novel authored by Kathleen Thompson Norris, who was an American novelist, and wife of fellow writer, Charles Norris whom she wed in 1909. This book covers the fictional story of Susan Brown wants it all; tired of the drudgery of clerking in a busy office, tired of the same round of lunch with the office girls at noon, catching the trolley in the mornings in rain and slush, tired of the endless bills to log in and check, Susan is hoping for a better, easier life. The problem is that she doesn't quite know all of what that life entails. Will she be able to achieve what she truly desires?
Ellen Fairclough is perhaps best known as the first woman in Canada to become a federal cabinet minister. John Diefenbaker appointed her Secretary of State in 1957. In the course of her career she also served as Minister of Citizenship and Immigration and Minister responsible for Indian Affairs, and was in charge of the National Gallery, the National Film Board, the Dominion Archives, and the National Library. She was also a chartered accountant, a business woman, a local politician in Hamilton, and a wife and mother. At a time when many people believed that a woman's place was in the home, she successfully balanced family obligations with a career in the largely male world of federal politics. Writing with the style and wit for which she was famous as a politician, Ellen Fairclough, now ninety, tells her story. Her reminiscences describe her early life, her efforts to become a business woman, and her experiences as a Progressive Conservative member for the constituency of Hamilton West (1950-63). Fairclough discusses the political factors that led to her appointment to the Diefenbaker cabinet, as well as other factors, including family values and the opportunities available in the bustling industrial city of Hamilton, that served as the context for her successes. While her story focuses on the politics involved, Fairclough also writes extensively about family life, friendships, and domestic detail. She attributes her success to the fact that she was a 'Saturday's child' who worked hard for what she achieved. The source of much media attention during her political career, Ellen Fairclough was often the only woman in a room full of men and, on one occasion, was asked to leave a cabinet meeting because the topic of discussion – sexual assault – might be too rough for her sensitive ears. Having no female role models to follow, Fairclough made her own rules and charted her own course. These memoirs make a fascinating contribution to the history of women and politics in this country.