Here it is! The infamous book that proves the female of the species is deadlier than the male! Young Charlene knew something was different about her, but never expected the depraved acts she'd commit in her adult life. She lived in a divine body which lured men only close enough to be repelled by the black coldness of her eyes. With women...it was different. The cold stare-the icy calm of the little beauty drew them like a lodestone and they melted under the Duval technique of keeping passion under tight control-until lust fulfilled its promise, but all in its proper time. Each of Charlene's conquests knew the attainment of the peak had been worth the climb. One spot of warmth through her armor-tiny, helpless little Cynthia, who became completely 'turned on' when she was thoroughly frightened-let love in to ravish Charlene, only to make life more difficult for this hot and hungry hellcat!
I Prefer Girls makes its triumphant return! One of the true classics of the golden age of lesbian pulp fiction is back, complete with its captivating Robert Maguire cover and a window in on Greenwich Village, circa 1963. Long out of print, I Prefer Girls has been a favorite of collectors for years and is now available in this new edition from Blackbird Books.
The classic pulps were detective stories, horror, fantasy, and science fiction, but in the midst of this melange developed a significant subcategory of lurid, titillating tales of lesbian love. Aimed primarily at a heterosexual audience they offered readers a glimpse into a secret world of illicit passion and scandalous sex between delicious and devilish dames. This book is the first to be devoted to the cover art of these wildly wicked novels. Bold, kitschy, colourful, they are fraught with sexual tension. Includes 200 full colour illustrations.
According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.
This is a funny, moving story about life in a small town, from the point of view of a pregnant lesbian. Louise A. Blum, author of the critically acclaimed novel Amnesty, now tells the story of her own life and her decision to be out, loud, and pregnant. Mixing humor with memorable prose, Blum recounts how a quiet, conservative town in an impoverished stretch of Appalachia reacts as she and a local woman, Connie, fall in love, move in together, and determine to live their life together openly and truthfully. The town responds in radically different ways to the couple’s presence, from prayer vigils on the village green to a feature article in the family section of the local newspaper. This is a cautionary, wise, and celebratory tale about what it’s like to be different in America—both the good and the bad. A depiction of small town life with all its comforts and its terrors, this memoir speaks to anyone who has ever felt like an outsider in America. Blum tells her story with a razor wit and deft precision, a story about two "girls with grit," and the child they decide to raise, right where they are, in small town America.
These Are The Unbridled Desires Of Women Without Men. . .When Their Same-Sex Passion Explodes, Will The Stables Ever Be Safe Again? You've read about them, these sisters under the skin, vulnerable to the temptations of Sappho. . .Passion-starved twilight girls crossing over into a man's world of high withers, rippling hindquarters and glossy coats. . . Meet women like Pauline in Miss Barnard's Unit--the country girl bereft of feminine influence who comes of age in World War I, and comes undone in the arms of a worldly debutante. . .Terry in Snake Eyes for Silky, a jockey from the school of hard knocks who falls hard for a whip-wielding gangster's moll, and finds that she must choose between her heart and her horse . . . Innocents like Lena and Lily in The Chosen Horse, who bond over the sad fate of a cart horse, and their unspoken need to tread the waters of Lesbos . . .A world-class jumper like Julie in Lady Snow, a champion tempted by the irresistible rhythms of the bisexual Euro-beat. . .A young girl like Oreola in Pastures of Passion, who follows a lost foal to a curious farm girl--and her own destiny. . . These Are The Women Of The Big Book Of Lesbian Horse Stories. The Paddock Gates Are Open--Come Inside And Join The Fun! With an inspired sense of nostalgia, sensation, and wry humor, Alisa Surkis and Monica Nolan invite readers back into the curves of third-sex pulp fiction where odd-girls-out now ride as free as a filly with their Bohemian desires--side-saddle be damned. But this time, from coy flirtation to requited lust, there's nary a man in sight to set them on the straight-and-narrow.
The women in an Arctic village must survive a sinister threat after all the men are wiped out by a catastrophic storm in this "gripping novel inspired by a real-life witch hunt. . . . Beautiful and chilling" (Madeline Miller, bestselling author of Circe). When the women take over, is it sorcery or power? Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the skies break into a sudden and reckless storm. All forty of the village’s men were at sea, including Maren’s father and brother, and all forty are drowned in the otherworldly disaster. For the women left behind, survival means defying the strict rules of the island. They fish, hunt, and butcher reindeer—which they never did while the men were alive. But the foundation of this new feminine frontier begins to crack with the arrival of Absalom Cornet, a man sent from Scotland to root out alleged witchcraft. Cornet brings with him the threat of danger—and a pretty, young Norwegian wife named Ursa. As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom's iron rule threatening Vardø's very existence. "The Mercies has a pull as sure as the tide. It totally swept me away to Vardø, where grief struck islanders stand tall in the shadow of religious persecution and witch burnings. It's a beautifully intimate story of friendship, love and hope. A haunting ode to self-reliant and quietly defiant women." (Douglas Stuart, Booker Prize winning author of Shuggie Bain)
First Digital Edition; Grier Rating: A*** This is the true-life story of what happens when scores of young girls live intimately together in a French military barracks. Many of these girls, utterly innocent and inexperienced, meet other women who have lived every type of existence. Their problems, their temptations, their fights and failures are those faced by all women who are forced to live together during dangerous and stressful times. The girls who chose Tereska Torres, the author, as their confidante poured out to her their most intimate feelings, their secret thoughts. With all of its revelations and tenderness, Women’s Barracks is an important book because it tells a story that had never been truly told before--the story of women in war. It also has the special distinction of being the first “lesbian pulp” novel ever published and became a record-breaking bestseller. This autobiographical novel takes place in London, England during World War II. The terror of the V-1 and V-2 rocket bombings, and the resulting fires and destruction, are an unknown experience to most readers. The women enduring these events were not even 20 years old when they first arrived. Many volunteered to be there. They were French, or of French heritage, and wanted to be part of the effort to help protect France from invasion by the Nazis. Throughout it all, passions flare, long-standing taboos are tossed to the wind, and passionate relationships are begun between older, more experienced butch officers and the young, inexperienced femme girls under their charge. In her telling of these women’s stories, Torres remains nonjudgmental of the lesbian relationships these women explored. Perhaps as a result, Women’s Barracks was banned in several states for being obscene. The House Select Committee on Current Pornographic Materials denounced the book in 1952 as an illustration of how the newly emerging paperback industry was breeding and promoting moral depravity. By today’s standards, of course, the book is somewhat tame; however, the eroticism and honesty with which Torres writes immerses the reader in the love, tenderness, loyalty and passion that women share with each other.
"Rosaria, by the standards of many, was living a very good life. She had a tenured position at a large university in a field for which she cared deeply. She owned two homes with her partner, in which they provided hospitality to students and activists that were looking to make a difference in the world. In the community, Rosaria was involved in volunteer work. At the university, she was a respected advisor of students and her department's curriculum. And then, in her late 30s, Rosaria encountered something that turned her world upside down -- the idea that Christianity, a religion that she had regarded as problematic and sometimes downright damaging, might be right about who God was. That idea seemed to fly in the face of the people and causes that she most loved. What follows is a story of what she describes as a train wreck at the hand of the supernatural. These are her secret thoughts about those events, written as only a reflective English professor could."--Back cover.
EXCERPT FROM A REVIEW by Mel Keegan of GLBT Bookshelf ODD GIRL REVISITED is a work of 'rare scholarship'-- so much so that it's not the "easy read" the mass market is looking for these days. It's a window on a world which is gone, and the savvy reader's brows will be popping up in many places, for many reasons ... as much an invaluable glimpse into its times as into the lives and hearts of gay/Gay girls who grew up in the decades before most of us were born.) The strength of the book is in its "realness." And I know that's not a word; but it's what I want to say. The people, places and events in this book are real. Fantastic as it seems (and the first 20pp, the backstory of the author's childhood, do seem more in keeping with a big-budget HBO Movie of the Week!) these events took place. As the Chinese curse goes, "May you live in interesting times." ... Recommended for the well-read; for the reader who isn't using the encyclopedia to prop up the DVD stand; for the writer researching the period'-- with or without any interest in gay culture of the twentieth century. Ideally suited to the American social and cultural studies, and of great interest as a window on the recent past. Also should catch the attention of executives at HBO, who might easily be captivated with the first 20pp, buy the movie rights and never even read the rest of the book! (One can see it now, starring Meryl Streep, Cate Blanchett, Sam Neill and Viggo Mortensen...) --BookWorld.editme.com GLBT Bookshelf, December 6, 2010 Artemis Smith is a prominent strategist of the 1950-60's Rainbow civil rights coalition movements, author of the pulp fiction best sellers 'Odd Girl, ' 'The Third Sex.' and 'This Bed We Made.' This unexpurgated original version is an indispensable addition to every Women's Studies, GLBT and 20th Century literary archive. The Author is an established professional Philosopher, Poet, Artist and Futurist. 'Odd Girl' originally titled 'Anne Loves Beth' has been cited since 1959 by nearly all the name reviewers of the genre and is a recognized classic in sustained demand by modern researchers.
