Sarla dreams about flying a plane one day, but everyone tells Sarla that planes are for boys. She is determined to prove to the world that girls can do anything they set their minds to! Inspired by the achievements of the first Indian female pilot, Sarla Thukral, this illustrated picture book invites young readers to question gender stereotypes and DREAM BIG!
The more you shine, the brighter the world is for all of us. Dare to Shine captures the true life accounts of twenty women who have dared to challenge the world and achieve great success, against all odds. You will find in this compendium true inspiration from women from varied fields – whether it be the first person from a tribal community to be elected as the President of India, a female spy in the Indian National Army, the first Indian woman to climb the Mount Everest, a private detective, a popular stuntwoman, politician, revolutionary, an exemplary social reformer, the first woman IPS officer, venture capitalist, an actress, sports persons, and so on! In their inspiring journey though life’s ups and downs, you will see them breaking stereotype to emerge victorious and set an example before others. They dreamt, they dared and they did it!
It is the sixteenth century in South India and the Vijayanagara Empire is in the throes of a succession struggle that threatens to disrupt the peace of the realm. Far away from the chaos, the splendorous estate of Madhuvana sits in relative heaven where its seventy-year-old patriarch, Rajanna, has just died. After elders decree that his widows are to perform an ancient ritual in which a widow is cremated alive, the lives of three people intersect. Aadarshini is Rajanna’s twenty-two-year-old third wife and mother of his heir. Azam Khan is Rajanna’s trusted bodyguard, left rudderless after the death of his master. Prabhakara Swami is the enigmatic temple priest who holds the strings that control the fates of others. When Aadarshini is thrust into a forbidding darkness, she discovers what it means to become the hero of her own story as destiny tosses her around like a straw in the wind. While events in the capital close in around her, she must seize her fate and overpower not just those who want to see her down, but also her inner demons. In this intriguing historical thriller, the widow of a South Indian patriarch embarks on a journey of self-discovery to take control of her destiny and survive in an uncertain world.
This charming book The Many Worlds of Sarala Deri and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the ninteenth century. --
Ignored by her well-meaning husband, Charulata falls in love with a high-spirited young cousin in The Broken Nest (Nashtaneer, 1901). Sharmila, in Two Sisters (Dui Bon, 1933) witnesses her husband sink her fortunes and his passion into his business – and her sister. And the invalid Neeraja finds her life slowly ebbing away as a new love awakens for her beloved husband in The Arbour (Malancha, 1934). Romantic, subtle and nuanced, Rabindranath Tagore’s novellas are about the undercurrents in relationships, the mysteries of love, the ties and bonds of marriage, and above all about the dreams and desires of women.
This charming book The Many Worlds of Sarala Devi and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the nineteenth century. The first writing is a sensitive translation of Sarala Devis memoirs from the Bengali, Jeevaner Jharapata, by Sukhendu Ray. It is the first autobiography written by a nationalist woman leader of India. Sarala Devi was Rabindranath Tagores niece and had an unusual life. The translation unfolds, among other things, what it was like to grow up in a big affluent house Jorasanko, that had more than 116 inmates and a dozen cooks! The second writing by Malavika Karlekar is a photo essay, creatively conceived, visually reflecting the social and cultural trends of the times, through styles of dress, jewellery and accoutrements. The modern style of wearing a sari was introduced by Jnanadanandini Devi, a member of the Tagore family. The introduction by the well-known historian, Bharati Ray, very perceptively captures the larger context of family, marriage, womens education and politics of the time which touched Sarala Devis life. She points out that if memoirs are a kind of social history then womens diaries record social influences not found in official accounts and are therefore, a rich source of documentation.