For as long as seventeen-year-old Reka Cushing can remember, she has watched her friends and her neighbors be stolen, their bodies used as hosts for the Halorans; an alien race that has come to earth posing as gods. For just as long, Reka has lived in fear of drawing the eye of a Haloran, keeping her head down, hoping not to be caught in their sights. The only time she has ever been bold, tried to get what she wanted, a god, one more powerful, more dangerous than all others is watching.
Asian America has produced numerous short-story writers in the 20th century. Some emerged after World War II, yet most of these writers have flourished since 1980. The first reference of its kind, this volume includes alphabetically arranged entries for 49 nationally and internationally acclaimed Asian American writers of short fiction. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a survey of the writer's critical reception, and primary and secondary bibliographies. Writers include Frank Chin, Sui Sin Far, Shirely Geok-lin Lim, Toshio Mori, and Bharati Mukherjee. An introductory essay provides a close examination of the Asian American short story, and the volume closes with a list of works for further reading.
An anthology on immigrants from India. One story is on the pecking order of immigrants in this country, another is on Indians who returned from America to discover they are foreigners.
Even though Asian American literature is enjoying an impressive critical popularity, attention has focused primarily on longer narrative forms such as the novel. And despite the proliferation of a large number of poets of Asian descent in the 20th century, Asian American poetry remains a neglected area of study. Poetry as an elite genre has not reached the level of popularity of the novel or short story, partly due to the difficulties of reading and interpreting poetic texts. The lack of criticism on Asian American poetry speaks to the urgent need for scholarship in this area, since perhaps more than any other genre, poetry most forcefully captures the intense feelings and emotions that Asian Americans have experienced about themselves and their world. This reference book overviews the tremendous cultural contributions of Asian American poets. Included are alphabetically arranged entries on 48 American poets of Asian descent, most of whom have been active during the latter half of the 20th century. Each entry begins with a short biography, which sometimes includes information drawn from personal interviews. The entries then discuss the poet's major works and themes, including such concerns as family, racism, sexism, identity, language, and politics. A survey of the poet's critical reception follows. In many cases the existing criticism is scant, and the entries offer new readings of neglected works. The entries conclude with bibliographies of primary and secondary texts, and the volume closes with a selected, general bibliography.
"The scholarship exhibited here is not only superior; it is in many ways staggering. The author's control of an astonishing range of primary and secondary texts from many languages, eras, and disciplines is awe-inspiring. This is a learned, original, and important work."—Robert Goldman, Sanskrit and India Studies, University of California, Berkeley
It is a long story, slowly moving like a broad river in its journey through the plains. It is just an effort to highlight some sober facts like the true meaning of nationalism, religion, politics, and humanism. The work has very sharp political connotations. But I would like to clarify that while espousing the cause of clean politics, I have taken very dagger-sharp cuts at certain political forces whose brand of politics results in reversing the basic meanings of religion and nationalism. But it is for sure that all such literary efforts from my side are just a battle cry against bad politics, rather than going against any particular political force. By having creative cuts at the razor-sharp edges of most of the political blocks in India, I have tried to carve out a straight-faced deity whom people have in mind when they envision their interests in the safe hands of the state.
War is coming... Peninsular India, fourteenth century. The Pandyan empire is at its peak, its enemies subdued and its people at peace. Having left behind his step-brother Sundar in the race to the throne, Crown Prince Veera Pandyan is set to rule from Madurai, reputed to be the richest city in the subcontinent. But invisible fractures within the kingdom threaten to destroy it, and a new enemy approaches, swifter than anyone can imagine. In Delhi, Sultan Alauddin Khilji’s trusted general, the eunuch Malik Kafur, has trained his eyes on the distant south, fabled for its riches. A slave captured by the Khiljis, Kafur is renowned for his ambition and cunning. None, not even the mighty Mongols, have defeated him – no empire can withstand the trail of destruction he leaves in his wake. And all he wants is to see Madurai on its knees, its wealth pillaged, its temples destroyed. As an ancient city combusts in flames of treachery, bloodlust and revenge, brother will battle brother, ambition will triumph over love, slaves will rise to rule, cities will be razed to dust, and the victor will be immortalized in history...
You can't be friends with God if the God you believe in doesn't really exist. You can't depend on God if your God is a figment of your imagination. In a world full of gods, how do you know Jesus is real? You have probably heard things like: All religions lead to the same God. All faiths teach the same things. It doesn't matter what you believe-just that you believe sincerely. But Jesus said that: He alone is the way to God. He alone shows us the truth of who God is. He alone gives us life close to God. In this youth edition of Jesus Among Other Gods, Ravi Zacharias gives solid evidence as to why we should choose Jesus Christ as THE God among all other gods. Zacharias contrasts the truth of Jesus with the founders of Islam, Hinduism, and Buddhism, providing strong descriptions of each faith and solid defenses for the cause of Christ. In addition to the religion comparisons, the book answers questions such as: "What about all the hypocrites at church?" "How scientific is science?" "How can you best share what you believe?" and "Does the Bible teach reincarnation?" You can never be too young to learn how to defend your faith . . . and this book will tell you exactly how to do just that!
Chanting exists in many religious and spiritual traditions. The practice of chant focuses the mind and body with simple physics of sound, while the choice of chant can reflect a specific need, or honor a tradition. Gods, Goddesses, and Saints is a user-friendly, in-depth guide to a solitary practice of chant and meditation, providing chants from many faiths, from pagan deities to saints from many religions. Beautifully organized in many different ways, this book encourages you to explore the resonance of important figures and their associations and meanings across many traditions. You will also find blank forms to help you create your own chants and meditations. Gods, Goddesses, and Saints provides a fresh view of spiritual practice and new ideas for the future of faith.
