The 3rd edition of the San Diego Poetry Annual features the celebrated — Dorianne Laux, Steve Kowit, Sam Hamod — alongside those who are published here for the first time, revealing the diversity of talent throughout San Diego, across every plane: race, ethnicity, gender, sexual orientation, age, language, economics, location, occupation. To ensure the permanence of this collection, copies of each edition are donated in the name of contributing poets to public and college libraries in San Diego County and to select private libraries nationally.
The San Diego Poetry Annual is now part of the permanent collection of every college and university library in the San Diego region, as well as the San Diego County Library system, the San Diego City Library and the libraries of individual cities, including Carlsbad, Oceanside and Escondido. This 4th edition is the biggest and most diversified yet, featuring 146 poets and 222 of the best poems from every corner of San Diego. Copies of each edition of the San Diego Poetry Annual are donated in the name of contributing poets to public and college libraries in San Diego County and to select libraries nationally.
The San Diego Poetry Annual celebrates the diversity of talent found throughout the region. The work of celebrated poets, like Marge Piercy and Steve Kowit, appears next to the poems from those who are published for the first time.
The 2nd Edition of the San Diego Poetry Annual continues the tradition of celebrating the talent, diversity and perseverance of poets who live, study, work or were born in San Diego County. Also included -- a special section of poems written during the Idyllwild Arts summer poetry program, 2007. Copies of this and the inaugural edition are donated in the name of contributing poets to public and college libraries throughout San Diego
I arrived at San Diego State University (then State College ) in 1969 and so was "present at the creation" and watched the events described in Joyce Nower's The Sister Chronicles unfold. Nower examines and evokes the creation of the first Women's Studies program in the nation with a remarkable intertextual weaving of prose and rather formal verse ... And so the reconstruction of history to include "her story" began, and you will find the triumphs and setbacks, the exhilaration and disappointment, the hope and the struggle of those days powerfully recalled on these pages. Nower even has the audacity to turn bureaucratic academic procedures into poetry. -Fred Moramarco, poet and editor of Poetry International [The] Sister Chronicles (sharp title) about the formation of the first women's studies in the USA ... is entirely original. The prose is nicely paced, but it's the poetry that charms this reader, with its lyrical, musical voice, its mix of sassy, down home, traditional and erudite, witty and playful voices ("Dido Did It"), the somber beauty of "On the Path to Athena Proneia," "The Danaids" .... The poems connect smoothly to the narration. The poems that reflect the physical world in San Diego, birds, flora, the back country of the hunter-those "Sloan Canyon Songs"-are strong ... I like the witty rhymes ... The "Meditation on the Maelstrom" seems an excellent last poem and lands on an affirming note ....I am grateful to know about the mystic, pagan, fourth-century BC mathematician Hypatia of Alexandria. These sonnets, with their no-nonsense earthy language ... delighted me. "Jericho Again and Again" sets a philosophical mode into motion. After the fires, the blood of "Hypatia...," it offers a quieter tone. I especially like #7 "Childhood's Globe of Light," the pleasure of the rhymed couplets. -Colette Inez, poet (The Woman Who Loved Worms, Alive and Taking Names) Writing in the tradition of the Iliad and Odyssey, Joyce Nower charts the stormy waters of the Sixties. Her luminous poetry breaks over the shoals of the past, bringing calm at last. The Sister Chronicles is a tour de force of history and literature. -Elizabeth Cobbs Hoffman, historian (All You Need is Love: The Peace Corps and the 1960s)
antern Tree: Four Books of Poems is a luminous collaboration that explores life's spaces- the lantern of relation, journey, spirit, desire, loss, and home. At once disparate and entangled, the voices found here are those of Chris Baron in Under the Broom Tree, Heather Eudy in Bills of Lading, Cali Linfor in A Book of Ugly Things, and Sabrina Youmans in Pacific Standard Time. Published by San Diego City Works Press and distributed by Sunbelt Publications
This volume collects all poems published on the Clementine Poetry Journal website from July through December of 2015. Visit clementinepoetryjournal.com and our new site, https: //clementineunbound.wordpress.com/
Ideal for teachers who have been searching for a way to inspire students with a love for writing--and reading--contemporary poetry.It is a book about shaping your memories and passions, your pleasures, obsessions, dreams, secrets, and sorrows into the poems you have always wanted to write. If you long to create poetry that is magical and moving, this is the book you've been looking for.Here are chapters on the language and music of poetry, the art of revision, traditional and experimental techniques, and how to get your poetry started, perfected, and published. Not the least of the book's pleasures are model poems by many of the best contemporary poets, illuminating craft discussions, and the author's detailed suggestions for writing dozens of poems about your deepest and most passionate concerns.
Now in paperback, a collection to treasure from one of our most popular poets: poems that range from the Detroit of her childhood to her current life on Cape Cod, from deep appreciations of the natural world to elegies for lost friends and fellow poets. In her trademark style combining the sublime with gritty reality, Marge Piercy describes the night she was born: "the sky burned red / over Detroit and sirens sharpened their knives. / The elms made tents of solace over grimy / streets and alley cats purred me to sleep." She writes in graphic, unflinching language about the poor, banished now by politicians, no longer "real people like corporations." There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers "exactly how I loved each." She continues to celebrate Jewish holidays in compellingly original ways, and sings the praises of her marriage and the small pleasures of life. A stunning collection in the best Piercy tradition.
