Mythic discourses in the present day show how vernacular heritage continues to function and be valuable through emergent interpretations and revaluations. At the same time, continuities in mythic images, motifs, myths and genres reveal the longue durée of mythologies and their transformations. The eighteen articles of Mythic Discourses address the many facets of myth in Uralic cultures, from the Finnish and Karelian world-creation to Nenets shamans, offering multidisciplinary perspectives from twenty eastern and western scholars. The mythologies of Uralic peoples differ so considerably that mythology is approached here in a broad sense, including myths proper, religious beliefs and associated rituals. Traditions are addressed individually, typologically, and in historical perspective. The range and breadth of the articles, presenting diverse living mythologies, their histories and relationships to traditions of other cultures such as Germanic and Slavic, all come together to offer a far richer and more developed perspective on Uralic traditions than any one article could do alone.
In less than a year, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. That lack of direction lead him on a 5
“Lively and evocative, Mother Land is a deftly crafted exploration of identity and culture, with memorable and deeply human characters who highlight how that which makes us different can ultimately unite us.”—Amy Myerson, author of The Bookshop of Yesterdays and The Imperfects From the critically acclaimed author of America for Beginners, a wonderfully insightful, witty, and heart-piercing novel, set in Mumbai, about an impulsive American woman, her headstrong Indian mother-in-law, and the unexpected twists and turns of life that bond them. When Rachel Meyer, a thirtysomething foodie from New York, agrees to move to Mumbai with her Indian-born husband, Dhruv, she knows some culture shock is inevitable. Blessed with a curious mind and an independent spirit, Rachel is determined to learn her way around the hot, noisy, seemingly infinite metropolis she now calls home. But the ex-pat American’s sense of adventure is sorely tested when her mother-in-law, Swati, suddenly arrives from Kolkata—a thousand miles away—alone, with an even more shocking announcement: she’s left her husband of more than forty years and moving in with them. Nothing the newlyweds say can budge the steadfast Swati, and as the days pass, it becomes clear she is here to stay—an uneasy situation that becomes more difficult when Dhruv is called away on business. Suddenly these two strong-willed women from such very different backgrounds, who see life so differently, are alone together in a home that each is determined to run in her own way—a situation that ultimately brings into question the very things in their lives that had seemed perfect and permanent . . . with results neither of them expect. Heartfelt, charming, deeply insightful and wise, Mother Land introduces us to two very different women from very different cultures . . . who maybe aren’t so different after all.
A penguin, a hot fudge sundae, a scooter, a garden gnome. . . Whether you’ve never drawn more than a stick figure or you haven’t sketched in years, this collection of 50 everyday and quirky subjects will get your creative juices flowing. It’s packed with step-by-step instructions, helpful tips, and basic techniques to inspire all skill levels. With pages for sketching included, all you need is this book and a pencil to unleash the artist in you!
Eagles have fascinated humans for millennia. For some, the glimpse of a distant eagle instantly becomes a treasured lifelong memory. Others may never encounter a wild eagle in their lifetime. This book was written by people who have dedicated years to the study of eagles, to provide an insider's view for all readers, but especially those who have never been up close and personal with these magnificent yet often misunderstood creatures. In their stories, twenty-nine leading eagle researchers share their remarkable field experiences, providing personal narratives that don't feature in their scientific publications. They tell of their fear at being stalked by grizzly bears, their surprise at being followed by the secret police, their embarrassment when accidentally firing mortar rockets over a school gymnasium, and their sense of awe at tracking eagles via satellite. The reader experiences the cultural shock of being guest of honor at a circumcision ceremony, the absurdity of sharing an aquatic car with the Khmer Rouge, and the sense of foreboding at being press-ganged into a frenzied tribal death march through the jungle. The Eagle Watchers covers twenty-four species on six continents, from well known (bald eagle; golden eagle), to obscure (black-and-chestnut eagle; New Guinea harpy eagle), and from common (African fish eagle) to critically endangered (Philippine eagle; Madagascar fish eagle). The diverse experiences vividly described in this book reveal the passion, dedication, and sense of adventure shared by those who study these majestic birds and strive for their conservation. Featuring stunning color photographs of the eagles, information on raptor conservation, a global list of all eagle species with ranges and conservation status, and a color map of the sites visited in the book, The Eagle Watchers will appeal to birders, conservationists, and adventure travelers alike. To further support the conservation programs described in this book, all royalties are being donated to two leading nonprofit organizations for raptor conservation training and fieldwork: Hawk Mountain Sanctuary Intern Program and the National Birds of Prey Trust.
The first Tibetan to attain complete enlightenment was in all probability the woman Yeshe Tsogyal, the closest disciple of Padmasambhava, the master who brought Buddhism to Tibet in the eighth century. This classical text is not only a biography but also an inspiring example of how the Buddha's teaching can be put into practice. Lady of the Lotus-Born interweaves profound Buddhist teachings with a colorful narrative that includes episodes of adventure, court intrigue, and personal searching. The book will appeal to students of Tibetan Buddhism and readers interested in the role of women in Buddhism and world religions.
A fiery and intensely dynamic Zen teacher and artist, Hakuin (1685–1768) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous "What is the sound of one hand clapping?" This English translation of Hakuin’s intimate self-portrait includes reminiscences from his childhood, accounts of his Zen practice and enlightenment experiences, as well as practical advice for students.
The commentary translated in these pages is unusual and rare. But if the commentary is a rarity, its subject matter—the seven-line invocation of Padmasambhava—is one of the best-known prayers in the Tibetan Buddhist world. The overall significance of the Seven-Line Prayer is perhaps best appreciated in relation to a practice called guru-yoga, or "union with the nature of the guru." The purpose of guru-yoga is to purify and deepen the student's relationship with his or her teacher. It is introduced as one of the preliminary practices, and it remains crucial—in fact, its importance increases—as one progresses through the more advanced levels of the tantric path. The cultivation of devotion to the guru and the blending of one's mind with his or her enlightened mind is, in the words of Dilgo Khyentse Rinpoche, "the most vital and necessary of all practices and is in itself the surest and fastest way to reach the goal of enlightenment." Regarding the origin of this commentary, Mipham refers in the colophon to an event that triggered the abrupt appearance in his mind of the hidden meaning of the prayer. It is interesting to note that the language Mipham uses suggests that the commentary itself is not an ordinary composition but perhaps a treasure teaching, specifically a "mind-treasure" or gongter.