In ancient Ireland, an island ruled by kings and druids, the nuns of Saint Brigid are fighting to keep their monastery alive. When the bones of Brigid go missing from their church, the theft threatens to destroy all they have worked for. No one knows the danger they face better than Sister Deirdre, a young nun torn between two worlds.Trained as a bard and raised by a druid grandmother, she must draw upon all of her skills, both as a bard and as a nun, to find the bones before the convent begins to lose faith.
A young Irish nun finds herself the guardian of a mysterious manuscript claiming to be the lost gospel of Mary, when she realizes that church authorities are willing to kill to get their hands on it . . . An old and dying nun has turned up at Deirdre's monastery in Ireland with an ancient manuscript on a papyrus roll. When Deirdre reads the first line, she realizes it claims to be a previously unknown gospel written by Mary, the mother of Jesus. The church authorities in Rome have been seeking to destroy this gospel for centuries, claiming it is a forgery that threatens the very foundations of the faith. Deirdre begins to translate the gospel, but when a delegate of the pope arrives in Kildare searching for the text, she must set out across Ireland seeking safety as the church and its henchmen are hot on her trail. What does the gospel say? And why is the church so afraid of it?
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.
Stories, spells, rituals, and recipes celebrating the worldwide influence of this beloved Celtic goddess, with contributions from Amy Blackthorn, Laura Tempest Zakroff, Courtney Weber, and many others This anthology celebrates Brigid, an ancient and mysterious Celtic spirit who ranks among today’s most popular modern goddesses. Venerated in many forms including as a saint and a goddess, Brigid has traveled the globe alongside the Celtic diaspora. Once a goddess with a narrow territory, she is now an internationally beloved presence. While acknowledging her origins, this book also explores Brigid from the perspective of those outside her original Celtic homeland. Editors Cairelle Crow and Laura Louella have gathered art, poetry, stories, spells, rituals, recipes, and traditions as an homage to the worldwide influence of Brigid’s magic and lore, especially among the descendants of immigrants to the Americas. In compiling these individual works, Cairelle and Laura have given voice to those traveling ancestors by showcasing a rich and beautiful heritage manifested through embodiments of devotion by their descendants, as well as others touched by Brigid.
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
Telling the story of a man who stood against the overwhelming power of the mighty Roman empire, Hannibal is the biography of a man who, against all odds, dared to change the course of history. Over two thousand years ago one of the greatest military leaders in history almost destroyed Rome. Hannibal, a daring African general from the city of Carthage, led an army of warriors and battle elephants over the snowy Alps to invade the very heart of Rome's growing empire. But what kind of person would dare to face the most relentless imperial power of the ancient world? How could Hannibal, consistently outnumbered and always deep in enemy territory, win battle after battle until he held the very fate of Rome within his grasp? Hannibal appeals to many as the ultimate underdog—a Carthaginian David against the Goliath of Rome—but it wasn't just his genius on the battlefield that set him apart. As a boy and then a man, his self-discipline and determination were legendary. As a military leader, like Alexander the Great before him and Julius Caesar after, he understood the hearts of men and had an uncanny ability to read the unseen weaknesses of his enemy. As a commander in war, Hannibal has few equals in history and has long been held as a model of strategic and tactical genius. But Hannibal was much more than just a great general. He was a practiced statesman, a skilled diplomat, and a man deeply devoted to his family and country. Roman historians—on whom we rely for almost all our information on Hannibal—portray him as a cruel barbarian, but how does the story change if we look at Hannibal from the Carthaginian point of view? Can we search beneath the accounts of Roman writers who were eager to portray Hannibal as a monster and find a more human figure? Can we use the life of Hannibal to look at the Romans themselves in an unfamiliar way— not as the noble and benign defenders of civilization but as ruthless conquerors motivated by greed and conquest?
Women Writing the West WILLA Award Finalist From “the reigning royalty of Minnesota murder mysteries” (The Rake) comes a striking new heroine: a young Irish immigrant caught up in a deadly plot in nineteenth-century Deadwood When I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America. The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland’s potato famine by moving to America, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him after eluding the unwanted attentions of the son of her rich employer in St. Paul—or so she hopes. But the morning after her arrival, a grisly tragedy occurs; Seamus, suspected of the crime, flees, and Brigid is left to clear his name and to manage his mining claim, which suddenly looks more valuable and complicated than he and his partners supposed. Mary Logue, author of the popular Claire Watkins mysteries, brings her signature brio and nerve to this story of a young Irish woman turned reluctant sleuth as she tries to make her way in a strange and often dangerous new world. From the famine-stricken city of Galway to the bustling New York harbor, to the mansions of Summit Avenue in St. Paul, and finally to the raucous hustle of boomtown Deadwood, Logue’s new thriller conjures the romance and the perils, and the tricky everyday realities, of a young immigrant surviving by her wits and grace in nineteenth-century America.
"God helps those who help themselves." - The Bible? "Preach the gospel always; when necessary, use words." - St. Francis of Assisi? Sayings like these are such a part of modern pious tradition that we assume they come from the Bible, the mouths of saints, or the pens of famous Christian writers. In What the Saints Never Said, apologist Trent Horn takes over forty of these well-known but dubious sayings and attempts to track them to their true source. In so doing he finds some that are close to what was really said, many that were mis-attributed or twisted beyond their original meaning, and more than a few that were just plain made up! Trent Horn sets the record straight,
