Brooklyn Joe Lieber (1888-1953) was a mentor for Sailor Jerry Collins. Though born in Brooklyn, Lieber moved to the S.F. Bay area and spent most of his career there. Sharing a powerful near-identical drawing and painting style, he and Collins originated and traded hundreds of designs. This book features Lieber's brilliant and influential flash and drawings, equal in scope to those of Sailor Jerry.
The memoir of iconic tattoo artist Hardy from his beginnings in 1960's California, to leading the tattoo renaissance and building his name into a hugely lucrative international brand.
Sailor Jerry Collins was a great originator of designs as well as improvements in tattoo machines, pigments, and all-around working techniques. The "Sailor Jerry Style" is now synonymous with classic, traditional Western tattooing. What is not widely known is how many of these images came from other tattooers -- Ed Hardy's introduction.
On the occasion of the 30th anniversary of our premier publishing effort, New Tribalism, the book that detonated the explosive growth of tattooing in the late twentieth century, Hardy Marks Publications is excited to announce the re-release of all five issues of our historic Tattootime magazine in one boxed set. Now all five Tattootimes - New Tribalism (1982), Tattoo Magic (1983), Music & Sea Tattoos (1984), Life & Death Tattoos (1987), and Art From the Heart (1991) are here in two beautiful hardbound volumes, enclosed in a sturdy slipcase. All contents are from the first edition of each original -- subsequent reprints omitted some material. The combined volumes add up to 352 full color pages, plus original covers, and an added 27-page subject and title index to the entire series. Tattootime truly changed the world-documents, ideas, and images that have become legendary. Now experience its timeless impact.
The original creator of tattoo "flash" was largely unknown. Now a private collection of works by this Jewish tattooer from New York, "Lew the Jew" Alberts, has come to light. Around 1905 he was the first to make these design sheets commercially available, as well as developing the electric tattoo machine. His previously unpublished and rare original tattoo artwork is being published as a tattoo flash collection for the first time. Albert Kurzman (1880-1954) aka Lew the Jew was one of America s most influential tattoo artists at the beginning of the 20th century. Operating primarily on New York s Bowery, Lew constructed some of the earliest electric tattoo machines, and was the first to design and market printed design sheets to other tattooers. His artwork in these flash displays codified the repertoire of American tattooing, and many are still in use today. This first book to document this amazing man presents over 150 drawings. Included in these is correspondence between Al and two of his closest confidants, San Francisco Bay Area tattooers Brooklyn Joe Lieber and C.J. Pop Eddy. These candid fragments provide a vivid sense of a hardboiled, secretive world. Additional business cards, vintage tattoo photographs, and previously unknown biographical data illuminate the then-shadowy business of skin art. This material laid the ground for the avalanche of tattooing that permeates the world today.
A lively, richly illustrated family biography of pioneering Boston tattoo artists Edward "Dad" Liberty and his sons Frank, Harold, and Ted. Accompanied by a lush catalogue of historic tattoo flash art. Through the complex, deeply human story of an iconic family of Boston tattooers, Loud, Naked, & in Three Colors forges a deeper understanding of the history of a vernacular art form and the folk who made a living from its subversive attractions. From the 1910s until 1962, when Massachusetts banned tattooing statewide, Edward "Dad" Liberty and his three sons held a near-monopoly on the Boston tattoo scene from their shops in Scollay Square, the city's gritty entertainment district. Over their lifetimes, the Liberty men accumulated an unmatched collection of hand-painted tattoo flash art, photographs, machines, shop signs, correspondence, ephemera, and family memorabilia. Loud, Naked, & in Three Colors brings together this evocative, sometimes eye-popping material to create a groundbreaking visual and narrative history of tattooing in Boston. It is an appealing work for general readers and tattoo enthusiasts, as well as a definitive resource for tattoo artists and historians of popular culture. Loud, Naked, & in Three Colors presents nearly 700 never before published tattoo designs, known as "flash," passed down through the Liberty family. Painted on sheets, boards, books, window shades, and scraps of repurposed paper, these works represent nearly a dozen tattoo artists who plied needle and ink from the first years of the 20th century through the early 1960s. Highlights include artwork by early Boston tattoo artist and showman Frank Howard, Ed Smith, and tattoo luminary Ben Corday. Also featured are over 70 illustrations of newly-discovered art and artifacts owned by the Libertys and many of the tattooers in their orbit, including Detroit's Percy Waters; Portland, Oregon's "Sailor" George Fosdick; Los Angeles' Ben Corday; Honolulu's "Long Tom" and "Sailor" Jerry Collins; and Boston's Fred McKay, James Fraser, Lawrence Davis, Oscar Bouchard, Jack Redcloud, Harvey Chanarkar, and Frank Harrington. Also represented is a host of material from Ted Liberty's time in Baltimore and later Vancouver, Canada and Harold Liberty's time in Salem, New Hampshire.
