Oliver's study is rigorous and detailed but contemplative in its approach, examining the larger meanings of mankind's first adventures in "the heavens."
With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryynänen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (Sámi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.
What better gift could Our Lady have given us than the Rosary? The Rosary is Sacred Braille in that it is a miraculous juxtaposition of a language of prayer we can feel with our hands, joining word to touch. It is the Rosary to which our fingers may cling, as our flesh craves something tangible. The decades of the Rosary can be thought about, and, quite literally, felt, at the same time. While contemporary society separates the idea of "thinking" and "feeling," Scripture unites all functions in the heart. If we meditate on the words, "Mary treasured up all these things and pondered them in her heart," (Lk 2:19) the thinking and feeling functions are joined. The Rosary, through engaging both thought and touch, unites our spiritual and physical natures; our thinking and feeling faculties.
Biblical Foundations of Spirituality offers seekers guidance on what to read, how to read, and why to read the Bible as a source of spiritual nourishment. Informed by the latest scholarship, this book makes the Bible more intelligible and "user friendly" for contemporary audiences by stressing the spiritual dimension of the search for God evident in our biblical ancestors and showing how the Bible can be a friend and companion in our search for God today.
With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryynänen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (Sámi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.