Sacred Song in America
Sacred Song in America

Author: Stephen A. Marini

Publisher: University of Illinois Press

Published: 2003

Total Pages: 418

ISBN-13: 9780252028007

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In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.

The Cashaway Psalmody
The Cashaway Psalmody

Author: Stephen A. Marini

Publisher: University of Illinois Press

Published: 2020-01-08

Total Pages: 0

ISBN-13: 9780252042843

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Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Sacred Song and the Pennsylvania Dutch
Sacred Song and the Pennsylvania Dutch

Author: Daniel Jay Grimminger

Publisher: University Rochester Press

Published: 2012

Total Pages: 238

ISBN-13: 1580463835

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Sheds light on the process of cultural change that occurred over the course of a century or more in the majority of Pennsylvania German communities and churches. The Pennsylvania Dutch comprised the largest single ethnic group in the early American Republic of the late eighteenth and early nineteenth centuries. Yet like other ethnic minorities in early America, they struggled to maintain their own distinct ethnic identity in everything that they did. Eventually their German Lutheran and Reformed customs and folkways gave way to Anglo-American pressure. The tune and chorale books printed for use in Pennsylvania Dutch churches document this gradual process of Americanization, including notable moments of resistance to change. Daniel Grimminger's Sacred Song and the Pennsylvania Dutch is the only in-depth study of the shifting identity of the Pennsylvania Dutch as manifested in their music. Through a closer examination of music sources, folk art, and historical contexts, this interdisciplinary study sheds light on the process of cultural change that occurred over the course of a century or more in the majority of Pennsylvania German communities and churches. Grimminger's book also provides a model with which to view all ethnic enclaves, in America and elsewhere, andthe ways in which loyalties can shift as a group becomes part of a larger cultural fabric. Daniel Grimminger holds a doctorate in sacred music and choral conducting, as well as a PhD in musicology. He also holds a masterof theological studies degree and is a clergyman in the North American Lutheran Church. Grimminger teaches at Kent State University and is the pastor at Faith Lutheran Church in Millersburg, Holmes County, Ohio.

Christian Sacred Music in the Americas
Christian Sacred Music in the Americas

Author: Andrew Shenton

Publisher: Rowman & Littlefield

Published: 2021-02-17

Total Pages: 373

ISBN-13: 1538148749

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Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.

The Sacred Harp
The Sacred Harp

Author: Buell E. Cobb, Jr.

Publisher: University of Georgia Press

Published: 2004-12-01

Total Pages: 273

ISBN-13: 0820323713

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On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.

How Sweet the Sound
How Sweet the Sound

Author: David Ware Stowe

Publisher: Harvard University Press

Published: 2004

Total Pages: 366

ISBN-13: 9780674012905

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Stowe traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.

Exploring Christian Song
Exploring Christian Song

Author: M. Jennifer Bloxam

Publisher: Lexington Books

Published: 2017-06-12

Total Pages: 259

ISBN-13: 1498549918

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This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.

We Shall Overcome
We Shall Overcome

Author: Isaias Gamboa

Publisher:

Published: 2012

Total Pages: 320

ISBN-13: 9780615475288

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EVERYTHING you think you know about the song, "We Shall Overcome..".is WRONG. This is the Shocking, Untold Story of the iconic freedom-song, We Shall Overcome and its TRUE author, Louise Shropshire - a sharecropper's daughter and self-proclaimed "nobody," who through love and dedication to God, Gospel-music and the African-American Church, overcomes racism and poverty to find herself in the inner-circle of Rev. Dr. Martin Luther King Jr., Rev. Fred Shuttlesworth, Rev. Thomas A. Dorsey and the Civil Rights Movement. Along her way, Shropshire composes and copyrights a popular Gospel-hymn, which is secularized and hijacked by Pete Seeger and his powerful associates known to insiders as the "Folk Mafia." The sacred song is then unlawfully copyrighted by Seeger and his associates then peddled for untold millions all over the globe by Pete Seeger, Bob Dylan, Joan Baez, Bruce Springsteen and countless others. Featuring more than 160 extraordinary photographs, this well sourced and cited compendium not only describes the disturbing details surrounding the misappropriation of Louise Shropshire's sacred hymn, but also explores the historical attitudes of Black-exploitation, subjugation and racism in America by non culture-bearers. -Attitudes that enabled such an unthinkable act to occur in the first place, and remain unchallenged for half a century. Although the US Library of Congress has called We Shall Overcome; "The Most Powerful Song of the 20th Century..".a song that raked in untold millions in royalties for its hijackers, Louise Shropshire would die penniless and unrecognized.