What is sacrifice? How can we identify it in the archaeological record? And what does it tell us about the societies that practice it? Sacred Killing: The Archaeology of Sacrifice in the Ancient Near East investigates these and other questions through the evidence for human and animal sacrifice in the Near East from the Neolithic to the Hellenistic periods. Drawing on sociocultural anthropology and history in addition to archaeology, the book also includes evidence from ancient China and a riveting eyewitness account and analysis of sacrifice in contemporary India, which engage some of the key issues at stake. Sacred Killing vividly presents a variety of methods and theories in the study of one of the most profound and disturbing ritual activities humans have ever practiced.
Living and working among the Tz'utujil Maya people of Santiago Atitlán in highland Guatemala for some fifteen years, Vincent Stanzione has observed, photographed, and participated in their ritual and ceremonial life, which he describes with unique authority in this account of the continuities in Mayan culture from pre-Columbian times to the present. "This book represents both a confirmation and an innovation in the scholarship and field work about the religious imagination and rites of passage of Maya peoples. I know of no book that is as able to a) link the pre-Hispanic, colonial and contemporary religious practices of these peoples into a coherent narrative, b) combine anthropological/religious studies theory with linguistics and ongoing field work as creatively and c) illuminate the debate between models of 'syncretism' and 'transculturation' about a contemporary ritual cycle as Stanzione's beautifully illustrated work."--David Carrasco, Harvard University
Argues that the modern Western world's reductive understanding of sacrifice simplifies an enormously broad and dynamic cluster of religious activities, drawing on a comparative study of Vedic and Jewish sacrificial practices to demonstrate not only that sacrifice has no single, essential, identifying characteristic, but also that the elements most frequently attributed to such acts--death and violence--are not universal.
Chichén Itzá ("mouth of the well of the Itza") was one of the great centers of civilization in prehistoric America, serving between the eighth and twelfth centuries A.D. as a religious, economic, social, and political capital on the Yucatán Peninsula. Within the ancient city there were many natural wells or cenotes. One, within the ceremonial heart of the city, is an impressive natural feature with vertical limestone walls enclosing a deep pool of jade green water some eighty feet below ground level. This cenote, which gave the city its name, became a sacred shrine of Maya pilgrimage, described by one post-Conquest observer as similar to Jerusalem and Rome. Here, during the city's ascendancy and for centuries after its decline, the peoples of Yucatán consulted their gods and made ritual offerings of precious objects and living victims who were thought to receive prophecies. Although the well was described by Bishop Diego de Landa in the late sixteenth century, its contents were not known until the early 1900s when revealed by the work of Edward H. Thompson. Conducting excavations for the Peabody Museum of Harvard University, Thompson recovered almost thirty thousand artifacts, most ceremonially broken and many beautifully preserved by burial in the deep silt at the bottom of the well. The materials were sent to the Peabody Museum, where they remained, unexhibited, for over seventy years. In 1984, for the first time, nearly three hundred objects of gold, jade, copper, pottery, wood, copal, textile, and other materials from the collection were gathered into a traveling interpretive exhibition. No other archaeological exhibition had previously given this glimpse into Maya ritual life because no other collection had objects such as those found in the Sacred Cenote. Moreover, the objects from the Cenote come from throughout Mesoamerica and lower Central America, representing many artistic traditions. The exhibit and this, its accompanying catalog, marked the first time all of the different kinds of offerings have ever been displayed together, and the first time many have been published. Essays by Gordon R. Willey and Linnea H. Wren place the Cenote of Sacrifice and the great Maya city of Chichén Itzá within the larger context of Maya archaeology and history. The catalog entries, written by Clemency Chase Coggins, describe the objects displayed in the traveling exhibition. Some entries are brief descriptive statements; others develop short scholarly themes bearing on the function and interpretation of specific objects. Coggins' introductory essay describes how the objects were collected by Thompson and how the exhibition collection has been studied to reveal the periods of Cenote ritual and the changing practices of offering to the Sacred Cenote.
Sacrifice is essential to all religions. Could there be a natural, even biological, reason? Why are sacrifice and numerous other religious rituals and concepts shared by so many different cultures? In this extraordinary book, one of the world’s leading authorities on ancient religions explores the possibility of natural religion.
Sacrifice Imagined is an original exploration of the idea of sacrifice by one of the world's preeminent philosophers of religion. Despisers of religion have poured scorn upon the idea of sacrifice as an index of the irrational and wicked in religious practice. Nor does its secularised form seem much more appealing. One need only think of the appalling cult of sacrifice in numerous totalitarian regimes of the twentieth century. Yet sacrifice remains a part of our cultural and intellectual 'imaginary'. Hedley proposes good reasons to think that issues of global conflict and the ecological crisis highlight the continuing relevance of the topic of sacrifice for contemporary culture. The subject of sacrifice has been decisively influenced by two books: Girard's The Violence and the Sacred and Burkert's Homo Necans. Both of these are theories of sacrifice as violence. Hedley's book challenges both of these highly influential theories and presents a theory of sacrifice as renunciation of the will. His guiding influences in this are the much misunderstood Joseph de Maistre and the Cambridge Platonists.
In Sacrifice, René Girard interrogates the Brahmanas of Vedic India, exploring coincidences with mimetic theory that are too numerous and striking to be accidental. Even that which appears to be dissimilar fails to contradict mimetic theory, but instead corresponds to the minimum of illusion without which sacrifice becomes impossible. The Bible reveals collective violence, similar to that which generates sacrifice everywhere, but instead of making victims guilty, the Bible and the Gospels reveal the persecutors of a single victim. Instead of elaborating myths, they tell the truth absolutely contrary to the archaic sense. Once exposed, the single victim mechanism can no longer function as the model for would-be sacrificers. Recognizing that the Vedic tradition also converges on a revelation that discredits sacrifice, mimetic theory locates within sacrifice itself a paradoxical power of quiet reflection that leads, in the long run, to the eclipse of this institution which is violent but nevertheless fundamental to the development of human culture. Far from unduly privileging the Western tradition and awarding it a monopoly on the knowledge and repudiation of blood sacrifice, mimetic analysis recognizes comparable, but never truly identical, traits in the Vedic tradition.
This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture is depicted as ritually structured by a fertile center and sacrificial borders of death. Violence plays a key part in its identity. In essence, nationalism is neither quaint historical residue nor atavistic extremism, but a living tradition which defines American life.
Every few years, a book comes along that could change our world forever... Sahra's story is a powerful, illuminating and deeply moving portrayal of Jesus' intimate life with His secret wife, and is the journey of all humans remembering their divine origin. It is an authentically sacred and profound expos of their love-life - an exotic, poetic romance in the light of totally new and unique understanding of the holy journey that is both beautifully sensual and sacred. This lyrical work of art and creative inspiration gives the reader a vividly evocative experience of their way of life. Illustrated with unique sacred art exquisitely crafted from antique eastern silks, the book takes the reader on an astonishingly beautiful journey into the realm of the Divine and deep into the reader's own sacred soul. To read Sahra is to return Home to the Oneness of all, to our destiny. A heart-wrenching tale of love and sacrifice, crucifixion and resurrection, The Book of Sahra uncovers essential truths about our world, our destiny, and our own innate connection to the Divine. Everyone will want to read this book and discover the deeper meaning of events 2000 years ago that made Jesus the most venerated healer/teacher ever and their relevance to humanity and the world today. In the vein of such transformational works as The Alchemist, The Shack, and Conversations with God, this is a book for all who long for the eternal experience of Divine Love.
