Russia's Lost Literature of the Absurd

Russia's Lost Literature of the Absurd

Author: George Gibian

Publisher: W W Norton & Company Incorporated

Published: 1974

Total Pages: 208

ISBN-13: 9780393007237

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These bizarre and wildly imaginative pieces, written in Soviet Russia forty years ago, are as vital and disturbing as the best of today's absurdist literature. Almost none of the works of Daniil Kharms and Alexander Vvedensky have been published before in any language.


Reference Guide to Russian Literature

Reference Guide to Russian Literature

Author: Neil Cornwell

Publisher: Routledge

Published: 2013-12-02

Total Pages: 1020

ISBN-13: 1134260776

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First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.


The absurd in literature

The absurd in literature

Author: Neil Cornwell

Publisher: Manchester University Press

Published: 2013-07-19

Total Pages: 372

ISBN-13: 1847796575

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Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien. The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) – as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader.


An Anthology of Russian Literature from Earliest Writings to Modern Fiction

An Anthology of Russian Literature from Earliest Writings to Modern Fiction

Author: Nicholas Rzhevsky

Publisher: Routledge

Published: 2019-09-16

Total Pages: 566

ISBN-13: 1317476867

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Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.


Daniil Kharms and the Poetics of the Absurd

Daniil Kharms and the Poetics of the Absurd

Author: Neil Cornwell

Publisher: Springer

Published: 1991-06-18

Total Pages: 290

ISBN-13: 1349116424

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This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.


The Routledge Companion to Absurdist Literature

The Routledge Companion to Absurdist Literature

Author: Michael Y. Bennett

Publisher: Taylor & Francis

Published: 2024-05-29

Total Pages: 803

ISBN-13: 1040001610

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The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.