Shirley Trevena is a successful and popular watercolourist with a huge international fan base. Throughout her career Shirley has pushed the boundaries of watercolour and is regarded as one of Britain's most innovative artists in that medium. Shirley's watercolours are vibrant in colour, visually inspiring and strong in composition. In this book, Shirley shares her thoughts, ideas, stories and sketches of more than 100 paintings to give a valuable insight into the evolving work of a much-loved artist. Shirley breaks the conventional rules of watercolour in many different ways: through her exciting compositions, strange perspectives and above all, the strength and vibrancy of her colour combinations. In this exciting and inspiring book, Shirley gives her personal view of painting and shares her creative process with us.
John Blockley was one of Britain's most outstanding watercolour and pastel painters of the late 20th century, and has exhibited at the Royal Academy. Self-taught, he produced work that has always been experimental and progressive. His highly textured style was well ahead of his time and still hugely influential now. The quality of his work is even more staggering given that he never trained at any art college, and spent most of his working life as an engineer. He only started painting full time at the age of 52. His obsession for drawing and painting, even while a successful engineer, was driven by his search for the essence of his subjects. The power of his paintings reveal that passion. This beautiful retrospective of his work, including drawings, watercolours, pastels and also acrylics, brings together the best of his work. The illuminating commentary on his work is from his daughter, Ann Blockley, who is also an acclaimed painter in her own right. She understands completely where John Blockley was coming from in his artistic vision and also explains the techniques he used. Breaking with so many traditions in watercolour painting in the 1960s, John was and is an influential figure in the art world. John said, 'In order to paint the terrain as I see it – blotched, mottled, grainy – I must experiment'. These experimentations are still of huge value to painters today. This book is perfect for any painter who enjoys John's work but also for all the many, many fans of his work.
An inspirational and practical art manual, packed with step-by-step projects. Artist Ann Blockley is renowned for her innovative approach to watercolour painting. Her highly anticipated new book provides a series of workshops demonstrating how to push the boundaries of watercolour, using key techniques to develop your own work and take your paintings to the next level. Ann's easy-to-follow, step-by-step projects demonstrate how some of her most dramatic paintings are created. She describes in detail some of the key techniques used and how you can experiment with alternative methods to create your own interpretations. Finally, her beautiful and inspirational artworks demonstrate how different interpretations of a subject might take an unexpected or unusual direction, and how to make the most of these opportunities. The book moves, with progressively challenging projects, from loose wildflower meadows, textured woodland and rustic rambling walls to atmospheric or semi-abstract landscape corners, all rendered in Ann's adventurous signature style. Loose, expressive mark-making and unusual techniques include combining water-based paint and ink with granulation medium for dramatic texture, drawing with twigs, using gesso and collage to create unique effects; manipulating paint with materials such as plastic wrap (clingfilm); developing printed marks made using found materials. Following the huge demand for more practical guidance in experimental painting, the book provides plenty of techniques and instruction. Ann's personal commentary also gives a unique insight into the mind of the artist – ways of looking at your subject, how to explore and experiment – to unlock the potential of your watercolour painting.
A passionate and purposeful book on finding real creativity through nature. An essential book for our times and all artists at whatever level. In her most passionate and personal book to date, acclaimed watercolour artist Ann Blockley takes both budding and more experienced artists through a series of ideas for working with nature – in its widest sense – to nurture our creativity, inspire us, make us more sustainable artists, and replenish energy and flow when our artistic streams run dry. In 'Go Outside and Play', the author exhorts artists to recapture a fun, no-pressure way of being outside and use that feeling when creating. In 'Connecting Materials to Place' she creates her own paint from the local pond. In 'The Slow Movement', the artist reveals her year of working on a specific local hedgerow and painting a series of different interpretation in its every-changing detail. She created regular creative rituals, using her weekly playing card as a starting point for a new painting to reflect the season each week. She reuses old paintings, and tissue and paper – wabi-sabi style – to create new textures and even new paintings. Including work from other artists as well as her own, she shows the ideas and work from textile and mixed-media artists. From allotment inspiration to reusing old painting and from nature prints to the alchemy of found materials, this is a journey to find new creativity through our connection with our natural world.
Giving an insight into how this inspiring and talented artist works, The Addictive Sketcher passes on Adebanji Alade's infectious enthusiasm and will have the reader reaching for a pencil or pen to have a go. Adebanji has a skill and a passion for speaking and motivating his audience in a fun and engaging way, and this is reflected in his writing style. Lively, stimulating and instructive, it is packed with numerous examples of the author’s sketches as well as examples of his vibrant finished paintings. Covering pencils, coloured pencils, charcoal and graphite, along with finished oil paintings, this book provides a fascinating insight into the author’s techniques. Adebanji’s work covers a broad range of subjects, including landscapes, portraits, crowd scenes, urban scenes and seascapes. He’s particularly well known for his portraits and working outdoors capturing the life of London where he lives. This book includes examples from a range of subject areas.
Contains step-by-step demonstrations that show how to paint various elements of landscapes in watercolor, and includes information on materials, shape and form, light and shade, tone, color, techniques, and other considerations.
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature. Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period. The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William HolmanHunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium. Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
