This edition of the numerous supplications from members of the University of Paris for papal benefice support during the pontificate of the Avignon pope Clement VII (1378-1394) provides important documentation on Parisian scholars and papal beneficial policy in the early years of the Papal Schism.
This volume continues the edition of the rotuli, or lists of benefice supplications, sent to the papacy by masters, bachelors, and students at the University of Paris in the fourteenth century. It specifically covers the pontificate of the Avignon pope Clement VII (1378-1394). It also contains letters of provision, in abbreviated form, that resulted from those petitions, along with a large number of supplications from individual Parisian scholars either submitted independently or, more frequently, through another sponsor. In contrast to earlier papal beneficial policy, Pope Clement responded favorably to many petitions from students in the faculty of arts at Paris, some of them in the beginning years of their undergraduate education. Thus, in addition to providing important information on Parisian scholars and papal beneficial policy in the early years of the Papal Schism, it documents a portion of the university community otherwise invisible, namely undergraduate students, and reveals the connections between Parisian scholars and social and ecclesiastical patrons at the end of the fourteenth century. The book concludes with an index of the names of scholars and patrons as well as a place-name index locating the parish and collegiate churches mentioned in the texts. Along with the two earlier volumes, this edition represents the largest body of new documentation for the pre-fifteenth century University to appear since the publication of the Chartularium Universitatis Parisiensis at the end of the nineteenth century.
This edition of texts resulting from supplications by the University of Paris for papal benefice support in the second half of the fourteenth century provides new biographical information on some 1600 Parisian masters, many of them previously undocumented.
Mental health and madness have been challenging topics for historians. The field has been marked by tension between the study of power, expertise and institutional control of insanity, and the study of patient experiences. This collection contributes to the ongoing discussion on how historians encounter mental ‘crises’. It deals with diagnoses, treatments, experiences and institutions largely outside the mainstream historiography of madness – in what might be described as its peripheries and borderlands (from medieval Europe to Cold War Hungary, from the Atlantic slave coasts to Indian princely states, and to the Nordic countries). The chapters highlight many contests and multiple stakeholders involved in dealing with mental suffering, and the importance of religion, lay perceptions and emotions in crises of mind. Contributors are Jari Eilola, Waltraud Ernst, Anssi Halmesvirta, Markku Hokkanen, Kalle Kananoja, Tuomas Laine-Frigrén, Susanna Niiranen, Anu Rissanen, Kirsi Tuohela, and Jesper Vaczy Kragh.
In The Horoscope of Emperor Baldwin II Filip Van Tricht presents a microstudy of political, social and cultural life in Latin-Byzantine Constantinople and Romania. A ‘new’ set of sources is used to question the traditionally negative view of the Byzantine capital under Latin rule. Combined with an analysis of other underused historical materials, mid-13th century Latin-Byzantine Constantinople is redefined as a city that—in spite of the Western conquest during the Fourth Crusade—remained dynamic, with vibrant internal and international politics, and with interesting developments in the social, religious, artistic, and scientific spheres. Against the background of a shared Roman past the metropolis on the Bosporus became a fascinating laboratory of Latin-Byzantine interaction.
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
"This book contains twenty essays by expert scholars of higher learning in the early modern period. Together they discuss topics that historians of universities have largely ignored: notably the extensive collaboration, and occasional conflicts, between university scholars, instructors, and administrators on the one hand, and students at academies, independent and dependent colleges, gymnasia, and Latin schools on the other. The contributions also cover a wide geographical range, covering universities, schools, academies, and the history of the book, in many European states, and Latin America"--