Ranch roping is at the heart of all ranch work, and unlike the rodeo variation of calf roping, the “vacquero” tradition calls for techniques that result in a skillful and graceful throw and catch. Buck Brannaman, a world-renowned master of the art, describes the essential tools, the partnership between horse and rider (incorporating the Natural Horsemanship approach for which the author is famous), and the mechanics needed to become a successful ranch roper, whether in competition or in actual cattle work. One-hundred full-color photographs of Buck in action enhance the step-by-step methodology that leads to mastering this essential Western skill. Whether you ride or rope or just wish you could, here’s a book for everyone who is captivated by Western traditions and contemporary life.
They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.
For more than a hundred years, American cowboys have made their living through the skilled use of horse and rope. Whole libraries have been devoted to the horse, but no one, until now, has written a thorough study of the origins and evolution of ranch roping--which differs from arena roping as practiced by rodeo cowboys. Author/cowboy John Erickson studies ranch roping from every angle: its origins in the Old World; old-time loops and throws; the influence of modern team roping; and the endless debate between those cowboys who rope "hard and fast" and those who "dally." Mixing scholarship with his working--cowboy's knowledge of the subject, Erickson tells stories of cowboys who could not resist fitting their loops on "things that ort not to be roped," such as elk, deer, badgers, bears, and bobcats. He tells of jackrabbit roping contests, and of cowboys who roped mice, geese, hogs, wives, or a runaway milk wagon. Anyone who has ever "built a loop" or even thought about it will find this book hard to put down.
Young adult fiction enjoyed by fans of Canterwood Crest, Heartland, & The Thoroughbred Series. Featured in Pony & Style Magazine and Everything Horse UK Magazine. Sixteen year old Lucy Rose is spending her first summer away from home and she has two things on her mind: an abandoned, violent horse and a blue-eyed cowboy. Only neither is hers. Lucy has never attracted much attention from boys, but she can't seem to ignore her blue-eyed co-worker, Casey Parker. A true cowboy, Lucy is fascinated by his gentle way with the horses at Red Rock Ranch. However, she is very aware that Taylor Johnson, rodeo queen extraordinaire, already has her spurs in him. And there's no crossing Taylor. . . . Not until a mysterious horse appears on the ranch and pushes Lucy and Casey together. The two are willing to do anything to save the black gelding that doesn't want a thing to do with them or the human race. But every step forward with the broken animal makes Lucy fall harder - for him and for Casey. Saddle-up with a sweet, wholesome young adult equestrian series full of first loves, friendship, and horses. Get ready for a summer packed with trail rides, horse shows, rodeo, campfires, and kisses. BOOKS IN THE RED ROCK RANCH SERIES: Lucy's Chance (book 1) Showdown (book 2) Rodeo Daze (book 3)
One of the best tie-down calf ropers ever to come out of South Texas, Juan Salinas grew up on a 15,000-acre ranch near Laredo, with the finest of horses to ride and hundreds of head of cattle to practice on. He roped in Texas rodeos large and small from the mid-1920s to 1935. From 1936 to 1946, he followed the national rodeo circuit, competing from Texas to New York’s Madison Square Garden. At the time, few if any other Mexican Americans competed in rodeo, and Salinas drew a lot of attention. Salinas also operated his family’s Texas ranch, where he ran cattle and raised prize roping quarter horses. In this account of his life and career, Salinas’s nephew, Ricardo Palacios, recounts the many tales his uncle told him—tales of friendship with Gene Autry, going to Sally Rand’s wedding reception, riding on the Rodeo Train, and sponsoring seven-time world champion tie-down calf roper Toots Mansfield. He also narrates life on the range, with his uncle riding across a pasture at full speed, gingerly holding the reins and a thirty-five foot coil of rope in his left hand while swinging the roping loop overhead with his right hand as he chased a three-hundred-pound calf for the throw. The story of Juan Salinas is also the story of the people of Mexican origin who live on the ranches of the South Texas brush country. Strong, rugged, independent, and hard-working, they knew social and economic success that has all too seldom been chronicled. Tío Juan was the family cowboy, the hero, the rodeo star, and Palacios tells his uncle’s story with warmth and admiration. In 1991 Salinas was inducted into the Rodeo Hall of Fame of the National Cowboy and Western Heritage Museum. He was also named Rancher of the Year by Laredo’s Borderfest and won the Ranching Heritage Award given by the King Ranch and Texas A&M–Kingsville. In 1993, he was inducted into the LULAC International Sports Hall of Fame. These were, Palacios writes, “fitting tributes to a champion and fine additions to his collection of trophy roping saddles, silver trophies, and champion’s buckles.”
Celebrated folklorist and author Jim Hoy has spent most of his life living in the heart of the famed Flint Hills of Kansas and documenting and celebrating his fellow Kansans and plains folk. Like rounding up stray cattle in a rolling pasture, Hoy has gathered over a hundred stray stories, tales without a single theme or unified narrative, and corraled them up here for the very first time. Branding these stories in sections like Cattle Towns, Outlaws, and Cowboy Music, Hoy’s vignettes teach, excite, charm, and instill a deep pride in anyone fortunate enough to have lived on the Great Plains. In Gathering Strays, Hoy gives us a collection of stories about Kansas, the Great Plains, and Western life that reflect his life-long love of the land, experience, and history of the region. Hoy introduces us to folks like Elmer McCurdy, a failed train robber whose arsenic-embalmed body went on tour and made money for the undertaker, and Ame Cole, who scolded Russian Grand Duke Alexis on his table manners. Writing as an easygoing storyteller, Hoy covers familiar areas like rodeos and cattle drives, takes us from Dodge City to Beer City and everywhere in between, explains why Kansas has the best state song in the nation, and expands our picture of cowboys with stories of Australian drovers, Black cowboys, and Mexican vaqueros. Throughout, his easy-to-read yet authoritative style describes the people, places, and events that make the region so distinctive and celebrated. Gathering Strays will be hailed by anyone interested in the heroes and villains, towns and ranges, and myths and legends of the West.
This books tells how almost any rider of almost any level of expertise can adapt ranch-horse-training techniques to help his or her mount become a safer, more enjoyable ride. Pate's step-by-step methods offer a hands-on and in-your-own time approach well-suited for most recreational riders. Each chapter includes do-it-yourself ideas appropriate for the small-acreage horse owner.
From the Wild West shows of the nineteenth century to the popular movie Westerns of the twentieth century, one view of an idealized and mythical West has been promulgated. Elyssa Ford suggests that we look beyond these cowboy clichés to complicate and enrich our picture of the American West. Rodeo as Refuge, Rodeo as Rebellion takes us from the beachfront rodeo arenas in Hawai‘i to the reservation rodeos held by Native Americans to reveal how people largely missing from that stereotypical picture make rodeo—and America—their own. Because rodeo has such a hold on our historical and cultural imagination, it becomes an ideal arena for establishing historical and cultural relevance. By claiming a place in that arena, groups rarely included in our understanding of the West—African Americans, Native Americans, Mexican Americans, Native Hawaiians, and the LGBT+ community—emphasize their involvement in the American past and proclaim their right to an American identity today. In doing so, these groups change what Americans know about their history and themselves. In her journey through these race- and group-specific rodeos, Ford finds that some see rodeo as a form of escape, a refuge from a hostile outside world. For others, rodeo has become a site of rebellion, a place to proclaim their difference and to connect to a different story of America. Still others, like Mexican Americans and the LGBT+ community, look inward, using rodeo to coalesce and celebrate their own identities. In Ford’s study of these historically marginalized groups, she also examines where women fit in race- and group-specific rodeos—and concludes that even within these groups, the traditional masculinity of the rodeo continues to be promoted. Female competitors may find refuge within alternate rodeos based on their race or sexuality, but they still face limitations due to their gender identity. Whether as refuge or rebellion, rodeos of difference emerge in this book as quintessentially American, remaking how we think about American history, culture, and identity.
